Related Research Articles
Inka Essenhigh is an American painter based in New York City. Throughout her career, Essenhigh has had solo exhibitions at galleries such as Deitch Projects, Mary Boone Gallery, 303 Gallery, Stefan Stux Gallery, and Jacob Lewis Gallery in New York, Kotaro Nukaga, Tomio Koyama Gallery in Tokyo, and Il Capricorno in Venice.
The Bay Area Figurative Movement was a mid-20th-century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward into the 1960s.
Beatriz Milhazes is a Brazilian artist. She is known for her work juxtaposing Brazilian cultural imagery and references to western Modernist painting. Milhazes is a Brazilian-born collage artist and painter known for her large-scale works and vibrant colors. She has been called "Brazil's most successful contemporary painter."
Bracha Lichtenberg Ettinger is an Israeli-British artist, writer, psychoanalyst and philosopher based in France. Born in Mandatory Palestine, she lived and works in Paris. She is a feminist theorist and artist in contemporary New European Painting who invented the concept of the Matrixial Gaze and related concepts around trauma, aesthetics and ethics. Ettinger is a professor at European Graduate School in Saas-Fee, Switzerland and at GCAS, Dublin. In 2023, she was part of the Finding Committee for the Artistic Director of Documenta's 2027 edition. She resigned from that role with a public letter intended to open a radical discussion in the artworld, following the administration's rejection of her request for a pause due to the attacks on civilians in Israel and in Gaza and the ongoing heavy losses of life.
Richard Aldrich is a Brooklyn-based painter who exhibited in the 2010 Whitney Biennial.
George Earl Ortman was an American painter, printmaker, constructionist and sculptor. His work has been referred to as Neo-Dada, pop art, minimalism and hard-edge painting. His constructions, built with a variety of materials and objects, deal with the exploration off visual language derived from geometry—geometry as symbol and sign.
Stephen Greene was an American artist known for his abstract paintings and in the 1940s his social realist figure paintings.
Richard Irving Bowman (1918–2001) was an abstract painter who worked primarily in the San Francisco Bay Area. He painted in an idiosyncratic style inspired by transcendental visions of nature, exposure to surrealism and investigations into sub-atomic physics. He is considered one of the first fine artists to employ fluorescent paint, which he maintained embodied sub-atomic life energy, beginning in the early 1950s.
Mary Heilmann is an American painter based in New York City and Bridgehampton, NY. She has had solo shows and travelling exhibitions at galleries such as 303 Gallery and Hauser & Wirth (Zurich) and museums including the Wexner Center for the Arts and the New Museum. Heilmann has been cited by many younger artists, particularly women, as an influential figure.
Carroll Dunham is an American painter. Working since the late 1970s, Dunham's career reached critical renown in the 1980s when he first exhibited with Baskerville + Watson, a decade during which many artists returned to painting. He is known for his conceptual approach to painting and drawing and his interest in exploring the relationship between abstraction and figuration.
John Zurier is an American abstract painter, known for his minimal, near-monochrome paintings. His work has shown across the United States as well as in Europe and Japan. He has worked in Reykjavik, Iceland and Berkeley, California. Zurier lives in Berkeley, California.
Dyani White Hawk is a contemporary artist and curator of Sicangu Lakota, German, and Welsh ancestry based out of Minnesota. From 2010 to 2015, White Hawk was a curator for the Minneapolis gallery All My Relations. As an artist, White Hawk's work aesthetic is characterized by a combination of modern abstract painting and traditional Lakota art. White Hawk's pieces reflect both her Western, American upbringing and her indigenous ancestors mediums and modes for creating visual art.
Dona Nelson is an American painter, best known for immersive, gestural, primarily abstract works employing unorthodox materials, processes and formats to disrupt conventional notions of painting and viewership. A 2014 New Yorker review observed, "Nelson gives notice that she will do anything, short of burning down her house to bully painting into freshly spluttering eloquence." Since 2002, long before it became a more common practice, Nelson has produced free-standing, double-sided paintings that create a more complex, conscious viewing experience. According to New York Times critic Roberta Smith, Nelson has dodged the burden of a "superficially consistent style," sustained by "an adventuresome emphasis on materials" and an athletic approach to process that builds on the work of Jackson Pollock. Writers in Art in America and Artforum credit her experimentation with influencing a younger generation of painters exploring unconventional techniques with renewed interest. Discussing one of Nelson's visceral, process-driven works, curator Klaus Kertess wrote, the paint-soaked "muslin is at once the tool, the medium, and the made."
Buffie Johnson was an American painter, associated with the Abstract Imagists.
Mary Lovelace O'Neal is an American artist and arts educator. Her work is focused on abstracted mixed-media and minimalism. She is a Professor Emeritus, University of California, Berkeley and retired from teaching in 2006. O'Neal's art has been exhibited widely throughout North America and internationally, with group and solo shows in Italy, France, Chile, Senegal and Nigeria. She lives and works in Oakland, California, and maintains a studio in Chile.
Martha Bonnie Diamond was an American painter. Her paintings first gained public attention in the 1980s and are included in the permanent collections of the Whitney Museum of American Art, the Museum of Modern Art, New York, and many other institutions.
Harriet Korman is an American abstract painter based in New York City, who first gained attention in the early 1970s. She is known for work that embraces improvisation and experimentation within a framework of self-imposed limitations that include simplicity of means, purity of color, and a strict rejection of allusion, illusion, naturalistic light and space, or other translations of reality. Writer John Yau describes Korman as "a pure abstract artist, one who doesn’t rely on a visual hook, cultural association, or anything that smacks of essentialization or the spiritual," a position he suggests few post-Warhol painters have taken. While Korman's work may suggest early twentieth-century abstraction, critics such as Roberta Smith locate its roots among a cohort of early-1970s women artists who sought to reinvent painting using strategies from Process Art, then most associated with sculpture, installation art and performance. Since the 1990s, critics and curators have championed this early work as unjustifiably neglected by a male-dominated 1970s art market and deserving of rediscovery.
Andrew Spence is an American artist known for abstract paintings that combine a minimalist vocabulary with playful references to the observed world. In the 1970s and 1980s, he gained recognition as one of a number of younger artists who were re-examining geometric modernism through a contemporary lens that invited humor and reference to everyday objects and life experience into the tradition. Spence's method of distilling visual phenomena into simple, emblematic images has been compared to Ellsworth Kelly, but his work has differed in its more even balance between abstraction and recognition, intuitive approach, and varied, expressive paint surfaces. Art in America critic Ken Johnson wrote that his work maintains "an ironic tension between lofty purism of modernist geometry and earth-bound ordinariness of the vernacular sources." In later paintings, Spence has increasingly obscured the original inspirations of his abstractions, in both form and titling. His work belongs to the permanent collections of the Metropolitan Museum of Art, Museum of Modern Art, and Whitney Museum of American Art, among others. He has received a Guggenheim Fellowship and awards from the American Academy of Arts and Letters and National Endowment for the Arts.
James Little is an American painter and curator. He is known for his works of geometric abstraction which are often imbued with exuberant color. He has been based in New York City.
Ad Minoliti is an Argentinian-born visual artist primarily working as painter with an expansive practice on installations, soft sculptures, textiles, and convivial spaces. Minoliti's work is based on their readings of feminist and queer theories and the Latin American legacy of abstraction art. They have been presenting solo exhibitions in South America as well as in major art institutions in Asia, the United States, and Europe.
References
- 1 2 3 Bourbon, Matthew (2020-07-01). "Maja Ruznic". Artforum. Retrieved 2024-01-23.
- ↑ Gu, Qianfan (Summer 2022). "Personal Church". Blau International.
- 1 2 3 4 "Maja Ruznic". Karma Gallery. Retrieved 2024-01-23.
- ↑ Ruznic, Maja; Ross, Claudia (6 November 2023). "On making the time to create". The Creative Independent. Retrieved 2024-01-23.
- ↑ Godfrey Larmon, Annie (2021). "Who Speaks Shadows". Maja Ruznic: In the Sliver of the Sun. Taos, NM: Harwood Museum of Art. ISBN 978-1949172591.
- ↑ Soboleva, Ksenia (2020-03-03). "The Moon Seemed Lost". The Brooklyn Rail. Retrieved 2024-01-23.
- ↑ "Mother (Green Hand)". SFMOMA. Retrieved 2024-01-23.
- ↑ De Vore, Alex (2024-01-25). "Four New Mexico artists selected for Whitney Biennial". Santa Fe Reporter. Retrieved 2024-01-30.