Manimekalai | |
---|---|
Directed by | V. S. Raghavan |
Screenplay by | Elangovan |
Based on | Manimekalai by Chithalai Chathanar |
Produced by | V. S. Narayanan |
Starring | T. R. Mahalingam P. Bhanumathi |
Cinematography | Pachu |
Edited by | V. S. Rajan |
Music by | G. Ramanathan |
Production company | Sekhar Art Film Enterprises |
Release date |
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Country | India |
Language | Tamil |
Manimekalai is a 1959 Indian Tamil-language epic film directed by V. S. Raghavan and written by Elangovan, starring T. R. Mahalingam and P. Bhanumathi. It is based on the epic of the same name by Chithalai Chathanar. [1] [2]
Manimekalai, the daughter of Madhavi and Kovalan, grows up to a beautiful woman. Since her grandmother Chitrapathi and mother Madhavi are renowned courtesans, Manimekalai too learns from them and is accomplished in music and dance. While Madhavi is deeply disturbed by Kovalan's cruel death and glowing reports of Kannagi's chastity bring about changes in her moral outlook, withdrawing from the life of a courtesan, she brings up her daughter in an atmosphere of renunciation and spirituality.
Prince Udhaya Kumaran is smitten by Manimekalai's bewitching beauty and professes his love for her. However, destiny had other plans for Manimekalai. The sea Goddess Manimekalai, carries her away from Kaveripoompattinam to the southern island of Manipallavam in Naga Nadu. Manimekalai wakes up from her trance and is mystified at the alien surroundings. While wandering about the island Maṇimekalai comes across the Dharma-seat, the seat on which Buddha had taught and appeased two warring Naga princes, and placed there by the God Indra. Those who worship it miraculously know their previous life. Manimekalai automatically worshiped it and recollects what has happened in her previous life. She comes to a place sanctified by Buddha, and in flash, revelations of her earlier birth dawn on her. She learns that Udhaya Kumaran was her husband in her previous birth. Goddess Manimekalai teaches her the art of astral travel and the secret of metamorphosing herself into another being.
Goddess Tivatilakai appears now before Manimekalai and inculcates in her the doctrines of Buddhism. Following the instructions of the Goddess, Manimekalai goes around a pond from the middle of which a bowl emerges and places itself on Manaimekalai's outstretched hands. This is the Amudhasurabhi (cow of abundance), the cornucopia that would never deplete which will always provide food to alleviate hunger. The goddess Tivatilakai also predicts that Bhikshu Aravaṇa Aḍigal in her native town will teach her more. Manimekalai then used the mantra which the sea goddess had given her and flies back to Kaveripoompattinam, Manimekalai reunites with Madhavi and narrates to her all that had transpired.
They meet Sage Aravana Adigal who informs them the history of the mystic Amudhasurabhi and expounds her the Buddha's Teaching and advises her about the nature of life. Manimekalai now takes to feeding the poor and needy with her magic bowl. The king who had earlier viewed her with suspicion now perceives her innate divinity and agrees to her proposal to turn the prison to a hall of charity where Buddhist monks could meditate and establish a hospice for the poor.
Udhaya Kumaran continues to pursue Manimekalai, despite her avowed spiritual inclinations to dedicate herself to a religious celibate life. In an effort to ward of his unwelcome advances, Manimekalai takes up the form of Kayachandika, an accursed Yaksha. Kayachanika's husband Kanjanan believes that Manimekalai is his wife who has been cured of her illness, and when he finds Udhaya Kumaran stalking her, kills him in fury.
Surmounting several hurdles that come in her way, Manimekalai learns the sacred tenets of various religions and finally takes up the sacred orders of Buddhist nun or Bhikshuni, spending the rest of her life in Kanchipuram and practices to rid herself from the bondage of birth and death and attain Nirvana.
Actor |
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T. R. Mahalingam as Udhaya Kumaran |
P. Bhanumathi as Manimekalai |
N. S. Krishnan |
T. A. Mathuram |
Kaka Radhakrishnan |
Serukalathur Sama as Aravana Adigal |
O. A. K. Thevar |
C. S. Pandiyan |
Sandhya as Madhavi |
G. Sakunthala |
T. V. Kumudhini as Chitrapathi |
The music was composed by G. Ramanathan. Lyrics were by Thanjai N. Ramaiah Dass, A. Maruthakasi, Kambadasan and Kannadasan. The song "Kanngalin Vennilave" attained popularity. [3] [4]
Song | Singers | Lyrics | Length |
---|---|---|---|
"Kanngalin Vennilave" | T. R. Mahalingam & P. Bhanumathi | Kambadasan | 03:04 |
"Pazahangkaala Thamizharin Vaazhkai Nilai" | M. L. Vasanthakumari & N. L. Ganasaraswathi | A. Maruthakasi | 03:25 |
"Unnai Kaana Enggum" | T. R. Mahalingam | A. Maruthakasi | 03:59 |
"Avaniyil Pudhu Araneriye" | Thiruchi Loganathan & N. L. Ganasaraswathi | A. Maruthakasi | 03:26 |
"Inbam Inbam Inbam Indha Ulaginile" | P. Bhanumathi | A. Maruthakasi | 03:43 |
"Inge Vaa Sorgam Paar" | P. Leela & K. Abhayam | Kambadasan | 04:07 |
"Aandavan Thamizhanada" | T. R. Mahalingam | Kannadasan | 02:28 |
"Raajaa Nee Thoongalaamaa" | T. V. Rathnam | Thanjai N. Ramaiah Dass | 02:20 |
"Varuga Varuga Sugumaaraa" | P. Leela, Radha Jayalakshmi & A. P. Komala | A. Maruthakasi | 03:05 |
"Unda Naali Uduttha Naanku Mulam" | Seerkazhi Govindarajan | Kambadasan | 02:54 |
"Ulagame Oru Sirachchaalai" | P. Bhanumathi | Kambadasan | 02:48 |
"Adikkudhu Adikkudhu Unnai Kannda" | V. T. Rajagopalan & T. V. Rathnam | Thanjai N. Ramaiah Dass | 03:09 |
"Aanndavan Padaippinile Naan Kannda" | T. R. Mahalingam | A. Maruthakasi | 03:01 |
"Manadhai Kavarndha Mangai Varuvaalo" | Seerkazhi Govindarajan & Radha Jayalakshmi | A. Maruthakasi | 04:06 |
"Vandhaayaa Magale Vandhaayaa" | G. Ramanathan | N. S. Chidambaram | 04:16 |
"Aadhaaram Unnai Allaaal" | P. Bhanumathi | Kambadasan | 04:31 |
"Thillana" Music | P. Bhanumathi | None | 01:39 |
Kanthan of Kalki said the film could be watched for Bhanumathi and Mahalingam's performances, and the music. [5]
Kannagi, sometimes spelled Kannaki, is a legendary Tamil woman who forms the central character of the Tamil epic Cilappatikaram. Kannagi is described as a chaste woman who stays with her husband despite his adultery, their attempt to rebuild their marriage after her unrepentant husband had lost everything, how he is framed then punished without the due checks and processes of justice. Kannagi proves and protests the injustice, then curses the king and city of Madurai leading to the death of the unjust Pandyan King of Madurai, who had wrongfully put her husband Kovalan to death. The society that had made her suffer, suffers in retribution as the city Madurai is burnt to the ground because of her curse. In Tamil folklore, Kannagi has been deified as the symbol – sometimes as goddess – of chastity, with sculptures or reliefs in Hindu temples iconographically reminding the visitor of her breaking her anklet or tearing her bleeding breast and throwing it at the city.
Cilappatikāram, also referred to as Silappathikaram or Silappatikaram, is the earliest Tamil epic. It is a poem of 5,730 lines in almost entirely akaval (aciriyam) meter. The epic is a tragic love story of an ordinary couple, Kannaki and her husband Kovalan. The Cilappatikaram has more ancient roots in the Tamil bardic tradition, as Kannaki and other characters of the story are mentioned or alluded to in the Sangam literature such as in the Naṟṟiṇai and later texts such as the Kovalam Katai. It is attributed to a prince-turned-monk Iḷaṅkō Aṭikaḷ, and was probably composed in the 5th or 6th century CE.
The Five Great Epics are five Tamil epics according to later Tamil literary tradition. They are Silappatikāram, Manimekalai, Cīvaka Cintāmaṇi, Valayapathi and Kundalakesi.
Ilango Adigal was a monk and a poet, sometimes identified as a Chera prince. He is traditionally credited as the author of Cilappatikaram, one of the Five Great Epics of Ancient Tamil literature. He is one of the greatest poets from Cheranadu. In a patikam (prologue) to the epic poem, he identifies himself as the brother of a famous Chera king Ceṅkuṭṭuvan (Senguttuvan). This Chera king, as stated by Elizabeth Rosen, ruled over his kingdom in late 2nd or early 3rd century CE. However, this is doubtful because a Sangam poem in Patiṟṟuppattu – the fifth ten – provides a biography of Ceṅkuṭṭuvan, his family and rule, but never mentions that he had a brother who became an ascetic or wrote one of the most cherished epics. This has led scholars to conclude that the legendary author Ilango Adikal myth was likely inserted later into the epic. In a 1968 note, Kamil Zvelebil suggested that, "this [Adigal claim] may be a bit of poetic fantasy, practised perhaps by a later member of the Chera Dynasty [5th or 6th century] recalling earlier events [2nd or 3rd century]".
Kovalan is a central character in Ilango Adigal's Silappatikaram, one of the ancient Tamil epics.
Madhavi is a central character in the Silapathikaram, one of the epics in Tamil literature. Silapathikaram is the first Kappiyam (epic) among the five in Tamil literature. It belongs to the After the Sangam Period called by sangam maruviya kaalam means after sangam age AD.2nd century. Madhavi was born in a lineage of courtesans, and was an accomplished classical bharatha natya dancer. Madhavi is one of the three main characters in Silappatikaram, along with Kannagi and Kovalan.
Nainativu, is a small but notable island off the coast of Jaffna Peninsula in the Northern Province, Sri Lanka. The name of the island alludes to the folklore inhabitants, the Naga people. It is home to the Hindu shrine of Nagapooshani Amman Temple; one of the prominent 64 Shakti Peethas, and the Buddhist shrine Nagadeepa Purana Viharaya.
The Naga people are believed by some to be an ancient tribe who once inhabited Sri Lanka and various parts of Southern India. There are references to Nagas in several ancient texts such as Mahavamsa, Manimekalai, Mahabharata and also in other Sanskrit and Pali literature. They were generally represented as a class of super-humans taking the form of serpents who inhabit a subterranean world.
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Maṇimēkalai, also spelled Manimekhalai or Manimekalai, is a Tamil-Buddhist epic composed by Kulavāṇikaṉ Seethalai Sataṉar probably somewhere between the 2nd century to the 6th century. It is an "anti-love story", a sequel to the "love story" in the earliest Tamil epic Cilappatikaram, with some characters from it and their next generation. The epic consists of 4,861 lines in akaval meter, arranged in 30 cantos.
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Kannaki Amman is the deified form of Kannagi, the heroine of the Tamil epic Cilappatikāram. She is primarily worshipped in Sri Lanka and Kerala, and in a minor way in few parts of Tamil Nadu. As a goddess of chastity, she is venerated by Indian Tamils and Malayalis, Sri Lankan Tamil Shaivites, and also by the Sinhalese Buddhists as Pattini Amma. In regional Hindu tradition, her tale is interpreted as the story of Durga demanding justice after the death of her husband, Kovalan, who is identified as a form of Shiva.
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