Manush Nandan | |
---|---|
Born | Chennai, Tamil Nadu, India [1] |
Years active | 2008—present |
Spouse | Gowri (m. 2013) |
Parent(s) | Gnani Sankaran (father) [3] AS Padmavathi (mother) [1] |
Manush Nandan is an Indian cinematographer who works in Hindi and Tamil-language films. He studied at the Film and Television Institute of Tamil Nadu and worked under Ravi K. Chandran during his early days and for his directorial debut Yaan (2014). [1] [4] He worked as an assistant cinematographer for Rab Ne Bana Di Jodi (2008) and My Name is Khan (2010) before being recommended to Farah Khan by an assistant director to work on Happy New Year (2014). [5] He has since worked on several well known Hindi films such as Thugs of Hindostan (2018) and Rocky Aur Rani Kii Prem Kahaani (2023).
He is the son of writers Gnani Sankaran and AS Padmavathi. [1] He married Gowri in 2013. Kamal Haasan and Shah Rukh Khan attended his wedding. [4]
Year | Film | Language | Notes | Ref. |
---|---|---|---|---|
2010 | Manmadhan Ambu | Tamil | [6] | |
2011 | Jo Hum Chahein | Hindi | [7] | |
2013 | Ishkq in Paris | Hindi | [8] | |
2014 | Yaan | Tamil | [4] | |
Happy New Year | Hindi | [9] | ||
2016 | Kriti | Hindi | Short film | [9] |
Devi Abhinetri Tutak Tutak Tutiya | Tamil Telugu Hindi | [10] | ||
2018 | 60 Vayadu Maaniram | Tamil | [11] | |
Thugs of Hindostan | Hindi | [12] | ||
2020 | Gunjan Saxena: The Kargil Girl | Hindi | [1] | |
2022 | Samrat Prithviraj | Hindi | [13] | |
2023 | Rocky Aur Rani Kii Prem Kahaani | Hindi | [14] | |
Dunki | Hindi | [15] |
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The man has simply run rings around luscious locations such as Paris, Barcelona, Rome, Venice and Kodaikkanal, bringing in the sun and the wind right into your face. He deserves a dozen pats
Manush Nandan's camerawork is fair
The exquisite camerawork by Manush Nandan sweeps languorously through the neon-lit seductive night-life of Paris
With moderate production values which are well exploited, the visuals by cinematographer Manush Nandan are aesthetically shot
DoP Manush Nandan's same compositions and angles have a stultifying effect
Manush Nandan's cinematography adds depth and charm