 |
Makana | |
|---|---|
 Makana performing for supporters of U.S. Senator Bernie Sanders at a campaign rally in Phoenix 2016 | |
| Background information | |
| Genres | Folk-punk, rock |
| Occupation | Musician |
| Instrument | Guitar |
| Years active | 1994–present |
| Website | makanamusic |
Makana (from Hawaiian "the gift"), born Matthew Swalinkavich, [1] is a slack-key guitar player, singer, and composer.
Born and raised in Hawaii, his guitar playing has been featured on three Grammy-nominated albums, including the soundtrack of the Academy-Award winning film "The Descendants", starring George Clooney. [2] [3] In 2008, he was second runner up in Guitar Player Magazine's Guitar Superstar competition eliciting praise from judges Steve Vai, Joe Satriani, and Elliot Easton. [4] In 2012, he was awarded a Na Hoku Ki Ho'alu (Slack Key) Legacy Award by the Hawaii Academy of Recording Arts. [5]
On November 12, 2011, Makana, who had performed previously at the White House, [6] turned a gig performing at an Asia-Pacific Economic Cooperation dinner in Honolulu, attended by President Barack Obama and the leaders of 18 other nations, into a political protest. He started out his performance by playing traditional Hawaiian music, which then started to veer gently into more controversial territory. When nearing the end of his set, he opened his suit jacket to reveal a T-shirt with the words "Occupy With Aloha" handwritten on it and proceeded to play a song he had recently written called "We Are the Many", a folky protest song expressing Makana's dissatisfaction with the current disproportion of wealth and failure of democracy and his support of the Occupy movement. [6] [7] “I started out very cautiously because my intention was not to disrupt their dinner. My intention was to subliminally convey a message that I felt was paramount to the negotiations,” Makana told CNN. [8] “Eventually I got enough courage to go into it for an extended period of time. And I ended my show with the line ‘the bidding of the many not the few.’ I sang it about fifty times in different ways for them to hear”, resulting in a song that lasted 45 minutes. Rolling Stone Magazine went on to call "We Are the Many" the "anthem of the Occupy movement." [9]
Makana began singing when he was seven years old, took up 'ukulele at nine and began learning the indigenous art of slack key guitar at eleven. A protégé of slack key guitar legends, including Bobby Moderow Jr. and the late master Uncle Sonny Chillingworth, [10] Makana has dedicated his life to perpetuating as well as evolving the traditional Hawaiian art form of slack key guitar. [11] From this tradition, Makana has evolved his own dynamic style, coined "Slack Rock": slack key infused with elements of bluegrass, rock, blues and raga. Makana's playing has garnered praise from such guitar luminaries as Kirk Hammett (Metallica) and Pepe Romero (Spanish Flamenco Master). [12]
His debut album “Makana” was released in 1999; it won the Best World Music Album Award at the Hawaii Music Awards. It was followed by “Koi Au” in 2002 (“A landmark musical statement” – Star Bulletin) and “Ki Ho’alu: Journey of Hawaiian Slack Key” in 2003. Soon thereafter Makana contributed to the Grammy-nominated albums “Hawaiian Slack Key Kings I & II”. In 2008, his first all-original release “Different Game” came out and in 2009 he released a 20th anniversary slack key guitar instrumental compilation, “Venus, and the Sky Turns to Clay”.
His latest album Ripe was released in 2013 and funded by fans through the online crowd sourcing platform Kickstarter. [13] It was produced by Ron Nevison and Mitchell Froom, with arrangements by keyboardist, composer, and arranger Jeff Bova.
Makana has toured with or opened for acts such as Jason Mraz, Santana, Elvis Costello, Paul Rodgers, Sting, No Doubt, Jack Johnson, Chris Isaak, John Legend and more. [9]
Makana's song "Family" was featured in the opening episode in Series 4 of Magnum P.I. (2018 TV series), "Island Vibes", first airing on October 1, 2021. It was performed by Makana himself, inside La Mariana Restaurant towards the close of the show.
In 2013, Makana's former manager Tom Bunch filed a lawsuit against Makana for breach of contract and defamation. [14] Bunch claimed that Makana rejected work that Bunch had lined up, arranged for performances on his own, failed to respond to communications, was late in paying commissions, and "[refused] to work 'when planet Mercury is in retrograde ... approximately six months per year.'" [ citation needed ] Bunch reported that he received a letter from Makana's attorney terminating their contract in July 2013.
The music of Polynesia is a diverse set of musical traditions from islands within a large area of the central and southern Pacific Ocean, approximately a triangle with New Zealand, Hawaii and Easter Island forming its corners. Traditional Polynesian music is largely an inseparable part of a broader performance art form, incorporating dance and recital of oral traditions; most literature considers Polynesian music and dance together. Polynesian music expanded with colonial European contact and incorporated instruments and styles introduced through a process of acculturation that continues to the present day. Although the European tradition of hymn-singing brought by Christian missionaries was probably the most important influence, others are evident; Hawaii's influential kī hōʻalu music incorporated the Spanish guitar introduced in the late 19th century, and later introduced the steel guitar to country music. Hip hop and R&B influences have created a contemporary Urban Pasifika music genre with a strong Polynesian identity and supported by the annual Pacific Music Awards in New Zealand.
Keola Beamer is a Hawaiian slack-key guitar player, best known as the composer of "Honolulu City Lights" and an innovative musician who fused Hawaiian roots and contemporary music. Keola Beamer descends from one of Hawaii's most respected musical families.
Edwin Bradfield Liloa Chillingworth, Jr., known as Sonny Chillingworth, was an American guitarist and singer. Widely influential in Hawaiian music, he played slack-key guitar and is widely regarded as one of the most influential slack-key guitarists in history.
Philip Kunia Pahinui, known as Gabby Pahinui, was a slack-key guitarist and singer of Hawaiian music.
Slack-key guitar is a fingerstyle genre of guitar music that originated in Hawaii. This style of guitar playing involves altering the standard tuning on a guitar from E-A-D-G-B-E, which has been used for centuries, so that strumming across the open strings will then sound a harmonious chord, typically an open major. This requires altering or "slacking" certain strings, which is the origin of the term "slack key". The style typically features an alternating-bass pattern, played by the thumb on the lower two or three strings of the guitar, while the melody is played by the fingers on the three or four highest strings. There are as many as fifty tunings that have been used in this style of playing, and tunings were once guarded fiercely and passed down as family secrets. In the early 20th century, the steel guitar and the ukulele gained wide popularity in America, but the slack-key style remained a folk tradition of family entertainment for Hawaiians until about the 1960s and 1970s during the second Hawaiian renaissance.
Ledward Kaapana is a Hawaiian musician, best known for playing in the slack key guitar style. In 2011, he received a National Heritage Fellowship, the United States government's highest honor in the folk and traditional arts. He also plays steel guitar, ukulele, autoharp, and bass guitar, and is a baritone and falsetto vocalist. He received Na Hoku Hanohano Awards from the Hawai'i Academy of Recording Arts (HARA), and has been nominated for Grammy Awards.
The Grammy Award for Best Hawaiian Music Album was an honor presented to recording artists from 2005 to 2011 for quality Hawaiian music albums. The Grammy Awards, an annual ceremony that was established in 1958 and originally called the Gramophone Awards, are presented by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency, and overall excellence in the recording industry, without regard to album sales or chart position".
Raymond Kaleoalohapoinaʻoleohelemanu Kāne, was one of Hawaii's acknowledged masters of the slack-key guitar. Born in Koloa, Kauaʻi, he grew up in Nanakuli on Oʻahu's Waiʻanae Coast where his stepfather worked as a fisherman.
James West, also known as Kimo, is a Canadian guitarist best known for working with "Weird Al" Yankovic.
Dennis David Kahekilimamaoikalanikeha Kamakahi was a Hawaiian slack key guitarist, recording artist, music composer, and Christian minister. He was a three-time Grammy Award winner, and in 2009 he was inducted into the Hawaiian Music Hall of Fame.
Leonard Keala Kwan Sr (1931–2000) was one of the most influential Hawaiian slack-key guitarists to emerge in the period immediately preceding the Hawaiian Cultural Renaissance of the 1970s. He made the first LP of slack key instrumentals, co-wrote the second slack key instruction book, and composed a number of pieces that have become part of the standard repertory. Most players will include Kwan, along with Gabby Pahinui, Sonny Chillingworth, and Atta Isaacs, on a list of the most significant players of the older generation.
Ozzie Kotani is a slack-key guitar player and a well-respected teacher, arranger, solo performer and accompanist.
Daniel Ho is an American musician, composer and producer specializing in innovative approaches to slack-key guitar, ukulele, and Hawaiian music. He has recorded 18 solo albums, some of which have won or were nominated for Grammy Awards, and has produced over 50 albums.
Owana Kaʻōhelelani Mahealani-Rose Salazar is an American musician and activist. She is thought to be the only female steel guitar player in Hawaiʻi trained by Jerry Byrd.
Kamuela Kahoano is a singer/songwriter, painter/visual artist and music producer from Honolulu, Hawaii. His music has elements of acoustic, folk, indie and alternative with Hawaiian influences. He performs solo and was formerly the lead singer of the band Analog(ic). He is an accomplished player of both the ukulele and guitar, playing both left-handed; he also plays the djembe. Kahoano claims many influences, including Coldplay, U2 and the Beatles.
Stephen M. Sano is Professor of Music, the Harold C. Schmidt Director of Choral Studies, and the Rachford & Carlota A. Harris University Fellow in Undergraduate Education at Stanford University. Using the name Steve Sano, he is also an accomplished kī hō'alu, or slack-key guitar, player.
Marlene Mikahala Sai is a Hawaiian classic-style female solo singer, born in Honolulu of Hawaiian–Chinese heritage. The San Francisco Chronicle refers to Marlene Sai as one of the true icons of the islands. The Santa Cruz Sentinel refers to Sai as a living legend of Hawaiian music. PBS Hawaii's Leslie Wilcox says of Sai "There are only a handful of true divas in Hawaiian music, women who wrap their powerful voices with grace, elegance and beauty. You can add to the list Marlene Sai."
Patrick Landeza is a contemporary Hawaiian slack key guitarist. He is the first mainland-born Hawaiian to win a Nā Hōkū Hanohano music award. He was born in Berkeley, California on June 23, 1972.
The Nā Hōkū Hanohano Awards, occasionally called the Nā Hōkū Awards or Hoku Awards, are the premier music awards in Hawaii. They are considered to be Hawaii's equivalent of the Grammy Awards. "Nā Hōkū Hanohano" means "Stars of Distinction" in Hawaiian – "hōkū" means "star", "nā" makes it plural, and "hanohano" means "glorious, worthy of praises". The awards were founded in 1978 by radio personality Krash Kealoha of KCCN-AM, a radio station which focused on traditional Hawaiian music. He launched the first awards with the support of the owner of the radio station Sydney Grayson, and his fellow DJs Kimo Kahoʻāno and Jacqueline “Skylark” Rossetti.
Cyril Pahinui was a slack-key guitarist and singer of Hawaiian music.
Some GP readers might be familiar with Hawaiian guitarist Makana. His Different Game CD was reviewed in the mag in 2008 and, that same year, he narrowly missed winning GP's Guitar Superstar competition, placing third overall and eliciting glowing praise from judges Steve Vai, Joe Satriani, and notorious tough customer Elliot Easton.
| Authority control databases: Artists |
|---|
