Margaret Lowengrund (b. 1902 Philadelphia, Pennsylvania; d. 1957 New York) was an American artist and a key figure in the American Print Renaissance of the 1950s and 1960s. She founded the pioneering Pratt-Contemporaries Graphic Art Center in 1956, originally the Contemporaries gallery founded in 1952 and which later became the Pratt Graphic Art Center upon her death. [1] [2] She is known for her etchings, lithographs, and paintings and was a Works Progress Administration (WPA) artist.
Lowengrund's work is in the permanent collection of the Metropolitan Museum of Art, [3] The Newark Museum of Art [4] the Spencer Museum of Art, [5] the Library of Congress, [6] and the National Gallery of Art. [7] Her work was included in the Office of Emergency Management Art in War exhibit at the Museum of Modern Art in 1942. [8]
Barbara Nessim is an American artist, illustrator, and educator.
Sue Coe is an English artist and illustrator working primarily in drawing, printmaking, and in the form of illustrated books and comics. Her work is in the tradition of social protest art and is highly political. Coe's work often includes animal rights commentary, though she also creates work that centralizes the rights of marginalized peoples and criticizes capitalism. Her commentary on political events and social injustice are published in newspapers, magazines and books. Her work has been shown internationally in both solo and group exhibitions and has been collected by various international museums. She lives in Upstate New York.
Lynn Shaler is an American artist known for her color aquatint etchings. Many of her works feature locations in the city of Paris. Early subjects often included objects such as doorknobs, envelopes, theater exits, a pair of shoes. Later and more recent subjects often include architectural details or interior views opening onto an exterior scene. Many of her works also feature a dog, a cat, umbrella(s) and/or a lady in a red/pink coat. The majority of her works are made with multiple plates and many are, at least in part, hand-colored.
Edmond Casarella was an American printmaker, painter, and sculptor based in the New York metropolitan area. He developed the innovative use of a layered cardboard printing matrix that could be carved like a woodcut, enabling the inexpensive creation of large-scale works.
Pat Steir is an American painter and printmaker. Her early work was loosely associated with conceptual art and minimalism, however, she is best known for her abstract dripped, splashed and poured "Waterfall" paintings, which she started in the 1980s, and for her later site-specific wall drawings.
Mary Callery was an American artist known for her Modern and Abstract Expressionist sculpture. She was part of the New York School art movement of the 1940s, 1950s and 1960s.
Kay WalkingStick is a Native American landscape artist and a member of the Cherokee Nation. Her later landscape paintings, executed in oil paint on wood panels often include patterns based on Southwest American Indian rugs, pottery, and other artworks.
Alfredo Da Silva was a painter, graphic artist, and photographer, known for his abstract expressionism. He came to international prominence in 1959 and remained so until his death in 2020.
Howardena Pindell is an American painter and mixed media artist. Her work explores texture, color, structures, and the process of making art; it is often political, addressing the intersecting issues of racism, feminism, violence, slavery, and exploitation. She is known for the wide variety of techniques and materials used in her artwork; she has created abstract paintings, collages, "video drawings," and "process art."
Nina Kuo is a Chinese American painter, photographer, sculptor, author, video artist and activist who lives and works in New York City. Her work examines the role of women, feminism and identity in Asian-American art. Kuo has worked in partnership with the artist Lorin Roser.
Linda Lindroth is an American artist, photographer, writer, curator and educator.
Jolán Gross-Bettelheim (1900–1972) was a Hungarian artist who lived and worked in the United States from 1925 to 1956, before returning to Hungary.
Wendy Red Star is a Native American contemporary multimedia artist born in Billings, Montana, in the United States. Her humorous approach and use of Native American images from traditional media draw the viewer into her work, while also confronting romanticized representations. She juxtaposes popular depictions of Native Americans with authentic cultural and gender identities. Her work has been described as "funny, brash, and surreal".
Helen West Heller was an American painter, printmaker, poet, and illustrator.
Martin Barooshian is an American painter and printmaker. He is known for his ability to weave a tapestry of art historical influences with modernist elements and a contemporary sensibility. His work frequently dances the line of Surrealism and Expressionism, often with a pop and op art edge, incorporating aspects of primitive, Romantic, and Renaissance art. He has worked in a wide variety of media from miniature etchings to oversized oils on canvas. These have included woodcuts, lithographs, etchings and engravings with aquatint and soft ground, monotypes, gouache and watercolor paintings, and oils. He is also known for his technical skill and innovation.
Anne Steele Marsh (1901–1995) was an American painter and printmaker whose watercolors, oil paintings, and wood engravings were widely exhibited and drew critical praise. She was also a noted educator and arts administrator.
Anne Turyn is an American photographer. Her work is included in the collections of the Whitney Museum of American Art, the Metropolitan Museum of Art and the Museum of Modern Art, New York. She is also an Adjunct Professor at the Pratt Institute in Brooklyn, New York.
Arthur Deshaies (1920–2011) was an American printmaker and painter who made non-geometric abstractions in a style he called "abstract impressionist." After his death a curator described a dominant aspect of Deshaies' prints, calling them "biomorphic, surrealist fantasies." Deshaies showed frequently in commercial and academic galleries and in museums and his work frequently received critical notice. He employed traditional printmaking techniques and also used new techniques including one that he called stencil-offset and another which employed sheets of plastic as the matrix. His long career as an artist was matched by an equally long career as an art teacher.
Barbara Noah is a sculptor in glass and concrete, best known for her large installation pieces.
The Pratt Graphic Art Center also called the Pratt Graphics Center was a print workshop and gallery in New York. The Center grew out of Margaret Lowengrund's Contemporaries Graphic Art Centre. In 1956 Fritz Eichenberg became the Center's director, serving until 1972. The Center was associated with the Pratt Institute, providing a space specifically for printmaking. It was used by both students and established artists including Jim Dine, Robert Motherwell, Barnett Newman, and Claes Oldenburg. The Center also published a journal, the Artist's Proof edited by Eichenberg and Andrew Stasik, and had an exhibition space. The Pratt Graphic Art Center closed in 1986.