Margarita Gleba is an archaeologist and expert on early textiles and other organic materials. [1]
Gleba holds a BS (1997) in biology and art history from Rutgers University, followed by a MA (1999) and PhD (2004) in archaeology from Bryn Mawr College, the latter supervised by Jean MacIntosh Turfa. [2] Her research uses scientific methods in archaeology and focuses on the pre- and protohistory of the peoples and cultures of the Mediterranean region, in addition to the archaeology of organic materials. [3]
From 2005 to 2009 she was research project manager at Copenhagen University, followed by a Marie Curie Intra-European Fellowship at the Institute of Archaeology University College London. After that she received a European Research Council Starting Grant (2013-2019), conducted at Cambridge University named 'PROduction and CONsumption: Textile Economy and Urbanisation in Mediterranean Europe 1000-500 BCE'. [4] In 2019 Gleba was a featured guest in a BBC Radio broadcast focused on the Scythians. [5] In 2020 she was a lecturer at Ludwig-Maximilians-University of Munich, [6] before becoming Assistant Professor at the University of Padua in 2021.
The La Tène culture was a European Iron Age culture. It developed and flourished during the late Iron Age, succeeding the early Iron Age Hallstatt culture without any definite cultural break, under considerable Mediterranean influence from the Greeks in pre-Roman Gaul, the Etruscans, and the Golasecca culture, but whose artistic style nevertheless did not depend on those Mediterranean influences.
In the history of art, prehistoric art is all art produced in preliterate, prehistorical cultures beginning somewhere in very late geological history, and generally continuing until that culture either develops writing or other methods of record-keeping, or makes significant contact with another culture that has, and that makes some record of major historical events. At this point ancient art begins, for the older literate cultures. The end-date for what is covered by the term thus varies greatly between different parts of the world.
An oppidum is a large fortified Iron Age settlement or town. Oppida are primarily associated with the Celtic late La Tène culture, emerging during the 2nd and 1st centuries BC, spread across Europe, stretching from Britain and Iberia in the west to the edge of the Hungarian plain in the east. These settlements continued to be used until the Romans conquered Southern and Western Europe. Many subsequently became Roman-era towns and cities, whilst others were abandoned. In regions north of the rivers Danube and Rhine, such as most of Germania, where the populations remained independent from Rome, oppida continued to be used into the 1st century AD.
Tablet weaving is a weaving technique where tablets or cards are used to create the shed through which the weft is passed. As the materials and tools are relatively cheap and easy to obtain, tablet weaving is popular with hobbyist weavers. Most tablet weavers produce narrow work such as belts, straps, or garment trims.
Andrew Sherratt's model of a secondary products revolution involved a widespread and broadly contemporaneous set of innovations in Old World farming. The use of domestic animals for primary carcass products (meat) was broadened from the 4th–3rd millennia BCE to include exploitation for renewable 'secondary' products: milk, wool, traction, riding and pack transport.
The Ordos culture was a material culture occupying a region centered on the Ordos Loop during the Bronze and early Iron Age from c. 800 BCE to 150 BCE. The Ordos culture is known for significant finds of Scythian art and may represent the easternmost extension of Indo-European Eurasian nomads, such as the Saka, or may be linkable to Palaeo-Siberians or Yeniseians. Under the Qin and Han dynasties, the area came under the control of contemporaneous Chinese states.
Etruscan history is the written record of Etruscan civilization compiled mainly by Greek and Roman authors. Apart from their inscriptions, from which information mainly of a sociological character can be extracted, we do not have any historical works written by the Etruscans themselves, nor is there any mention in the Roman authors that any was ever written. Remnants of Etruscan writings are almost exclusively concerned with religion.
Etruscan cities were a group of ancient settlements that shared a common Etruscan language and culture, even though they were independent city-states. They flourished over a large part of the northern half of Italy starting from the Iron Age, and in some cases reached a substantial level of wealth and power. They were eventually assimilated first by Italics in the south, then by Celts in the north and finally in Etruria itself by the growing Roman Republic.
C. Joshua Pollard is a British archaeologist who is a professor of archaeology at the University of Southampton. He gained his BA and PhD in archaeology from the Cardiff University, and is a specialist in the archaeology of the Neolithic period in the UK and north-west Europe, especially in relation to the study of depositional practices, monumentality, and landscape. He is a Fellow of the Society of Antiquaries of London
The warp-weighted loom is a simple and ancient form of loom in which the warp yarns hang freely from a bar, which is supported by upright poles which can be placed at a convenient slant against a wall. Bundles of warp threads are tied to hanging weights called loom weights which keep the threads taut.
Poggio Civitate is a hill in the commune of Murlo, Siena, Italy and the location of an ancient settlement of the Etruscan civilization. It was discovered in 1920, and excavations began in 1966 and have uncovered substantial traces of activity in the Orientalizing and Archaic periods as well as some material from both earlier and later periods.
Poggio Colla is an Etruscan archaeological site located near the town of Vicchio in Tuscany, Italy.
Robert Ross Holloway was an American archaeologist, founder with Rolf Winkes of the Center for Classical Art and Archaeology at Brown University, and the Elisha Benjamin Andrews Professor Emeritus of Brown University, where he taught from 1964 to his retirement in 2006.
Donald John Logan Bennet,, known as John Bennet, is a British archaeologist, classicist, and academic, who specialises in the Aegean civilisations. He has been Professor of Aegean Archaeology at the University of Sheffield since 2004, and was Director of the British School at Athens from 2015 to 2022. He previously taught at the University of Cambridge, the University of Wisconsin–Madison and the University of Oxford.
Jean MacIntosh Turfa is an American archaeologist and authority on the Etruscan civilization.
Karin Margarita Frei is an Argentinean-Danish archaeological scientist. She is a research professor in archaeometry at the National Museum of Denmark in Copenhagen. She has developed new methodologies for using isotopes to trace human and animal mobility, including the high time-resolution tracing technique for human hair and finger nails as well as ancient wool.
Marie-Louise Bech Nosch is a Professor in the University of Copenhagen and an expert in the interdisciplinary study of prehistoric textiles. Her main research focus is on the evidence for textile production in Mycenaean Greece provided by the Linear B tablets; she has also published widely on the cross-cultural study of textiles from across the ancient Mediterranean and Near East.
Elspeth Rogers McIntosh Dusinberre is Professor of Distinction and President's Teaching Scholar in Classics at the University of Colorado Boulder. She focuses on cultural interactions in Anatolia, with an emphasis on the history of the Achaemenid Persian Empire in Anatolia. She received her AB in 1991 from Harvard University and her PhD in 1997 from the University of Michigan. Dusinberre has received twelve University of Colorado teaching awards and been awarded the Wiseman Award by the Archaeological Institute of America for her 2013 publication, Empire, Authority, and Autonomy in Achaemenid Anatolia.
Karina Grömer is an Austrian archaeologist known for her contribution to the study of archaeological textiles. She is the head of the Department of Prehistory at the Natural History Museum Vienna in Austria.