Malisa Longo | |
---|---|
Born | Maria Luisa Longo 13 July 1950 Venice, Italy |
Occupation | Actress |
Spouse | Riccardo Billi |
Malisa Longo (born Maria Luisa Longo; 13 July 1950) is an Italian actress, model and writer.
Born Maria Luisa Longo in Venice, Italy, she moved to Rome at a young age where she started a career as a model. She entered the Miss Italia beauty contest, winning the Miss Cinema and Miss Lazio titles. [1] After appearing in a number of commercials, she made her acting debut in 1968 in the Antonio Margheriti's giallo film The Young, the Evil and the Savage . She then appeared in other films, sometimes in main roles, [2] and was especially active in the Nazi exploitation and commedia sexy all'italiana genres. [2]
She performed a cameo in Bruce Lee's film The Way of the Dragon .
Longo was directed three times by the master of Italian erotica, Tinto Brass, in films such as Salon Kitty (1976) and Miranda (1985), in which she played opposite Serena Grandi.
She retired from acting in 1997. In 2000 she debuted as a writer with the novel Così come sono, and her works include poetries (Il cantico del corpo) and essays (Aggiungi un seggio a tavola). [3]
Longo was married to film producer Riccardo Billi and resides in Chicago, Illinois. [4]
Sword-and-sandal, also known as peplum, is a subgenre of largely Italian-made historical, mythological, or biblical epics mostly set in the Greco-Roman antiquity or the Middle Ages. These films attempted to emulate the big-budget Hollywood historical epics of the time, such as Samson and Delilah (1949), Quo Vadis (1951), The Robe (1953), The Ten Commandments (1956), Ben-Hur (1959), Spartacus (1960), and Cleopatra (1963). These films dominated the Italian film industry from 1958 to 1965, eventually being replaced in 1965 by spaghetti Western and Eurospy films.
Nazi exploitation is a subgenre of exploitation film and sexploitation film that involves Nazis committing sex crimes, often as camp or prison overseers during World War II. Most follow the women in prison formula, only relocated to a concentration camp, extermination camp, or Nazi brothel, and with an added emphasis on sadism, gore, and degradation. The most infamous and influential title is a Canadian production, Ilsa, She Wolf of the SS (1974). Its surprise success and that of Salon Kitty and The Night Porter led European filmmakers, mostly in Italy, to produce similar films, with just over a dozen being released over the next few years. Globally exported to both cinema and VHS, the films were critically attacked and heavily censored, and the sub-genre all but vanished by the end of the seventies.
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