Maggi Hambling | |
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Born | [1] Sudbury, England | 23 October 1945
Nationality | British |
Education | |
Known for | painting, sculpture |
Awards |
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Website | maggihambling |
Margaret J. Hambling [2] CBE (born 23 October 1945) is a British artist. Though principally a painter her best-known public works are the sculptures A Conversation with Oscar Wilde and A Sculpture for Mary Wollstonecraft in London, and the 4-metre-high steel Scallop on Aldeburgh beach. All three works have attracted controversy. [3] [4]
Maggi Hambling was born in Sudbury, Suffolk [5] to Barclays bank cashier and local politician Harry Smyth Leonard Hambling (1902–1998) and Marjorie (née Harris: 1907–1988). [6] [7] [8] She had two siblings, a sister, Ann, who was 11 years older, and a brother, Roger, nine years older than Hambling. Her brother had wanted a younger brother but ignored the fact that his new sibling was female and taught her carpentry and "how to wring a chicken's neck." Hambling was close to her mother who taught ballroom dancing and took Hambling along to be her partner. It was from her father that she inherited her artistic skills. She was not as close to him as she was to her mother but when her father retired at the age of 60, she gave him some oil paints and discovered that he had a knack for painting; he went on to have seven well-received solo shows, and exhibited twice at the Royal Academy Summer Exhibition; his paintings were owned by George Melly, Delia Smith, and Paul Bailey, among others, and are held in public and private collections including in America and Australia. [6] [9]
Hambling first studied art under Yvonne Drewry at the Amberfield School in Nacton. She then studied at the East Anglian School of Painting and Drawing from 1960 under Cedric Morris and Lett Haines at Benton End, then at Ipswich School of Art (1962–64), Camberwell (1964–67), and finally the Slade School of Art (1967–69) at UCL, graduating in 1969. [10]
Hambling is known for her intricate land and seascapes, including a celebrated series of North Sea paintings. [11] Among her portraits, several works are held by the National Portrait Gallery, London. [12]
In 1980 Hambling became the first artist in residence at the National Gallery, after which she produced a series of portraits of the comedian Max Wall. [13] Wall responded to Hambling's request to paint him with a letter saying: "Re: painting little me, I am flattered indeed – what colour?" [5] [14] She has taught at Wimbledon School of Art. [15]
Women feature prominently in her portrait series. Hambling was commissioned by the National Portrait Gallery to paint Professor Dorothy Hodgkin in 1985. The portrait features Hodgkin at a desk with four hands, all engaged in different tasks. [16] Her wider body of work is held in many public collections including the British Museum, Tate Collection, National Gallery, Scottish National Gallery of Modern Art and the Victoria and Albert Museum.
Hambling is known for painting the dead, including portraits of her parents [9] and Henrietta Moraes in their coffins, saying that she "found it rather therapeutic to go on painting them after death". [17] George Melly was the subject of a series that documented his approach to death, and said she would go down in history as "Maggi 'coffin' Hambling". [17] Some of her recent work is spurred through anger—for the destruction of the planet, about politics, for social issues. [18] She has also said that "Making a work of art is making a work of love." [19]
In 2013, she exhibited at Snape during the Aldeburgh Festival, and a solo exhibition was held at the Hermitage, St Petersburg.[ citation needed ]
Hambling is a patron of Paintings in Hospitals, a charity that provides art for health and social care in England, Wales and Northern Ireland. [20]
Hambling's 1998 outdoor sculpture at Charing Cross in central London as a memorial to dramatist Oscar Wilde, the first public monument to him outside his native Ireland. [21]
Derek Jarman first suggested a memorial in the 1980s and a committee chaired by Sir Jeremy Isaacs including actors Dame Judi Dench and Sir Ian McKellen and the poet Seamus Heaney, raised the money and commissioned Hambling. [22] Her design features Wilde rising from a polished green granite coffin holding a cigarette. The coffin is intended to serve as a public bench rather than the more conventional stone plinth, hence Hambling's name for the memorial A Conversation with Oscar Wilde, as visitors sit next to the writer's effigy. The work bears a quotation from Lady Windermere's Fan : "We are all in the gutter but some of us are looking at the stars." [22]
Some critics were severe in their criticism of the work, [23] but supporters said it was well-loved by the public. [24] The chief art critic of The Independent [25] wrote that ultimately the sculpture was not about Wilde or the viewing public, but a reflection of Hambling herself. [26] The cigarette was repeatedly removed, [27] "the most frequent act of vandalism/veneration to a public statue in London", [28] and is now no longer replaced.
Scallop (2003) celebrates the composer Benjamin Britten and stands on the beach outside Aldeburgh, Suffolk, near Britten's homes and not far from Hambling's village. [29] The four-metre-high (13 ft) cast stainless steel sculpture is in the form of the two fractured halves of a scallop shell, etched with the quotation from Britten's opera Peter Grimes : "I hear those voices that will not be drowned."
Hambling describes Scallop as a conversation with the sea:
Opponents claimed the sculpture ruined a previously unspoilt stretch of beach. A local petition against it attracted several hundred signatures and it has been vandalised a number of times. [31] [32]
For this work, Hambling received the 2006 Marsh Award for Excellence in Public Sculpture. [33]
In May 2018, Hambling was chosen to create a statue commemorating Mary Wollstonecraft, the “foremother of feminism”. The Mary on the Green campaign was working to erect a permanent memorial to the philosopher and author of A Vindication of the Rights of Woman since 2011. It chose Hambling for the sculpture unanimously. Hambling's design features a figure – described as an everywoman – emerging out of organic matter. It is inspired by Wollstonecraft's claim to be “the first of a new genus”. Wollstonecraft's famous quotation, “I do not wish women to have power over men but over themselves”, appears on the plinth. [34]
The work, A Sculpture for Mary Wollstonecraft, was unveiled in Newington Green, north London, on 10 November 2020, [35] across from the Newington Green Unitarian Church, where Wollstonecraft worshipped. [36] Newington Green is known as the birthplace of feminism because of Wollstonecraft's roots there and is where Wollstonecraft moved her school for girls from Islington in 1784. [37]
The sculpture sparked a backlash. British feminist author Caroline Criado Perez called it "catastrophically wrong" and said, "I honestly feel that actually this representation is insulting to [Wollstonecraft]. I can't see her feeling happy to be represented by this naked, perfectly formed wet dream of a woman." [4] Hambling defended her decision, saying that "clothes would have restricted her. Statues in historic costume look like they belong to history because of their clothes. It's crucial that she is 'now'." [38] The design of the statue was in deliberate opposition to "traditional male heroic statuary" of the Victorian era, the campaigners behind it describing the figure as someone who has "evolved organically from, is supported by, and does not forget, all her predecessors." [39]
In 1995, she was awarded the Jerwood Painting Prize [40] (with Patrick Caulfield). In the same year she was awarded an OBE for her services to painting. In 2005, she received the Marsh Award for Excellence in Public Sculpture for Scallop.
In the 2010 New Year Honours, she was awarded a CBE for services to art.
Hambling described herself as "lesbionic" (her adjective). [19] She formed a relationship with a fellow artist, [41] Victoria (“Tory”) Dennistoun, from a family of horse racing jockeys and trainers, [42] who was married to John Lawrence (later Lord Oaksey), aristocrat and horse racing journalist. Lord and Lady Oaksey's "marriage broke up in unhappily public fashion in the mid-1980s". [43] Tory Lawrence and Hambling have been together ever since, living in a cottage near Saxmundham in Suffolk. [44] The house was left to Hambling by Lady Gwatkin (Isolen Mary June Wilson), widow of Norman Gwatkin.
For the last year of the life of Henrietta Moraes, she and Hambling were in a relationship. The artists' model, Soho muse, and memoirist died in 1999 and Hambling produced a posthumous volume of charcoal portraits of her. [45]
She once said that she would not speak during a television show if she could not smoke. The camerawoman had stated she would not work with someone who did; Hambling stuck to her word and did not speak. [46]
Hambling gave up smoking in 2004 and was involved in the campaign against the total ban on smoking in public places in England which took effect on 1 July 2007. Speaking at a news conference at the House of Commons on 7 February 2007, she said: "I wholeheartedly support the campaign against a ban on smoking in public places. Just because I gave up at 59, other people may choose not to. There must be freedom of choice, something that is fast disappearing in this so-called free country." [47] She took up smoking again on her 65th birthday but only 'the ones that smell of toothpaste'. [44]
In August 2014, Hambling was one of 200 public figures who were signatories to a letter to The Guardian opposing Scottish independence in the run-up to September's referendum on that issue. [48]
Aldeburgh is a coastal town and civil parish in the East Suffolk district, in the county of Suffolk, England, north of the River Alde. Its estimated population was 2,276 in 2019. It was home to the composer Benjamin Britten and remains the centre of the international Aldeburgh Festival of arts at nearby Snape Maltings, which was founded by Britten in 1948. It also hosts an annual poetry festival and several food festivals and other events.
The Aldeburgh Festival of Music and the Arts is an English arts festival devoted mainly to classical music. It takes place each June in the town of Aldeburgh, Suffolk and is centred on Snape Maltings Concert Hall.
Mary Myfanwy Piper was a British art critic and opera librettist.
Sir Cedric Lockwood Morris, 9th Baronet was a British artist, art teacher and plantsman. He was born in Swansea in South Wales, but worked mainly in East Anglia. As an artist he is best known for his portraits, flower paintings and landscapes.
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures were generally understood to be symbols of fertility or well-being.
Chinwe Ifeoma Chukwuogo-Roy MBE was a visual artist who was born in Awka (Oka), Anambra state, Nigeria, but spent much of her young life in Ikom on the Cameroon border, before moving back to the family home at Umubele in Awka. She lived in Britain from 1975. Her paintings, prints and sculptures are predominantly figurative, in the genres of portraiture, still-life, landscape and narrative subjects. She won international attention in 2002 for being the first of only two Nigerian artists to have been allowed to paint official portraits of Queen Elizabeth II.
The Women's Art Collection is a permanent collection of modern and contemporary art by women artists, at Murray Edwards College, Cambridge, England.
Vandalism of art is intentional damage of an artwork. The object, usually exhibited in public, becomes damaged as a result of the act, and remains in place right after the act. This may distinguish it from art destruction and iconoclasm, where it may be wholly destroyed and removed, and art theft, or looting.
Mary Potter, OBE was an English painter whose best-known work uses a restrained palette of subtle colours.
A Conversation with Oscar Wilde is an outdoor sculpture by Maggi Hambling on Adelaide Street in central London dedicated to Oscar Wilde. Unveiled in 1998, it takes the form of a bench-like green granite sarcophagus, with a bust of Wilde emerging from the upper end, with a hand clasping a cigarette.
Yvonne Drewry was an English artist and art teacher, noted for her work in and around Suffolk.
Patrick John Tristram Lawrence, 5th Baron Trevethin and 3rd Baron Oaksey, is a British barrister, hereditary peer and crossbench member of the House of Lords. He was educated at Christ Church, Oxford.
The Oscar Wilde Memorial Sculpture is a collection of three statues in Merrion Square in Dublin, Ireland, commemorating Irish poet and playwright Oscar Wilde. The sculptures were unveiled in 1997 and were designed and made by Danny Osborne.
The Haven, Aldeburgh is a 20.2 hectare Local Nature Reserve in Aldeburgh in Suffolk. It is owned by East Suffolk Council and managed by the Suffolk Coast and Heaths Area of Outstanding Natural Beauty. It is in the Leiston - Aldeburgh Site of Special Scientific Interest and Suffolk Coast and Heaths Area of Outstanding Natural Beauty.
Karin Margareta Jonzen, née Löwenadler, was a British figure sculptor whose works, in bronze, terracotta and stone, were commissioned by a number of public bodies in Britain and abroad.
Deborah Pritchard is a British composer. She is known for her concert works, a compositional approach informed by her synaesthesia, and her work in response to visual artists, most notably Maggi Hambling, Hugie O'Donoghue and Marc Chagall. She also paints music in the form of visualisations and music maps. The London Symphony Orchestra premiered her large orchestral piece The Angel Standing in the Sun at LSO St Lukes in 2015, her violin concerto Calandra was premiered by Jennifer Pike and the BBC Symphony Orchestra at the Barbican, London in 2022 and Radiance for solo cello, responding to The Peace Window by Marc Chagall at the United Nations, was premiere by Natalie Clein at the Purbeck International Chamber Music Festival in 2022. She won a British Composer Award for her solo violin piece Inside Colour in 2017,
Jonathan Alistair James Reekie is a British arts administrator who has been the Director of Somerset House Trust since 2014. During this time, the renovation of the historic site has been completed, including the launch of Somerset House Studios, helping to establish Somerset House as "London's Working Arts Centre", home to a creative community in central London. Reekie has overseen the expansion of the cultural programme, including PJ Harvey's Recording in Progress with Artangel, Björk Digital, Big Bang Data, Perfume, and Get Up, Stand Up Now. In 2019, Reekie co-curated with Sarah Cook the exhibition 24/7, a wake-up call to a non-stop world, based on the book by Jonathan Crary.
A Sculpture for Mary Wollstonecraft is a public sculpture commemorating the 18th-century feminist writer and advocate Mary Wollstonecraft in Newington Green, London. A work of the British artist Maggi Hambling, it was unveiled on 10 November 2020.
Scallop is a 2003 work by British artist Maggi Hambling. It is located on Aldeburgh beach, Suffolk, in an Area of Outstanding Natural Beauty and is a tribute to composer Benjamin Britten.
They are quite angry pictures. A casual glance may lead you to think that this exhibition is made up of three different subjects but actually they are all about the same thing – uncertainty. We are living in uncertain times. We are living on the edge.