African art describes modern and historical paintings, sculptures, installations, and other visual cultures from native or indigenous Africans and the African continent. The definition may also include the art of the African diasporas, such as art in African-American, Caribbean or South American societies inspired by African traditions. Despite this diversity, there are unifying artistic themes present when considering the totality of the visual culture from the continent of Africa.
The culture of Indonesia has been shaped by the interplay of indigenous customs and diverse foreign influences. With over 600 distinct ethnic groups, including significant Austronesian and Melanesian cultures, contributing to its rich traditions, languages, and customs, Indonesia is a melting pot of diversity. Positioned along ancient trade routes between the Far East, South Asia, and the Middle East, the country has absorbed cultural practices influenced by Hinduism, Buddhism, Confucianism, Islam, and Christianity. These influences have created a complex cultural tapestry that often differs from the original indigenous cultures.
The Makonde are an ethnic group in southeast Tanzania, northern Mozambique, and Kenya. The Makonde developed their culture on the Mueda Plateau in Mozambique. At present they live throughout Tanzania and Mozambique, and have a small presence in Kenya. The Makonde population in Tanzania was estimated in 2001 to be 1,140,000, and the 1997 census in Mozambique put the Makonde population in that country at 233,358, for an estimated total of 1,373,358. The ethnic group is roughly divided by the Ruvuma River; members of the group in Tanzania are referred to as the Makonde, and those in Mozambique as the Maconde. The two groups have developed separate languages over time but share a common origin and culture.
The Zaramo people, also referred to as Dzalamo or Saramo, are a Bantu ethnic group native to the central eastern coast of Tanzania, particularly Dar es Salaam Region and Pwani Region. They are the largest ethnic group in and around Dar es Salaam, the former capital of Tanzania and the 7th largest city in Africa. Estimated to be about 0.7 million people, over 98% of them are Muslims, more specifically the Shafi'i school of Sunni Islam. Zaramo people are considered influential in Tanzania popular culture, with musical genres like Sengeli originating from their community in Kinondoni District. Their culture and history have been shaped by their dwelling in both urban and rural landscapes.
The Chokwe people, known by many other names, are a Bantu ethnic group of Central and Southern Africa. They are found primarily in Angola, southwestern parts of the Democratic Republic of the Congo, and northwestern parts of Zambia.
Following Tanganyika's independence (1961) and unification with Zanzibar (1964), leading to the formation of the state of Tanzania, President Julius Nyerere emphasised a need to construct a national identity for the citizens of the new country. To achieve this, Nyerere provided what has been regarded by some commentators as one of the most successful cases of ethnic repression and identity transformation in Africa.
George Lilanga was a Tanzanian painter and sculptor, active from the late 1970s and until the early 21st century. He belonged to the Makonde people and lived most of his life in Dar es Salaam, the largest city in Tanzania.
Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas. Masks are important elements in the art of many peoples, along with human figures, often highly stylized. There is a vast variety of styles, often varying within the same context of origin depending on the use of the object, but wide regional trends are apparent; sculpture is most common among "groups of settled cultivators in the areas drained by the Niger and Congo rivers" in West Africa. Direct images of African deities are relatively infrequent, but masks in particular are or were often made for traditional African religious ceremonies; today many are made for tourists as "airport art". African masks were an influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.
The culture of Mozambique is in large part derived from its history of Bantu, Swahili, and Portuguese rule, and has expanded since independence in 1975. The majority of its inhabitants are black Africans. Its main language is Portuguese. Its median religion is Roman Catholicism, but only about 40% of the inhabitants are Christian. It has a rich history in the areas of arts, cuisine, and entertainment.
The Bwa is an African society that is native to Burkina Faso. This society has an approximate population of over 300,000 persons. The Bwa people live in a number of individualized communities. They have no central government, and rely on their community standards. They are most known for their scarification and elaborate plank masks.
The Songye people, sometimes written Songe, are a Bantu ethnic group from the central Democratic Republic of the Congo. They speak the Songe language. They inhabit a vast territory between the Sankuru/Lulibash river in the west and the Lualaba River in the east. Many Songye villages can be found in present-day East Kasai province, parts of Katanga and Kivu Province. The people of Songye are divided into thirty-four conglomerate societies; each society is led by a single chief with a Judiciary Council of elders and nobles (bilolo). Smaller kingdoms east of the Lomami River refer to themselves as Songye, other kingdoms in the west, refer to themselves as Kalebwe, Eki, Ilande, Bala, Chofwe, Sanga and Tempa. As a society, the people of Songye are mainly known as a farming community; they do, however, take part in hunting and trading with other neighboring communities.
The Chamba are a significant ethnic group in the north eastern Nigeria. The Chamba are located between present day Nigeria and Cameroon. The closest Chamba neighbours are the Mumuye, the Jukun and Kutep people. In Cameroon, the successors of Leko and chamba speakers are divided into several states: Bali Nyonga, Bali Kumbat, Bali-Gham, Bali-Gangsin, and Bali-Gashu. They are two ethnic groups in Ghana and Togo also called Chamba, but they are ethnically distinct. The Chamba are identified through their own language, beliefs, culture, and art.
Kwakwaka'wakw art describes the art of the Kwakwaka'wakw peoples of British Columbia. It encompasses a wide variety of woodcarving, sculpture, painting, weaving and dance. Kwakwaka'wakw arts are exemplified in totem poles, masks, wooden carvings, jewelry and woven blankets. Visual arts are defined by simplicity, realism, and artistic emphasis. Dances are observed in the many rituals and ceremonies in Kwakwaka'wakw culture. Much of what is known about Kwakwaka'wakw art comes from oral history, archeological finds in the 19th century, inherited objects, and devoted artists educated in Kwakwaka'wakw traditions.
Shetani are spirits of East African mythology and popular belief. Mostly malevolent, and found in many different forms and different types with different powers, shetani are a popular subject of carved artwork, especially by the Makonde people of Tanzania, Mozambique, and Kenya. Physically, shetani of various types appear as distorted human and animal figures.
Tingatinga is a painting style that originated in East Africa. Tingatinga is one of the most widely represented forms of tourist-oriented paintings in Tanzania, Kenya and neighbouring countries. The genre is named after its founder, Tanzanian painter Edward Tingatinga. Tinga Tinga also insipired kids animation tales, namely Tinga Tinga Tales.
Makonde chess sets are made by the Makonde people of southwest Tanzania and Mozambique, carved in the Makonde's distinctive style. Chess sets were originally made for export to Europe but the pattern of the pieces follows traditional Makonde designs rather than any established chess pattern.
Art in Sierra Leone has a long and significant tradition of carving and ceremonial works like masks and cloth for initiation and protection. Although art styles are oftentimes ascribed to a single ethnic group, the styles and processes are spread throughout the country and many artists move between the different ethnic groups in the country.
The art of Burkina Faso is the product of a rich cultural history. In part, this is because so few people from Burkina have become Muslim or Christian. Many of the ancient artistic traditions for which Africa is so well known have been preserved in Burkina Faso because so many people continue to honor the ancestral spirits, and the spirits of nature. In great part they honor the spirits through the use of masks and carved figures. Many of the countries to the north of Burkina Faso had become predominantly Muslim, while many of the countries to the south of Burkina Faso are heavily Christian. In contrast many of the people of Burkina Faso continue to offer prayers and sacrifices to the spirits of nature and to the spirits of their ancestors. The result is that they continue to use the sorts of art that we see in museums in Europe and America.
Ulysses Davis was an African-American barber and self-taught sculptor. Davis is best known for his carvings of historical figures such as a set of mahogany busts of all the presidents and similar portrait heads of the Rev. Dr. Martin Luther King Jr., the Kennedys and other leaders from the civil rights era.
Tanzania. Masterworks of African Skulpture was an art exhibition of traditional African sculptures originating from the mainland region of modern Tanzania. The exhibition was shown in 1994 at the House of World Cultures in Berlin and the same year at the Lenbachhaus art museum in Munich, Germany. Under the same title, it was accompanied by a bilingual catalogue with numerous photographs, maps, illustrations and a bibliography as well as contributions by ethnologists, art historians and collectors, published in German and Swahili, the national language of Tanzania.
