Manuel Vilar | |
|---|---|
 | |
| Born | Manuel Vilar i Roca 15 November 1812 |
| Died | 25 November 1860 (aged 48) Mexico City, Mexico |
| Nationality | Spanish |
| Known for | Sculpture |
| Movement | Romanticism |
Manuel Vilar i Roca (15 November 1812, Barcelona - 25 November 1860, Mexico City) was a Spanish sculptor, in the Romantic style. [1]
His first studies were at the Escola de la Llotja, with Damià Campeny. In 1833, with a grant from the Board of Commerce, he went to Rome where he studied with Antoni Solà and was an assistant in the workshops of Pietro Tenerani. He also received advice from Bertel Thorvaldsen and was influenced by the Nazarene movement.
Upon his return to Spain, he became an instructor at the Escola. He served in that position until 1845, when he and the painter Pelegrí Clavé received offers of employment in Mexico. There, he became the head of the sculpture classes at the Academia de San Carlos. [2]
During his tenure, he insisted on the rigorous study of anatomical models, the sketching of classical examples, practicing on blocks of marble, making plaster castings, and modelling with clay. He worked with religious and historical subjects, as well as the classics, which included themes from the Pre-Hispanic history of Mexico. Although his style owed much to Romanticism, he also introduced elements of Realism; giving his work an eclectic character. [1]
His early works, in Barcelona, focused on Biblical and mythological subjects; including Jason stealing the golden fleece and the trial of Daniel in Babylon. [2] His specifically Mexican subjects include Moctezuma, La Malinche, Iturbide and Tlahuicole, as well as numerous busts; notably Lucas Alamán and Antonio López de Santa Anna. He also created a statue of San Carlos Borromeo, which may be seen on the patio of the Academia. [1]
He died of pneumonia, aged only forty-eight, and was interred at the iglesia de Jesús Nazareno , where his students created a monument in his memory. [1]
Bonaventura Carles Aribau i Farriols (1798–1862) was a Catalan economist, stenographer, writer and politician who wrote in Spanish, Catalan, Latin, and Italian.
Baldomer Galofre i Giménez, in Spanish: Baldomero Galofré y Jiménez was a Spanish painter.
Lluís Rigalt i Farriols was a Spanish landscape painter and graphic artist.
Antoni Caba i Casamitjana was a Spanish painter who worked in the Realistic style and is best known for his portraits.
Claudi Lorenzale i Sugrañes was a Spanish painter, associated with the German Nazarene movement and local efforts to recover the history of the Catalan region.
Pelegrí Clavé i Roqué sometimes Pelegrin Clavé was a Spanish painter in the Romantic style who lived and taught in Mexico for many years.
Francisco Sans Cabot, in Catalan: Francesc Sans i Cabot was a Catalan painter who served as Director of the Museo del Prado from 1873 to 1881.
Josep Arrau i Barba was a Catalan painter, noted for his portraits. Described as an "intellectual artist," he was also a pioneer of a contemporary, multi-disciplinary approach to art conservation, and published a number of works on the subject as well as conducting workshops on restoration and conservation work.
Rossend Nobas i Ballbé was a Catalan sculptor and goldsmith in the 19th century. Working mainly in Barcelona, Nobas's work is to be found around the city in both museums and public areas.
Joaquim Espalter i Rull or, in Spanish, Joaquín Espalter y Rull was a Catalan painter who spent most of his career in Madrid; known primarily for portraits and historical scenes.
Josep Anselm Clavé i Camps also known as José Anselmo Clavé, was a Catalan politician, composer and writer, founder of the choral movement in Catalonia and a promoter of the associative movement.
Pasqual Pere Moles i Coronas, also known as Pedro Pascual Moles was a Spanish engraver who served as the first Director of the Escola de la Llotja; a position he held until his death.
Agapit Vallmitjana i Barbany was a Spanish sculptor, in the Realist style. His brother Venanci was also a sculptor, with whom he usually collaborated.
José Nin y Tudó was a Spanish painter. Although he worked in a variety of genres, he is best remembered for his decorative work and his series of "mortuary paintings", depicting famous men lying in state or on their death beds.
Eusebi Planas i Franquesa ) was a Catalan graphic artist, lithographer and watercolorist.
Pau Milà i Fontanals was a Spanish painter, writer and professor; specializing in art history and aesthetics.
Damià Campeny i Estrany was a Spanish sculptor in the Classical style.
Josep Reynés i Gurguí was a Spanish sculptor. He devoted himself primarily to interior decoration, but also created religious and funerary works.
Francesc Daniel Molina i Casamajó was a Spanish architect.
Federico Canessi del Campillo was a Mexican sculptor, and muralist. He is one of the founders of modern figurative sculpture in Mexico.
| International | |
|---|---|
| National | |
| Artists | |
