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Anna Pavlovna Pavlova, born Anna Matveyevna Pavlova, was a Russian prima ballerina of the late 19th and the early 20th centuries. She was a principal artist of the Imperial Russian Ballet and the Ballets Russes of Sergei Diaghilev. Pavlova is most recognized for her creation of the role of The Dying Swan and, with her own company, became the first ballerina to tour around the world, including performances in South America, India and Australia.
George Balanchine was a Georgian-American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its Artistic Director for more than 35 years. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music.
Elizabeth Marie Tallchief was an American ballerina. She was considered America's first major prima ballerina. She was the first Native American to hold the rank, and is said to have revolutionized ballet.
The School of American Ballet (SAB) is the most renown ballet school in the United States. School of American Ballet is the associate school of the New York City Ballet, a ballet company based at the Lincoln Center for the Performing Arts in New York City. The school trains students from the age of six, with professional vocational ballet training for students aged 11–18. Graduates of the school achieve employment with leading ballet companies worldwide, and in the United States with New York City Ballet, American Ballet Theatre, Boston Ballet, San Francisco Ballet, Miami City Ballet, Pacific Northwest Ballet and Houston Ballet.
Darci Kistler is an American ballerina. She is often said to be the last muse for choreographer George Balanchine.
Olga Iosifovna Preobrajenska was a Russian ballerina of the Russian Imperial Ballet and a ballet instructor.
Aleksandra Dionisyevna Danilova was a Russian-born prima ballerina, who became an American citizen. In 1989, she was recognized for lifetime achievements in ballet as a Kennedy Center Honoree.
Mia Slavenska, née Čorak was born in Brod-na-Sava, now Croatia, then Austria-Hungary, 20 February 1916 - Los Angeles, California, United States of America, 5 October 2002) was a Croatian-American soloist of the Russian Ballet of Monte Carlo in 1938-1952 and 1954-1955.
This version of the Cinderella ballet, using Sergei Prokofiev's Cinderella music and re-choreographed by Frederick Ashton, is a comic ballet.
Maria Danilova, Russian ballet dancer, is honored by the impact crater Danilova on Venus.
The Vaganova Academy of Russian Ballet is a school of classical ballet in St Petersburg, Russia. Established in 1738 during the reign of Empress Anna, the academy was known as the Imperial Ballet School until the Soviet era, when, after a brief hiatus, the school was re-established as the Leningrad State Choreographic Institute. In 1957, the school was renamed in honor of the pedagogue Agrippina Vaganova, who cultivated the method of classical ballet training that has been taught there since the late 1920s. Many of the world's leading ballet schools have adopted elements of the Vaganova method into their own training.
Gaîté Parisienne is a 1938 ballet choreographed by Léonide Massine (1896-1979) to music by Jacques Offenbach (1819-1880) arranged and orchestrated many decades later by Manuel Rosenthal (1904-2005) in collaboration with Jacques Brindejonc-Offenbach, the composer's nephew. With a libretto and décor by Comte Étienne de Beaumont and costumes executed by Barbara Karinska, it was first presented by the Ballet Russe de Monte-Carlo at the Théâtre de Monte Carlo on 5 April 1938.
Myra Yvonne Chouteau was an American ballerina and one of the "Five Moons" or Native prima ballerinas of Oklahoma. She was the only child of Corbett Edward and Lucy Annette Chouteau. She was born March 7, 1929 in Fort Worth, Texas. In 1943, she became the youngest dancer ever accepted to the Ballet Russe de Monte Carlo, where she worked for fourteen years. In 1962, she and her husband, Miguel Terekhov, founded the first fully accredited university dance program in the United States, the School of Dance at the University of Oklahoma. A member of the Shawnee Tribe, she also had French ancestry, the great-great-great-granddaughter of Maj. Jean Pierre Chouteau. From the Chouteau family of St. Louis, he established Oklahoma's oldest European-American settlement, at the present site of Salina, in 1796. She grew up in Vinita, Oklahoma.
Susan Coxe Hendl was an American ballet dancer and répétiteur. She danced with the New York City Ballet between 1963 and 1983, then staged and coached works by George Balanchine and Jerome Robbins for both NYCB and other companies.
Constance-Hippolyte Gosselin was a French ballet dancer. The daughter of a dancing master and younger sister of the dancer Geneviève Gosselin, Constance débuted at the Opéra de Paris in 1810, after studying dance under Louis Duport and Jean-François Coulon. She married Auguste-Anatole Petit in 1815 and was thus also known as Madame Anatole.
Edna Moscelyne Larkin Jasinski was an American ballerina and one of the "Five Moons", Native American ballerinas from Oklahoma who gained international fame in the 20th century. After dancing with the Original Ballet Russe and the Ballet Russe de Monte Carlo, she and her husband settled in Tulsa, Oklahoma, where in 1956 they founded the Tulsa Ballet and its associated school. It became a major regional company in the American Southwest and made its New York City debut in 1983. She is portrayed in the mural Flight of Spirit displayed in the Rotunda of the Oklahoma State Capitol building.
Flore et Zéphire is a one-act ballet choreographed by Charles-Louis Didelot to music by Cesare Bossi, premiered in London at the King's Theatre, Haymarket on Thursday, 7 July 1796. The ballet tells the story of Zephyr, the fickle west wind, and his wife Flora, a nymph of flowers and springtime. The ballet was originally composed in 1795 for performance in Lyon, France, and was revised in 1796 prior to its London premiere. Flore et Zéphire used "flying machines" to send dancers soaring above the stage on nearly invisible wires, in order to enhance the presentation of Flora and Zephyr as spirits of the air. The ballet is credited with the introduction of dancing en pointe to the stage.
The Alexandra Ballet is a pre-professional ballet company in St. Louis, Missouri, founded in 1949, that cultivates top dance talent. The company regularly performs classical ballets including A Midsummer Night’s Dream, Pas de Quatre, Les Sylphides, and an annual performance of The Nutcracker. Many guest choreographers have worked with Alexandra Ballet including Marek Cholewa, Petrus Bosman, and Kennet Oberly.
Nathalie "Natasha" Krassovska (1918–2005) was a Russian born prima ballerina and teacher of classical ballet most noted for her work with the Ballet Russe de Monte Carlo. Following her decades-long career, she moved to the U.S., where she founded the Krassovska Ballet Jeunesse. Krassovska taught, choreographed and performed until her death.
Born Nina Rigmor Strom, Nina Stroganova was a prima ballerina with several ballet companies in the 1930s and 1940s. She studied ballet with Jenny Moller and teachers from the Royal Danish Ballet. Her schooling was at the Institute Jeanne d'Arc, Denmark.
References
- ↑ "Beginnings of Russian Ballet". Andros on Ballet.
- ↑ Russell, Joel F. (May 1994). Gazetteer of Venusian Nomenclature (PDF). U.S. Geological Survey. p. 4.
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