Maria Keohane | |
|---|---|
 Keohane performing with Hans Ek in 2011 | |
| Born | 13 May 1971 Manchester, UK |
| Education | Royal Swedish Academy of Music |
| Occupation | Soprano |
Maria Keohane (born 13 May 1971) is a Swedish soprano who has performed at festivals in Europe and made many recordings, especially of sacred music. [1]
Keohane was born in Manchester to a Swedish mother and an Irish father. She and her mother moved to Smedjebacken in Sweden when she was five. [2] She still resides there. [3] She had many fiddlers in the family on her mothers side, and started playing the violin at the age of nine. [2] She also sang in the local church children's choir. [2] Keohane planned to become a veterinarian, and interned at Falu djursjukhus, where she was offered a job, but was encouraged to pursue a career in music. [2] She studied at the Falun Conservatory , the University of Gothenburg and the Royal Danish Academy of Music in Copenhagen. [3]
In 1998 and 1999, she performed with the Texas Bach Choir and baroque trumpet virtuoso Niklas Eklund as a guest artist. [4] She won a prize at the international van Wassenaer competition in 2000 and has received a number of scholarships from the Royal Swedish Academy of Music. In 2009 and 2010, she performed with the European Union Baroque Orchestra. [5] [6] [7] Reviewer Lindsay Kemp from Gramophone noted about a collection of Baroque arias: "Keohane shows sparkling virtuosity in Jauchzet Gott, but also affecting vulnerability in Ferrandini's poignant Il pianto di Maria". [8] In 2012, she performed with the RTE Vanbrugh String Quartet. [9] Since 2013, she has recorded 24 works, mostly cantatas, in the Netherlands Bach Society's "All of Bach" project. In 2014, she received the Jussi Björling scholarship. In 2016, she performed at the Festival Musikdorf Ernen. [10]
Keohane teaches at the Falun Conservatory.
The Gramophone Classical Music Awards, launched in 1977, are one of the most significant honours bestowed on recordings in the classical record industry. They are often viewed as equivalent to or surpassing the American Grammy award, and referred to as the Oscars for classical music. They are widely regarded as the most influential and prestigious classical music awards in the world. According to Matthew Owen, national sales manager for Harmonia Mundi USA, "ultimately it is the classical award, especially worldwide."
Dame Carolyn Emma Kirkby, is an English soprano and early music specialist. She has sung on over 100 recordings.
Ich habe genug, BWV 82, is a church cantata by Johann Sebastian Bach. He composed the solo cantata for bass in Leipzig in 1727 for the Feast Mariae Reinigung and first performed it on 2 February 1727. In a version for soprano, BWV 82a, possibly first performed in 1731, the part of the obbligato oboe is replaced by a flute. Part of the music appears in the Notebook for Anna Magdalena Bach. The cantata is one of the most recorded and performed of Bach's sacred cantatas. The opening aria and so-called "slumber aria" are regarded as some of the most inspired creations of Bach.
Carlos Mena is a Spanish countertenor opera singer. He has previously worked with groups such as Al Ayre Español, Ensemble Gilles Binchois, and Ricercar Consort and has an interest in the twentieth-century repertoire.
Membra Jesu nostri, BuxWV 75, is a cycle of seven cantatas composed in 1680 by Dieterich Buxtehude and dedicated to Gustaf Düben. More specifically and fully it is, in Buxtehude’s phrase, a “devotione decantata,” or “sung devotion,” titled Membra Jesu nostri patientis sanctissima, which translates from the Latin as Limbs Most Holy of Our Suffering Jesus. Regarding genre, the cycle consists in seven concerto-aria cantatas, a form that had emerged in Germany in the 1660s. The stanzas of its main text are drawn from the medieval hymn Salve mundi salutare, also known as the Rhythmica oratio, formerly ascribed to Bernard of Clairvaux but now thought to be by Arnulf of Leuven. Each cantata addresses a part of Jesus’ crucified body: feet, knees, hands, side, breast, heart and face; in each, Biblical words referring to the limb frame verses of the hymn’s text.
Joshua Rifkin is an American conductor, pianist, and musicologist; he is currently a professor of music at Boston University. As a performer he has recorded music by composers from Antoine Busnois to Silvestre Revueltas, and as a scholar has published research on composers from the Renaissance to the 20th century.
Marc Minkowski is a French conductor of classical music, especially known for his interpretations of French Baroque works. Minkowski was musical director of Mozartwoche in Salzburg, Austria, from 2013 to 2017 and is the current general director of Opéra national de Bordeaux. Marc Minkowski is a Chevalier du Mérite.
Robin Blaze is a British countertenor.
The European Union Baroque Orchestra (EUBO) is a training initiative which allows young performers of baroque music from the European Union to gain orchestral experience as part of their career development. Its purpose is to bridge the gap between music school study and a professional career. Founded in 1985 and originally based in England, the orchestra moved to Belgium and then Italy after Brexit.
Martin Pearlman is an American conductor, harpsichordist, composer, and early music specialist. He founded the first permanent Baroque orchestra in North America with Boston Baroque in 1973–74. Many of its original players went on to play in or direct other ensembles in what became a growing field in the American music scene. He later founded the chorus of that ensemble and has been the music director of Boston Baroque from its inception up to the present day.
Shani Diluka is a Monegasque pianist of Sri Lankan descent. She was among those to benefit from a programme initiated by Princess Grace of Monaco, which allowed children to receive music lessons integrated into their schooling. She received the first prize in the Académie de Musique. She subsequently studied with Odile Poisson, a pupil of Pierre Sancan. Enrolled in the Conservatoire de Paris in 1997, she studied with Georges Pludermacher and François-Frédéric Guy and later with Marie-Françoise Bucquet, Nicholas Angelich and Bruno Rigutto.
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Himmelskönig, sei willkommen, BWV 182, is a church cantata by Johann Sebastian Bach. He composed it in Weimar for Palm Sunday, and first performed it on 25 March 1714, which was also the feast of the Annunciation that year.
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Mit Fried und Freud, BuxWV 76, is the common name for a piece of funeral music composed by Dieterich Buxtehude as an homage to his father in 1674. The composer named the work Fried- und Freudenreiche Hinfarth when he published it the same year. It is a bundle of two compositions, the earlier Mit Fried und Freud, BuxWV 76a, a setting of Luther's hymn Mit Fried und Freud ich fahr dahin composed in 1671 reflecting the death of Menno Hanneken, and the elegy Klag-Lied, BuxWV 76b, an aria in seven stanzas. The incipit of the elegy, "Muß der Tod denn auch entbinden", translates roughly to "Even if death must separate us". It is one of few compositions published during Buxtehude's lifetime.
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Katharine Fuge is an English soprano in concert and recital who is known for her work with John Eliot Gardiner's Bach Cantata Pilgrimage of 2000.
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Maude Gratton is a French classical musician. She is pursuing a career of soloist, mastering the pipe organ, the piano-forte and the harpsichord.
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