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Making Treaty 7 is an arts collective that stemmed from the Calgary's nomination as one of the Cultural Capitals of Canada in 2012. The collective seeks to draw attention on the creation of Treaty 7 and its continuing effects on Indigenous populations of Alberta, in hopes of dispelling misunderstandings, myths and falsities that originate from a lack of awareness. The collective produces works of art and theatre projects to encourage greater attention to this ongoing dialogue. [1] It has been described by CTV News as "one of the city's – and the country's – most important companies." [2]
Making Treaty 7 was created as a part of the Calgary 2012 [1] winning bid for the Cultural Capitals of Canada project. [3] When Calgary 2012 finished its run, Making Treaty 7 filed for non-profit status and has continued to host events, put on theatre productions and educate the public on Indigenous affairs, human rights issues and the culture and identity of historic and present Indigenous peoples.
Making Treaty 7 is a not-for-profit organization that implements various methods to improve the public's appreciation for First Nations culture, identity and diversity. [1] Making Treaty 7 uses several artistic mediums to educate people, entice more tourism, and accentuate cultural understanding. [4]
Board of directors: Dr. Andrew Bear Robe (board chair, Siksika Nation), Kelli Morning Bull (vice chair, Piikani Nation), Dr. Genevieve Fox (treasurer, Kainaiwa Nation), Carol Mason (secretary, Kainaiwa Nation), Joyce Doore (director, Siksika Nation), Autumn Eagle Speaker (director, Kainaiwa), Hal Eagletail (director, Tsuut'ina Nation), Amanda Foote (director), Rebekah Whitely (director). [5]
Team Members: Justiny Many Fingers (artistic director), Oli Siska (managing director), Sue Scott (Project Manager), Nora Dubois (Office Administrator). [5]
Making Treaty 7 Cultural Festival is an annual festival to celebrate Indigenous creatives and art. It hosts a historic recreation of the signing of Treaty 7 and then carries on the narrative to present day experience. [4]
150 Acts of Reconciliation, before the 150th anniversary of Canada, members of Making Treaty 7 wrote a list of 150 actions that would allow for a greater understanding between cultures.
Making Treaty 7 Vignettes, a compilation of scenes from Making Treaty 7 that express human rights issues experienced because of the ramifications faced by the Indigenous peoples of Treaty 7.
A visual arts exhibit was first held in September 2018, showcasing pieces created by Indigenous artists. [6] The following year, Making Treaty 7 hosted another art exhibition, where "[m]any local indigenous artists were there to display and speak about their work to Calgarians". [7]
The 2018 production of Kaahsinnoniks (Our Ancestors) revisited the signing of Treaty 7 and emphasized the fundamental ideas that it proposed and followed up with the realities faced by the Indigenous nations that signed it. [8] [9]
The 2018 production of Kiitistsinnoniks (Our Mothers) told stories of several Indigenous women both past and present. With an all-female cast and crew, Making Treaty 7 described this production as in solidarity with missing and murdered Indigenous women and girls around Canada. [10] [11]
The Siksika Nation is a First Nation in southern Alberta, Canada. The name Siksiká comes from the Blackfoot words sik (black) and iká (foot), with a connector s between the two words. The plural form of Siksiká is Siksikáwa. The Siksikáwa are the northernmost of the Niitsítapi, all of whom speak dialects of Blackfoot, an Algonquian language.
Treaty 7 is an agreement between the Crown and several, mainly Blackfoot, First Nation band governments in what is today the southern portion of Alberta. The idea of developing treaties for Blackfoot lands was brought to Blackfoot chief Crowfoot by John McDougall in 1875. It was concluded on September 22, 1877, and December 4, 1877. The agreement was signed at the Blackfoot Crossing of the Bow River, at the present-day Siksika Nation reserve, approximately 75 km (47 mi) east of Calgary, Alberta. Chief Crowfoot was one of the signatories to Treaty 7. Another signing on this treaty occurred on December 4, 1877, to accommodate some Blackfoot leaders who were not present at the primary September 1877 signing.
First Nations in Alberta are a group of people who live in the Canadian province of Alberta. The First Nations are peoples recognized as Indigenous peoples or Plains Indians in Canada excluding the Inuit and the Métis. According to the 2011 Census, a population of 116,670 Albertans self-identified as First Nations. Specifically there were 96,730 First Nations people with registered Indian Status and 19,945 First Nations people without registered Indian Status. Alberta has the third largest First Nations population among the provinces and territories. From this total population, 47.3% of the population lives on an Indian reserve and the other 52.7% live in urban centres. According to the 2011 Census, the First Nations population in Edmonton totalled at 31,780, which is the second highest for any city in Canada. The First Nations population in Calgary, in reference to the 2011 Census, totalled at 17,040. There are 48 First Nations or "bands" in Alberta, belonging to nine different ethnic groups or "tribes" based on their ancestral languages.
Alberta Theatre Projects ("ATP") is a professional, not-for-profit, Canadian theatre company, founded in 1972 by Lucille Wagner and Douglas Riske, currently based out of the Martha Cohen Theatre in Arts Commons, in Calgary, Alberta. The company is well-known in Canada and internationally for its development of new, Canadian plays and the art of dramaturgy.
Brian Gregory Syron was an actor, teacher, Aboriginal rights activist, stage director and Australia's first Indigenous feature film director, who has also been recognised as the first First Nations feature film director. After studying in New York City under Stella Adler, he returned to Australia and was a co-founder of the Australian National Playwrights Conference, the Eora Centre, the National Black Playwrights Conference, and the Aboriginal National Theatre Trust. He worked on several television productions and was appointed head of the ABC's new Aboriginal unit in 1988.
Christi Marlene Belcourt is a Métis visual artist and author living and working in Canada. She is best known for her acrylic paintings which depict floral patterns inspired by Métis and First Nations historical beadwork art. Belcourt's work often focuses on questions around identity, culture, place and divisions within communities.
Janice Tanton is a Canadian artist.
Alex Simeon Janvier, LL.D is a First Nation artist in Canada. As a member of the commonly referred to "Indian Group of Seven", Janvier is a pioneer of contemporary Canadian Aboriginal art in Canada.
The following is an alphabetical list of topics related to Indigenous peoples in Canada, comprising the First Nations, Inuit and Métis peoples.
Ursula Johnson is a multidisciplinary Mi’kmaq artist based in Halifax, Nova Scotia, Canada. Her work combines the Mi’kmaq tradition of basket weaving with sculpture, installation, and performance art. In all its manifestations her work operates as didactic intervention, seeking to both confront and educate her viewers about issues of identity, colonial history, tradition, and cultural practice. In 2017, she won the Sobey Art Award.
Cheryl L'Hirondelle is a Canadian multidisciplinary media artist, performer, and award-winning musician. She is of Métis/Cree (non-status/treaty), French, German, and Polish descent. Her work is tied to her cultural heritage. She explores a Cree worldview or nêhiyawin through body, mind, emotions, and spirit; examining what it means to live in contemporary space and time.
Joane Cardinal-Schubert LL. D was a First Nations artist from Alberta, Canada. She was a member of the Royal Canadian Academy of Arts. She was an activist for Native sovereignty.
Cris Derksen is a two-spirit Juno Award–nominated Cree cellist from Northern Alberta, Canada. Derksen is known for her unique musical sound which blends classical music with traditional Indigenous music. Her music is often described as "electronic cello" or classical traditional fusion.
Ociciwan Contemporary Art Collective is a Canadian artist collective based in Edmonton, Alberta with a mandate to develop innovative and experimental projects involving Indigenous artists.
Richelle Bear Hat is a Blackfoot and Cree artist, based in Calgary, Alberta, Canada, on Treaty 7 territory. Bear Hat's work explores the ancestral transmission of knowledge, memory, and Indigenous relationships to land. According to curator Kristy Trinier, "her practice investigates ideas surrounding family relationships and the types of knowledge that are capable of being passed through them. These ideas are explored through the use of photography, transfers, video and paper based works. It is important to use materials and means of production that support the transference of memory and provide a platform for storytelling."
Charlene Bearhead is an educator and Indigenous education advocate. She was the first educational lead for the University of Manitoba's National Centre for Truth and Reconciliation.
Âhasiw Maskêgon-Iskwêw (1958–2006) was a Cree and French Métis theorist, curator and artist. Maskêgon-Iskwêw was a significant figure in the field of contemporary Indigenous arts, and a formative proponent of digital media within Indigenous communities. In their 2015 book dedication to him, Steven Loft and Kerry Swanson describe Maskêgon-Iskwêw as "one of the foremost thinkers and practitioners of Aboriginal new media art."
Adrian Stimson is an artist and a member of the Siksika Nation.
Terrance James Houle is an Internationally recognized Canadian interdisciplinary artist and member of the Kainai Nation and ancestry from the Sandy Bay Reservation, Manitoba. His Mother is Maxine WeaselFat from the Kainai Nation and Father Donald Vernon Houle from Sandy Bay Reservation in Manitoba, they are both 3rd generation Residential School attendees & reside on the Blood reservation in Southern Alberta, Canada. His work ranges from subversive to humorous absurdity to solemn and poetic artistic expressions. His work often relates to the physical body as it investigates issues of history, colonization, Aboriginal identity and representation in popular culture, as well as conceptual ideas based on memory, home, and reserve communities. Currently, He has co-directed a Short Animation Otanimm/Onnimm with his daughter Neko which is currently touring Film festivals, In Los Angeles, NYC, Toronto, New Zealand, Vancouver, Oxford & many more. Recently their short film won the prestigious Golden Sheaf Indigenous Award at Yorkton Film Festival and is Neko's First Award in Film at 17 years old.
Roy Little Chief was a Canadian Siksika elder and former Chief of the Siksika Nation from 1981 to 1983. He was a longtime activist for the rights of First Nations and indigenous people in Canada.