Maria E. Piñeres | |
---|---|
Born | 1966 |
Nationality | American |
Education | |
Known for | Embroidery |
Maria E. Piñeres (b. 1966) [1] is a Colombia-born American artist who lives and works in Los Angeles, CA. Her work, mostly embroidery, has been exhibited at the Museum of Art & Design in New York City. [2] and Scottsdale Museum of Contemporary Art. She studied painting at The Art Students League of New York and graduated from Parsons School of Design with a BFA in illustration.
Piñeres credits her mother and grandmother for teaching her to sew, knit, and crochet, but she taught herself needlepoint after discovering a book by Mary Martin, an actress and avid needlepointer. [3] The artist's work often consists of homo-erotic imagery taken from vintage pin-up magazines combined with vivid, sometimes complex, textile pattern backgrounds. [4] Piñeres first became widely known through her series of needlepoint celebrity mug shots which was first exhibited in 2005. [5] This series included portraits of celebrities such as Robert Downey Jr., Paris Hilton, and Michael Jackson, as well as a portrait of Jack White which was later shown in V magazine. Piñeres’ interest in the subject came from a desire to show the celebrity in a vulnerable moment, without the protection of stylists and agents. [6] [7]
In 2013, Piñeres’ solo exhibition of Playland was shown in New York, NY by DCKT Contemporary. Piñeres’ needlepoint artwork depicted nude figures with a combination of attention-grabbing graphics of pinball machine playfields. [8] Piñeres’ needlepoint artwork created a sexual and playful atmosphere by combining both the nude figures and pinball machines in the nonoperational Playland. As Dean Dempsey argued, that this is where Piñeres’ makes her connection – the idea that both pursuits are those fundamentally concerned with luck and chance. [9] Piñeres exploits the kitsch status of needlepoint to make a vague statement on contemporary society. [10]
Piñeres uses several different techniques including gathering imagery from vintage magazines, digital collages with images collected from the internet, and her own photographs. After some manipulation, the images are embroidered by fusing traditional needlework techniques ranging from a simple Continental stitch to more complex Bargello and Florentine traditions, which lend rich texture with a modern painterly focus on light and color.
Beadwork is the art or craft of attaching beads to one another by stringing them onto a thread or thin wire with a sewing or beading needle or sewing them to cloth. Beads are produced in a diverse range of materials, shapes, and sizes, and vary by the kind of art produced. Most often, beadwork is a form of personal adornment, but it also commonly makes up other artworks.
Cross-stitch is a form of sewing and a popular form of counted-thread embroidery in which X-shaped stitches in a tiled, raster-like pattern are used to form a picture. The stitcher counts the threads on a piece of evenweave fabric in each direction so that the stitches are of uniform size and appearance. This form of cross-stitch is also called counted cross-stitch in order to distinguish it from other forms of cross-stitch. Sometimes cross-stitch is done on designs printed on the fabric ; the stitcher simply stitches over the printed pattern. Cross-stitch is often executed on easily countable fabric called aida cloth whose weave creates a plainly visible grid of squares with holes for the needle at each corner.
Embroidery is the craft of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on caps, hats, coats, overlays, blankets, dress shirts, denim, dresses, stockings, scarfs, and golf shirts. Embroidery is available in a wide variety of thread or yarn colour. It is often used to personalize gifts or clothing items.
Berlin wool work is a style of embroidery similar to today's needlepoint that was particularly popular in Europe and America from 1804 to 1875. It is typically executed with wool yarn on canvas, worked in a single stitch such as cross stitch or tent stitch, although Beeton's book of Needlework (1870) describes 15 different stitches for use in Berlin work. It was traditionally stitched in many colours and hues, producing intricate three-dimensional looks by careful shading. Silk or beads were frequently used as highlights. The design of such embroidery was made possible by the great progress made in dyeing, initially with new mordants and chemical dyes, followed in 1856, especially by the discovery of aniline dyes, which produced bright colors.
Needlepoint is a type of canvas work, a form of embroidery in which yarn is stitched through a stiff open weave canvas. Traditionally needlepoint designs completely cover the canvas. Although needlepoint may be worked in a variety of stitches, many needlepoint designs use only a simple tent stitch and rely upon color changes in the yarn to construct the pattern. Needlepoint is the oldest form of canvas work.
Bargello is a type of needlepoint embroidery consisting of upright flat stitches laid in a mathematical pattern to create motifs. The name originates from a series of chairs found in the Bargello palace in Florence, which have a "flame stitch" pattern.
Fiber art refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn. It focuses on the materials and on the manual labor on the part of the artist as part of the works' significance, and prioritizes aesthetic value over utility.
Mary "May" Morris was an English artisan, embroidery designer, jeweller, socialist, and editor. She was the younger daughter of the Pre-Raphaelite artist and designer William Morris and his wife and artists' model, Jane Morris.
Art needlework was a type of surface embroidery popular in the later nineteenth century under the influence of the Pre-Raphaelites and the Arts and Crafts Movement.
Marilyn Leavitt-Imblum was an American cross-stitch embroidery designer known especially for her Victorian angel designs. Her designs were published under the business name Told in a Garden, with product divisions of Told in a Garden, Lavender and Lace, and Butternut Road.
Erica Wilson was an English-born American embroidery designer based in New York, known particularly for needlepoint. She also designed wallcoverings and greeting cards. Her designs were published by Vogue and the Metropolitan Museum of Art, among others. Wilson earned the nicknames "Julia Child of embroidery" and "America's first lady of stitchery" for her work.
Phulkari refers to the folk embroidery of the Punjab. Although Phulkari means floral work, the designs include not only flowers but also cover motifs and geometrical shapes. The main characteristics of Phulkari embroidery are use of darn stitch on the wrong side of coarse cotton cloth with coloured silken thread. Punjabi women create innumerable alluring and interesting designs and patterns by their skilful manipulation of the darn stitch. According to Kehal (2009), a cloth where only a few flowers are embroidered is called a Phulkari. The other types are distinct varieties. The traditional varieties of Phulkaris are large items of cloth and include Chope, Tilpatr, Neelak and Bagh. Sometimes, the Bagh is given separate categorization of its own as on other varieties of a Phulkari, parts of the cloth is visible, whereas in a Bagh, the embroidery covers the entire garment so that the base cloth is not visible. Further, in contemporary modern designs, simple and sparsely embroidered dupattas, odhinis, and shawls, made for everyday use, are referred to as phulkaris, whereas clothing items that cover the entire body, made for special and ceremonial occasions such as weddings are called baghs. The Phulkari continues to be an integral part of Punjabi weddings to the present day.
The following outline is provided as an overview of and topical guide to crafts:
Nava Lubelski is a contemporary artist who works and lives in Asheville, North Carolina.
Lefkaritika or Lefkara Lace is a handmade lace from Pano Lefkara Cyprus. Notable characteristics are the hemstitch, satin stitch fillings, needlepoint edgings, white, brown, ecru colours and geometric intricate patterns. in 2009, this traditional craft of lace-making was inscribed on the Representative List of the Intangible Cultural Heritage.
Magna Carta (An Embroidery) is a 2015 work by English installation artist Cornelia Parker. The artwork is an embroidered representation of the complete text and images of an online encyclopedia article for Magna Carta, as it appeared in English Wikipedia on 15 June 2014, the 799th anniversary of the document.
Barbara Lee Smith is an American mixed media artist, writer, educator, and curator. She creates large scale landscapes and abstract works using a three step process of painting, collage, and machine stitching.
Orly Cogan is an Israeli-American fiber artist who works with and combines multiple mediums. She is best known for crafting hand stitched embroidered figures on top of previously embroidered vintage fabrics.
Rebecca Ringquist is a Portland, Oregon-based visual artist. Ringquist creates embroidered artwork and runs her own design company, Dropcloth Samplers. Her work extends the traditional processes of Fiber art by dealing with vintage fabrics, utilizing the sewing machine, and applying hand-embroidery techniques. Ringquist was a professor for seven years in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago. She is also the author of Rebecca Ringquist's Embroidery Workshops: A Bend the Rules Primer.
Caroline Townsend was an American designer and embroiderer, best known for her design work at Tiffany & Co. and as the principal designer at Associated Artists.