Marguerite-Louise Couperin (1675/76 or 1678/79 in Paris – 1728 in Versailles) was a French soprano [1] singer and harpsichordist, who came from the musically talented Couperin family dynasty. The Frenchman Évrard Titon du Tillet, in his 1732 book Le Parnasse françois, describes her as "one of the most celebrated musicians of our time, who sang with admirable taste and who played the harpsichord perfectly." [2]
Her music teacher was Jean-Baptiste Moreau (1656–1733). [3]
She was the cousin of the composer François Couperin (The Great) [4] and collaborated with him in performing soprano parts to his church vocal music compositions. The soprano parts written for her are exceptionally high and need great purity of tone. [5]
The Chapelle royale did not ordinarily permit women to take part in performances, instead using falsetti and castrati male artists. Such was her talent that an exception was made in her case, and also for the two daughters of Michel Richard Delalande, Marie-Anne and Jeanne. [6]
Domenico Alberti was an Italian singer, harpsichordist, and composer.
François Couperin was a French Baroque composer, organist and harpsichordist. He was known as Couperin le Grand to distinguish him from other members of the musically talented Couperin family.
The Couperin family was a musical dynasty of professional composers and performers. They were the most prolific family in French musical history, active during the Baroque era. Louis Couperin and his nephew, François Couperin le grand, are the best known members of the family.
Louis Couperin was a French Baroque composer and performer. He was born in Chaumes-en-Brie and moved to Paris in 1650–1651 with the help of Jacques Champion de Chambonnières. Couperin worked as organist of the Church of St. Gervais in Paris and as musician at the court. He quickly became one of the most prominent Parisian musicians, establishing himself as a harpsichordist, organist, and violist, but his career was cut short by his early death at the age of thirty-five.
Coloratura is an elaborate melody with runs, trills, wide leaps, or similar virtuoso-like material, or a passage of such music. Operatic roles in which such music plays a prominent part, and singers of these roles, are also called coloratura. Its instrumental equivalent is ornamentation.
Louis Marchand was a French Baroque organist, harpsichordist, and composer. Born into an organist's family, Marchand was a child prodigy and quickly established himself as one of the best known French virtuosos of his time. He worked as organist of numerous churches and, for a few years, as one of the four organistes du roy. Marchand had a violent temperament and an arrogant personality, and his life was filled with scandals, publicized and widely discussed both during his lifetime and after his death. Despite his fame, few of his works survive to this day, and those that do almost all date from his early years. Nevertheless, a few pieces of his, such as the organ pieces Grand dialogue and Fond d'orgue have been lauded as classic works of the French organ school.
The French organ school formed in the first half of the 17th century. It progressed from the strict polyphonic music of Jean Titelouze to a unique, richly ornamented style with its own characteristic forms that made full use of the French classical organ. Instrumental in establishing this style were Louis Couperin, who experimented with structure, registration and melodic lines, expanding the traditional polyphonic forms, and Guillaume-Gabriel Nivers (1632–1714), who established the distinct forms and styles of what was to become the French organ tradition.
The year 1703 in music involved some significant events.
Évrard Titon du Tillet is best known for his important biographical chronicle, Le Parnasse françois, composed of brief anecdotal vite of famous French poets and musicians of his time, under the reign of Louis XIV and the Régence.
The Harvard Dictionary of Music is a standard music reference book published by the Belknap Press of Harvard University Press.
Étienne-Jehandier Desrochers was an 18th-century French engraver best known for his small portraits of his contemporaries.
Marin Petrov Goleminov was a Bulgarian composer, violinist, conductor and pedagogue.
The Belgian Prix de Rome is an award for young artists, created in 1832, following the example of the original French Prix de Rome. The Royal Academy of Fine Arts Antwerp organised the prize until 1920, when the national government took over. The first prize is also sometimes called the Grand Prix de Rome. There were distinct categories for painting, sculpture, architecture and music.
Marguerite-Antoinette Couperin was a French harpsichordist, the first woman to hold the position of ordinaire de la musique de la chambre du roi pour le clavecin.
Charles Piroye was a French Baroque organist and composer.
Francesco Antonio Urio was an Italian composer of the Baroque era.
Frederico Guedes de Freitas was a Portuguese composer, conductor, musicologist, and pedagogue.
Judith Colton is an American historian of art who is a professor emerita at Yale University. One of her best known works is The Parnasse Franc̈ois: Titon Du Tillet and the Origins of the Monument to Genius (1979), a study of Évrard Titon du Tillet.
Marie-Anne Couperin was a 17th-century French organist and harpsichordist and a member of the musically prominent Couperin family, which included generations of famous composers and organists.
This is a list of notable events in music that took place in the 1410s.
Marguerite-Louise Couperin.
Marguerite-Louise Couperin.