Carolyn Merchant is an American ecofeminist philosopher and historian of science most famous for her theory on The Death of Nature, whereby she identifies the Scientific Revolution of the seventeenth century as the period when science began to atomize, objectify, and dissect nature, foretelling its eventual conception as composed of inert atomic particles. Her works are important in the development of environmental history and the history of science. She is Distinguished Professor Emerita of Environmental History, Philosophy, and Ethics at UC Berkeley.
The Anthropocene was a rejected proposal for a geological epoch following the Holocene, dating from the commencement of significant human impact on Earth up to the present day. This impact affects Earth's oceans, geology, geomorphology, landscape, limnology, hydrology, ecosystems and climate. The effects of human activities on Earth can be seen for example in biodiversity loss and climate change. Various start dates for the Anthropocene have been proposed, ranging from the beginning of the Neolithic Revolution, to as recently as the 1960s. The biologist Eugene F. Stoermer is credited with first coining and using the term anthropocene informally in the 1980s; Paul J. Crutzen re-invented and popularized the term. However, in 2024 the International Commission on Stratigraphy (ICS) and the International Union of Geological Sciences (IUGS) rejected the Anthropocene Epoch proposal for inclusion in the Geologic Time Scale.
Ivan Tabaković was an Austro-Hungarian-born Serbian painter.
World of Art is a long established series of pocket-sized art books from the British publisher Thames & Hudson, comprising over 300 titles as of 2021. The books are typically around 200 pages, but heavily illustrated. Unlike some concise or popular art books, the layout is traditional with text and pictures often on the same page, but segregated. The series was launched in 1958, and over 300 titles have been published in all; according to Christopher Frayling, former Principal of the Royal College of Art, "there are paint-stained copies in every art school in the land".
The environmental humanities is an interdisciplinary area of research, drawing on the many environmental sub-disciplines that have emerged in the humanities over the past several decades, in particular environmental literature, environmental philosophy, environmental history, science and technology studies, environmental anthropology, and environmental communication. Environmental humanities employs humanistic questions about meaning, culture, values, ethics, and responsibilities to address pressing environmental problems. The environmental humanities aim to help bridge traditional divides between the sciences and the humanities, as well as between Western, Eastern, and Indigenous ways of relating to the natural world and the place of humans within it. The field also resists the traditional divide between "nature" and "culture," showing how many "environmental" issues have always been entangled in human questions of justice, labor, and politics. Environmental humanities is also a way of synthesizing methods from different fields to create new ways of thinking through environmental problems.
Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material, towards a deeper relationship to systems, processes and phenomena in relationship to social concerns. Integrated social and ecological approaches developed as an ethical, restorative stance emerged in the 1990s. Over the past ten years environmental art has become a focal point of exhibitions around the world as the social and cultural aspects of climate change come to the forefront.
John Bellamy Foster is an American professor of sociology at the University of Oregon and editor of the Monthly Review. He writes about political economy of capitalism and economic crisis, ecology and ecological crisis, and Marxist theory. He has given numerous interviews, talks, and invited lectures, as well as written invited commentary, articles, and books on the subject.
Sustainable art is art in harmony with the key principles of sustainability, which include ecology, social justice, non-violence and grassroots democracy. Sustainable art may also be understood as art that is produced with consideration for the wider impact of the work and its reception in relationship to its environments.
This page is an index of sustainability articles.
Artpool Art Research Center is an archive, research space, specialist and media library in Budapest, Hungary, dedicated to international contemporary and avant-garde arts, such as Artist's books, artistamp, mail art, visual poetry, sound poetry, conceptual art, fluxus, installation, performance.
Ecological art is an art genre and artistic practice that seeks to preserve, remediate and/or vitalize the life forms, resources and ecology of Earth. Ecological art practitioners do this by applying the principles of ecosystems to living species and their habitats throughout the lithosphere, atmosphere, biosphere, and hydrosphere, including wilderness, rural, suburban and urban locations. Ecological art is a distinct genre from Environmental art in that it involves functional ecological systems-restoration, as well as socially engaged, activist, community-based interventions. Ecological art also addresses politics, culture, economics, ethics and aesthetics as they impact the conditions of ecosystems. Ecological art practitioners include artists, scientists, philosophers and activists who often collaborate on restoration, remediation and public awareness projects.
Carl Folke, is a trans-disciplinary environmental scientist and a member of the Royal Swedish Academy of Sciences. He is a specialist in economics, resilience, and social-ecological systems, viewing such systems as intertwined and potentially unexpected in their interactions. As a framework for resource management, this perspective brings important insights to environmental management, urban planning, and climate adaptation. He suggests ways to improve our ability to understand complex social-ecological interactions, deal with change, and build resilience, often working at smaller scales as a step towards addressing larger scales.
Eco-socialism is an ideology merging aspects of socialism with that of green politics, ecology and alter-globalization or anti-globalization. Eco-socialists generally believe that the expansion of the capitalist system is the cause of social exclusion, poverty, war and environmental degradation through globalization and imperialism, under the supervision of repressive states and transnational structures.
Aviva Rahmani is an Ecological artist whose public and ecological art projects have involved collaborative interdisciplinary community teams with scientists, planners, environmentalists and other artists. Her projects range from complete landscape restorations to museum venues that reference painting, sound and photography.
Ursula Biemann is a Swiss video artist, curator, educator, and art theorist.
Giovanni Aloi is an author and curator specializing in the representation of nature in modern and contemporary art. He teaches art history and visual culture at School of the Art Institute of Chicago. He is the Founder and Editor in Chief of Antennae: The Journal of Nature in Visual Culture and is the co-editor of the University of Minnesota Press book series Art after Nature. Aloi is also USA correspondent for Esse Magazine Art+Opinion.
The term collapsology is a neologism used to designate the transdisciplinary study of the risks of collapse of industrial civilization. It is concerned with the general collapse of societies induced by climate change, as well as "scarcity of resources, vast extinctions, and natural disasters." Although the concept of civilizational or societal collapse had already existed for many years, collapsology focuses its attention on contemporary, industrial, and globalized societies.
Cymene Howe is a cultural anthropologist and Professor in the Department of Anthropology at Rice University, Houston, Texas, United States. Her research has focused on environment, inequalities and the anthropology of climate change. She has also been active in multi-modal approaches to knowledge and public anthropology through podcasting, documentary filmmaking and installations, most notably the Okjökull memorial.
Catherine Elizabeth Rigby is a scholar in the interdisciplinary field of environmental humanities.
Nandita Kumar is a New Zealand new media artist. Her artwork often explores climate change, contradictions between natural and industrial landscapes, and personal identities and makes use of technological and interactive elements.
