Many a true word is spoken in jest is an adage, aphorism or proverb.
James Joyce combined this sentiment with the similar adage of in vino veritas to coin the phrase in risu veritas (in laughter, truth). [1]
A version of this appears in the Prologue to "The Cook's Tale" (written in 1390) by Geoffrey Chaucer: "Ful ofte in game a sooth I have herd saye!". [2]
An early print appearance of the most familiar form of this aphorism was in Volume VII of the Roxburghe Ballads , where it appears in the prologue to The Merry Man's Resolution, or A London Frollick. The ballad purportedly goes back to the 17th century, but the introductory verse was probably written by the editor of the collection, Joseph Woodfall Ebsworth: [3]
He goes a wooing, yet the matter's so,
He cares not much whether he speeds or no;
'Cause City Wives and Wenches are so common,
He thinks it hard to find an honest woman.
Be n't angry with this fellow, I protest
That many a true word hath been spoke in jest.
By degrees he layes a wager, money's scant,
Until five shillings out; then ends his Rant.
In English folklore, The Puck, also known as Goodfellows, are demons or fairies which can be domestic sprites or nature sprites.
Honorificabilitudinitatibus is the dative and ablative plural of the medieval Latin word honōrificābilitūdinitās, which can be translated as "the state of being able to achieve honours". It is mentioned by the character Costard in Act V, Scene I of William Shakespeare's Love's Labour's Lost.
Huzzah is, according to the Oxford English Dictionary (OED), "apparently a mere exclamation". The dictionary does not mention any specific derivation. Whatever its origins, it has seen occasional literary use since at least the time of Shakespeare, as the first use was in 1573, according to Merriam-Webster.
Thomas Deloney was an English silk-weaver, novelist, and ballad writer.
John Ketch, generally known as Jack Ketch, was an infamous English executioner employed by King Charles II. He became famous through the way he performed his duties during the tumults of the 1680s, when he was often mentioned in broadsheet accounts that circulated throughout the Kingdom of England. He is thought to have been appointed in 1663.
Richard Tarlton was an English actor of the Elizabethan era. He was the most famous clown of his era, known for his extempore comic doggerel verse, which came to be known as "Tarltons". He helped to turn Elizabethan theatre into a form of mass entertainment paving the way for the Shakespearean stage. After his death many witticisms and pranks were attributed to him and were published as Tarlton's Jests.
This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in particular, see Glossary of poetry terms.
Sonnet 4 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a procreation sonnet within the Fair Youth sequence.
"King John and the Bishop" is an English folk-song dating back at least to the 16th century. It is catalogued in Child Ballads as number 45 and Roud Folk Song Index 302.
"As a dog returns to his vomit, so a fool repeats his folly" is an aphorism which appears in the Book of Proverbs in the Bible — Proverbs 26:11, also partially quoted in the New Testament, 2 Peter 2:22. It means that fools are stubbornly inflexible and this is illustrated with the repulsive simile of the dog that eats its vomit again, even though this may be poisonous. Dogs were considered unclean in Biblical times as they were commonly scavengers of the dead and they appear in the Bible as repugnant creatures, symbolising evil. The reference to vomit indicates excessive indulgence and so also symbolises revulsion.
Sir Carr Scrope, 1st Baronet, versifier and man of fashion in the Restoration court of Charles II of England.
The Choise of Valentines Or the Merie Ballad of Nash His Dildo, which alternatively acquired the label "Nashe's Dildo", is an erotic poem by Thomas Nashe, thought to have been composed around 1592 or 1593. The poem survives in three extant manuscript versions and was first printed in 1899. It recounts in the first person a sexual encounter in a brothel between the narrator, Tomalin, and his lover, Mistress Frances. The poem contains the most detailed description of a dildo in Renaissance literature, and contains one of the first attestations of the word dildo, though the word seems to derive ultimately from nonsense syllables common in early-modern popular ballads.
Joseph Woodfall Ebsworth was an English clergyman, known as an editor of ballads, poet and artist.
"A Ballad upon the Popish Plot" is an early modern English broadside ballad about a fabricated conspiracy known as "The Popish Plot" that occurred between 1678 and 1681 in the kingdoms of England and Scotland, during a period of widespread social and cultural prejudice against Catholicism. The song records an indictment of the Plot—a crucial consequence of national religious conflict that arguably began with the English Reformation—in the form of the ballad, one of the most time-honored and influential styles of popular music.
The complaint and lamentation of Mistress Arden of Feversham in Kent is a 17th-century English broadside ballad that details the murder of Thomas Arden by his wife Alice, her lover Mosby, and several others in 1551 in the town of Faversham, Kent. The ballad's full title is "The complaint and lamentation of Mistresse Arden of / Feversham in Kent, who for the loue of one Mosbie, hired certaine Ruffians / and Villaines most cruelly to murder her Husband; with the fatall end of her and her / Associats." It was entered into the Stationers' Register on July 8, 1663. The ballad is framed as the scaffold confession of Alice Arden, related in the moments before her execution by burning at the stake. The events in the ballad closely parallel both the source text for the event, Raphael Holinshed's Chronicles of England, Scotland, and Ireland, and the anonymous 16th-century English play Arden of Faversham. The British Library holds the only existing copy of the ballad in their Roxburghe collection.
Amintor's Lamentation for Celia's Unkindness is an English broadside ballad from the 17th century that tells the story of a young man who falls in love the coy Celia who does not love him back, and leaves the country to avoid him. The ballad begins with Amintor lamenting her refusal to return his love, and concludes with Celia's response, in which she accuses Amintor of using charm and arts to try to steal her purity. Sung to the tune of "Since Celia's My Foe." Copies of the broadside can be found in the British Library and the National Library of Scotland. On-line transcriptions of the ballad are also available for public consumption.
"The Beggars Chorus" or "The Jovial Crew" is an English broadside ballad from the mid-18th century. It celebrates the life of a beggar, and treats begging as a legitimate English trade. Sung to the tune of A Begging We Will Go. Copies of the broadside can be found in the British Library, the National Library of Scotland, and the Huntington Library.
Joseph Leathley Cowell, born Joseph Leathley Hawkins-Witshed, was an English actor, author, and painter.
The Tragedy of Troilus and Cressida, often shortened to Troilus and Cressida ), is a play by William Shakespeare, probably written in 1602.
The author J. R. R. Tolkien uses many proverbs in The Lord of the Rings to create a feeling that the world of Middle-earth is both familiar and solid, and to give a sense of the different cultures of the Hobbits, Men, Elves, and Dwarves who populate it. Scholars have also commented that the proverbs are sometimes used directly to portray characters such as Barliman Butterbur, who never has time to collect his thoughts. Often these proverbs serve to make Tolkien's created world seem at once real and solid, while also remaining somewhat unfamiliar. Further, the proverbs help to convey Tolkien's underlying message about providence; while he keeps his Christianity hidden, readers can see that what appears as luck to the protagonists reflects a higher purpose throughout Tolkien's narrative.