Mahoney's Last Stand | ||||
---|---|---|---|---|
Soundtrack album by Ron Wood and Ronnie Lane | ||||
Released | September 1976 | |||
Recorded | May, September–November 1972, March 1976 | |||
Studio | Olympic Sound Studios, London | |||
Genre | Rock | |||
Label | Atlantic | |||
Producer | Glyn Johns | |||
Ron Wood chronology | ||||
| ||||
Ronnie Lane chronology | ||||
|
Mahoney's Last Stand is an album by Faces bandmates Ronnie Wood and Ronnie Lane, recorded in 1972 (with sessions overlapping with the early rehearsals for the Faces' final studio album Ooh La La ). It is the music soundtrack album of the low-budget 1972 Canadian film Mahoney's Last Stand (original US title: Mahoney's Estate) [1] starring Alexis Kanner (who also produced the film), Sam Waterston and Maud Adams. The film itself, little seen at the time of its release and even less so since, charts the progress of city-dweller Mahoney (Kanner) who abandons his urban existence to become a homesteader, and the drama that ensues. Pete Townshend, who guests on guitar on some tracks on the album, also receives a credit in the film for providing 'special electronic effects', alongside Wood and Lane's musical score.
For various reasons the film's release was delayed until 1976, and consequently the soundtrack album suffered the same fate (and to further confuse matters the film has since also been re-released under the title Downtown Farmer). However, due to the relative fame of Wood (and to a lesser extent, Lane), the soundtrack album has remained far more readily available than the film itself.
Ronnie Lane was initially approached to produce a soundtrack for the film through his acquaintance with lead actor and producer Alexis Kanner, and Lane, at a loose end between Faces recording commitments, soon involved his bandmate Ronnie Wood. Lane and Wood were already an established songwriting team within the Faces (and would soon go on to write one of the group's best-remembered numbers, "Ooh La La", together), although by 1972 their partnership had begun to take a back seat to Wood's more commercially-driven writing alliance with Rod Stewart. The Mahoney soundtrack album is a mostly laid-back affair, strongly influenced by folk and country styles in line with the bulk of Ronnie Lane's later solo work, and in keeping with the themes of the film itself. Half of the tracks are instrumentals but one of the others, "Mona (The Blues)", is a re-arrangement of an instrumental Faces outtake from 1970 with a new lead vocal by Wood. Another vocal number, "Just For a Moment", is one of Lane's most tender ballads, recently rehearsed with the Faces but set aside for this project.
For such a seemingly small-scale project the album attracted an all-star guest cast of 1970s musicians (see below), and fellow Faces Ian McLagan and Kenney Jones also guest on "Tonight's Number", one of the more uptempo rock-oriented tracks. In some ways the album offered a tantalising glimpse of the musical direction the originally intended Faces lineup might have taken under Lane and Wood's leadership without Rod Stewart in the group, while also demonstrating how crucial Stewart was to their commercial - if not necessarily artistic - success (Stewart was the last member to join the band in mid-1969 despite the misgivings of Lane and Ian McLagan, who were still smarting after being summarily abandoned by their previous lead singer Steve Marriott only a few months earlier, in their previous formation as Small Faces).
Although it was recorded in 1972 the album remained unfinished and unreleased until 1976, by which time the Faces were defunct, Lane had established a modest but creatively fulfilling solo career, and Wood had joined the Rolling Stones. The album was released to little fanfare and the lack of information on the original release initially led fans (and reviewers) to believe the work was a reunion for the two bandmates rather than an extracurricular project recorded while Lane was still an active member of the Faces (he left the group in 1973 and they dissolved in 1975). This false assumption remained uncorrected until the album was reissued on CD nearly thirty years later with new, more detailed recording notes (although even today some reviewers seemingly still remain ignorant of the facts).
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Christgau's Record Guide | B− [3] |
MusicHound Rock | 2/5 [4] |
The Rolling Stone Album Guide | [5] |
All tracks composed by Ron Wood and Ronnie Lane.
Faces are an English rock band formed in 1969 by members of Small Faces after lead singer and guitarist Steve Marriott left to form Humble Pie. The remaining Small Faces—Ian McLagan (keyboards), Ronnie Lane, and Kenney Jones —were joined by guitarist Ronnie Wood and singer Rod Stewart, both from the Jeff Beck Group, and the new line-up was renamed Faces.
Ronald Frederick Lane was an English musician and songwriter who was the bassist and co-founder of the rock bands Small Faces (1965–69) and Faces (1969–73).
Ronald David Wood is an English rock musician, best known as an official member of the Rolling Stones since 1975, as well as a member of Faces and the Jeff Beck Group.
Ooh La La is the fourth and final studio album by the English rock band Faces, released in March 1973. It reached number one in the UK Albums Chart in the week of 28 April 1973. The album was most recently reissued on CD in a remastered and expanded form on 28 August 2015, including early rehearsal takes of three of its tracks, as part of the 1970–1975: You Can Make Me Dance, Sing Or Anything... box set. The box set's vinyl counterpart did not contain any bonus tracks, but it did replicate the original LP artwork and 'animated' cover.
Long Player is the second album by the British rock group Faces, released in February 1971. Among the highlights are a live cover version of Paul McCartney's "Maybe I'm Amazed", the ballads "Richmond" and "Sweet Lady Mary", the party tune "Had Me a Real Good Time", and uptempo saloon bar rocker "Bad 'n' Ruin". Two tracks, "Maybe I'm Amazed" and "I Feel So Good", were recorded live at the Fillmore East, New York City, on 10 November 1970.
First Step is the debut studio album by the English rock band Faces, released on 27 March 1970 by Warner Bros. Records. The album was released only a few months after the Faces had formed from the ashes of the Small Faces and The Jeff Beck Group. The album is credited to the Small Faces on all North American issues and reissues, while record labels for initial vinyl printings give the title as The First Step.
Snakes and Ladders / The Best of Faces was an October 1976 best-of album by British rock group Faces. While the first released Faces compilation was a repackaging of the group's first two LPs as a double album, this US-only release presented the first attempt to compile the popular songs from the group after they had disbanded in 1975. Featuring photography by Tom Wright and unique cover art by guitarist Ronnie Wood, it was only eventually superseded in the US market by the CD compilation Good Boys... When They're Asleep in 1999.
Good Boys... When They're Asleep... was a 1999 compilation of British rock group Faces. Compiled primarily by keyboardist Ian McLagan, it served to supersede the 1976 effort Snakes And Ladders / The Best of Faces, and to present a CD-length retrospective of the group, lasting nearly eighty minutes.
Five Guys Walk into a Bar... is a comprehensive four-disc retrospective of the British rock group Faces released in 2004, collecting sixty-seven tracks from among the group's four studio albums, assorted rare single A and B-sides, BBC sessions, rehearsal tapes and one track from a promotional flexi-disc, "Dishevelment Blues" – a deliberately-sloppy studio romp, captured during the sessions for their Ooh La La album, which was never actually intended for official release.
I've Got My Own Album to Do is the first solo album by English rock musician Ronnie Wood, released in September 1974. An all-star project recorded outside of his activities with the Faces, it reached number 27 on the UK's NME chart. The album title was thought to be a dig at Rod Stewart, who appeared to be more committed to his solo career than working with the Faces. Wood has said that the title originated from contributors such as George Harrison and Mick Jagger "nagging me to let them go home" and finish their own projects. The album was recorded at The Wick, Wood's house in Richmond, south-west London.
1234 is the fourth solo album by English musician Ronnie Wood, released in September 1981. In the United States, it spent five weeks on the Billboard 200, peaking at number 164. The album was co-produced by Andy Johns and features musical contributions from Ian McLagan, Charlie Watts, Bobby Womack, Waddy Wachtel and Nicky Hopkins, among others.
Lead Vocalist is a compilation album released by Rod Stewart on 22 February 1993. It was released by Warner Bros. Records in the UK and Germany, but was never released in the US. Three songs from this album either had previously or would be released as singles: "Tom Traubert's Blues", "Shotgun Wedding", and "Ruby Tuesday".
Bump in the Night is an album by former Small Faces and Faces keyboardist Ian McLagan, released in 1981 on Mercury Records. Retaining Johnny Lee Schell from his debut, the album saw McLagan form the first edition of The Bump Band for the recording of the album, the line-up being McLagan, Schell, Ricky Fataar and Ray Ohara (bass). The album is harder-edged than McLagan's others, with less emphasis on keyboards and more on guitars. As on his debut, his former bandmate Ron Wood appears as does saxophonist Bobby Keys. The album was McLagan's last solo album for nearly twenty years, though an extended play, Last Chance to Dance, came out in 1985 on Barking Dog Records.
Best of British is the third solo album by British keyboardist Ian McLagan. It was his first in nearly twenty years. Recorded in his adopted hometown of Austin, Texas, with his "Bump Band," then consisting of vocalist and keyboardist McLagan, drummer Don Harvey, bassist Sarah Brown, and guitarists Gurf Morlix and "Scrappy" Jud Newcomb, it featured twelve songs by McLagan, two previously released on his 1985 extended play, Last Chance to Dance.
Never Say Never a 2008 album by former Small Faces and Faces keyboardist Ian McLagan. It is McLagan's sixth full studio album. Never Say Never was released on February 28, 2008 on McLagan's own Maniac Records. McLagan had worked sporadically on the album since before recording and releasing Spiritual Boy, his tribute album to former bandmate Ronnie Lane, in 2006.
Spiritual Boy is the seventh album by former Small Faces and Faces keyboardist Ian McLagan. The album was intended as a tribute to his bandmate in both groups, singer-songwriter Ronnie Lane, released on what would have been Lane's sixtieth birthday, 1 April 2006, on McLagan's own Maniac Records. Featuring ten tracks either written or co-written by Lane throughout the span of his career as a musician and one written by McLagan for Lane, it was recorded in February and March 2006 at McLagan's Manor, Texas studio, The Doghouse, with his backing group, the Bump Band in tow alongside such guests as famed Austin, Texas disc jockey Jody Denberg.
"Ooh La La" is a 1973 song by the band Faces, written by Ronnie Lane and Ronnie Wood. It is the title song of the band's last studio album, Ooh La La.
"Cindy Incidentally" is a song by the British group Faces, written by group members Rod Stewart, Ronnie Wood and Ian McLagan. It was produced by Glyn Johns. It was included on the band's 1973 album Ooh La La, and in the same year was released by Warner Bros. Records as the first single from that album.
The Definitive Rock Collection is a two-disc retrospective of the British rock group Faces released in 2007, collecting thirty tracks from among the group's four studio albums, various single A and B-sides, and an outtake from the sessions for a proposed but ultimately abandoned 1975 album.