Majestatis (Latin : Magister Majestatis Domini, The Master of Christ in Majesty , usually shortened to Majestatis and sometimes referred to as the Tryde Master, fl. second half of the 12th century) [1] was a Romanesque stone sculptor and the creator of several richly decorated baptismal fonts mainly in Scania and on Gotland (present-day Sweden). [2]
The name Majestatis is a notname assigned to the artist or workshop; it is possible that an atelier rather than a single artist was responsible for the works attributed to Majestatis. Art historian Johnny Roosval coined the name in the 20th century. It derives from a subject often used by the artist, Christ in Majesty sitting on a rainbow and surrounded by a mandorla and angels. No written sources exist about the life or background of the artist, but it has been speculated that Majestatis was trained in Burgundy or Alsace or may have come from there. Majestatis initially seems to have worked in Scania, probably for the local nobility and possibly the (at the time Danish) royal family. Majestatis appears to have worked at the construction site of Lund Cathedral. Later Majestatis seems to have moved to Gotland. [2]
The chef d'oeuvre of Majestatis is the baptismal font of the church of Tryde, Scania, Sweden. The sculptures probably depict, apart from a scene with Christ in Majesty, the legend of St. Stanislaw. [3] It is probable that the motive has some connection to, and the font may even have been commissioned by, the then reigning queen of Denmark (as Scania was then a part of Denmark), queen Sophia, spouse of Valdemar I of Denmark. Sophia had Polish ancestors and not least for that reason the creation of the font has been connected with the royal family. [2] Another theory is that the carvings on the font depict the legend of Saint Fridolin. [3] The font from Tryde was displayed at the International Exposition of 1867 in Paris, and awarded a bronze medal. [2]
Majestatis made an additional four or possibly five baptismal fonts for churches in Scania; these were probably all made for local noblemen as they display a high degree of refinement. This group of fonts include the fonts in Löderup, Östra Hoby, Valleberga and Simris churches, and possibly Östra Nöbbelöv. They are all located in the south-eastern part of the province. [2]
The baptismal fonts and other stone sculpture identified to be by Majestatis on Gotland island are of a later date than those in Scania. Perhaps the best of the sculptor's works on Gotland is the northern portal of Hablingbo Church. Other works include baptismal fonts in Lokrume, [4] Vall, Sproge, Stenkyrka, Väskinde and Gerum churches, as well as a few others, for example in Denmark and Hälsingland, Sweden. [2] [5]
Stylistically, Majestatis is recognisable through his elongated figures with well-kept, often braided hair, pear-shaped faces and large, rather pointed, oval eyes. The sculptor is known for the profusely adorned, but not overdecorated, baptismal fonts. [2]
Lund Cathedral is a cathedral of the Lutheran Church of Sweden in Lund, Scania, Sweden. It is the seat of the Bishop of Lund and the main church of the Diocese of Lund. It was built as the Catholic cathedral of the archiepiscopal see of all the Nordic countries, dedicated to Saint Lawrence. It is one of the oldest stone buildings still in use in Sweden.
Sigraf was a Romanesque stone sculptor, working on Gotland. He was mainly active as a sculptor of baptismal fonts, but also of reliquaries, carved pillars and reliefs. He was the most productive of several early medieval stone sculptors making baptismal fonts on Gotland.
Hegvald was a Romanesque stone sculptor of baptismal fonts, working on Gotland.
Byzantios is the notname of a Romanesque stone sculptor or workshop, working on Gotland in present-day Sweden during the last quarter of the 12th century. Byzantios was the first of a series of Romanesque stone sculpture workshops active on Gotland. Around a dozen decorated baptismal fonts from this time are so similar in style and execution that art historians have assumed they have the same origin. The artist has thus been labelled Byzantios. However, they may also have been made by a workshop and not by a single individual. Likewise, the origins and precise artistic roots of Byzantios are not known, but there is a general agreement on that the art of Byzantios show influences from Byzantine art of the period; hence the notname.
Bro Church is a medieval era Lutheran church at Bro on the Swedish island Gotland. Situated on what was possibly a pre-Christian sacred site, the presently visible church was built during the 13th century. Stylistically, its architecture shows a mix of Romanesque and Gothic elements. It still contains some medieval furnishings, including a baptismal font by Sigraf, and murals. The church belongs to the Väskinde parish in the Diocese of Visby of the Church of Sweden.
Garde Church is a medieval church in Garde on the Swedish island of Gotland. It was built in stages during the Middle Ages. The oldest part is the nave and the base of the tower, while the most recently constructed part is the large chancel. A large renovation was carried out in the 1960s. Garde Church together with its cemetery and its four lychgates constitute one of the most well-preserved medieval church ensembles in Sweden.
Hablingbo Church is a medieval church in Hablingbo on the Swedish island of Gotland. It is one of the largest churches on Gotland, and dating largely from the 14th century, although the current church building was preceded by a stave church. The stone portals of the church are comparatively richly decorated. It is used by the Church of Sweden and part of the Diocese of Visby.
Tingstäde Church is a medievalchurch on the Swedish island of Gotland, in the Diocese of Visby. Its present appearance dates largely from the 13th and 14th centuries.
Alva Church is a medieval church in Alva on the Swedish island of Gotland. The oldest parts of the church date from the late 12th century; with the halted construction of the tower about a century later, building activity ceased. The church contains medieval murals as well as a number of medieval furnishings and pieces of art. It lies in the Diocese of Visby of the Church of Sweden.
Stånga Church is a medieval church in Stånga on the Swedish island of Gotland. The site of the church has probably been considered sacred since before the Christianization of Scandinavia.
Othelric was a Romanesque stone sculptor, working in Västergötland, present-day Sweden.
Etelmhem Church is a medieval church on the Swedish island of Gotland. The largely Gothic church contains medieval murals and a 12th-century baptismal font by the sculptor Hegvald. The church is used by the Church of Sweden and part of Diocese of Visby.
Fardhem Church is a medieval church in Fardhem on the Swedish island of Gotland. The present-day church may have been preceded by a stave church; the current church is one of the most well-preserved Romanesque churches on Gotland, built in stages from the 12th to 13th century. It belongs to the Church of Sweden and lies in the Diocese of Visby.
Östra Hoby Church is a medieval Lutheran church built in the Romanesque style. Located 4 km east of Borrby in Skåne County in southern Sweden, it belongs to the Diocese of Lund. The church is noted for its murals and for its sculpted baptismal font.
Halla Church is a medieval church in Halla on the Swedish island Gotland. It is part of the Diocese of Visby.
Gerum Church is a medieval church in Gerum on the Swedish island of Gotland, built between c. 1200 and 1300. It is used by the Church of Sweden.
Calcarius was an artist working in late Romanesque style on Gotland.
Östra Vemmerlöv Church is a medieval church in Östra Vemmerlöv, in the province of Skåne, Sweden. It belongs to the Diocese of Lund. It contains many medieval mural paintings.
Vä Church, sometimes also called Saint Mary's Church in Vä is a well-preserved Romanesque church in Vä, in the southern Swedish province of Scania. It belongs to the Church of Sweden and is a listed building. It was built in the early 12th century, at a time when Scania was part of Denmark. The building was commissioned by a member of the Danish royal family, probably Queen Margaret Fredkulla. The church originally consisted of a nave, a chancel with an apse and two western towers. Quite soon after being finished, it was donated to Premonstratensian monks who used it as the church of their monastery until 1213. It simultaneously functioned as the parish church of Vä. At the end of the Middle Ages, a third tower was built, and in 1593 the building was enlarged. At the beginning of the 19th century, the western towers were demolished. A major restoration was carried out in the 1960s.
Östra Herrestad Church is a medieval church in Östra Herrestad, Simrishamn Municipality, Sweden. It belongs to a group of Romanesque churches built by Carl stenmästare, a master stone mason educated at the building site of Lund Cathedral. The church is richly decorated with 16th-century murals inside.