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Marga Sangeet is the use of music to find path to moksha . [1] [2] Though some articles equate it to Indian Classical Music, Pandit Mukul Shivputra mentions it as "the path to salvation" in this [3] interview titled 'The Raga of Truth'.
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Marga Sangeet is the use of music to find path to moksha . [1] [2] Though some articles equate it to Indian Classical Music, Pandit Mukul Shivputra mentions it as "the path to salvation" in this [3] interview titled 'The Raga of Truth'.
The Sanskrit root word of Marga is mrg, [4] "which indicates contemplation and seeking." The article also mentions "That which was discovered by Brahma and (first) practiced by Bharata and others in the audience of lord Shiva is known as marga, which definitely bestows prosperity; while the sangeeta comprising gitam, vadyam and nrttam, that entertains people according to their taste in the different regions, is known as desi"
Samagana mentions
The connection between Marga Sangeet and Rahasyageyo-gān is one of Swara-sadhana
Moksha, also called vimoksha, vimukti, and mukti, is a term in Hinduism, Buddhism, Jainism and Sikhism for various forms of emancipation, liberation, nirvana, or release. In its soteriological and eschatological senses, it refers to freedom from saṃsāra, the cycle of death and rebirth. In its epistemological and psychological senses, moksha is freedom from ignorance: self-realization, self-actualization and self-knowledge.
A raga is a melodic framework for improvisation in Indian classical music akin to a melodic mode. Rāga is central to classical Indian music and a unique feature of the tradition: no equivalent concept exists in Western classical music. Each rāga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience.
Indian classical music is the classical music of the Indian subcontinent. It is generally described using terms like Marg Sangeet and Shastriya Sangeet. It has two major traditions: the North Indian classical music known as Hindustani and the South Indian expression known as Carnatic. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. Another unique classical music tradition from Eastern part of India, i. e. Odissi music has evolved since two thousand years ago.
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