The Los Angeles County Museum of Art (LACMA) is an art museum located on Wilshire Boulevard in the Miracle Mile vicinity of Los Angeles. LACMA is on Museum Row, adjacent to the La Brea Tar Pits.
Pierre Huyghe is a French contemporary artist, who works in a variety of media from films and sculptures to public interventions and living systems. He lives and works in Paris and New York.
Barbara Kruger is an American conceptual artist and collagist associated with the Pictures Generation. She is most known for her collage style that consists of black-and-white photographs, overlaid with declarative captions, stated in white-on-red Futura Bold Oblique or Helvetica Ultra Condensed text. The phrases in her works often include pronouns such as "you", "your", "I", "we", and "they", addressing cultural constructions of power, identity, consumerism, and sexuality. Kruger's artistic mediums include photography, sculpture, graphic design, architecture, as well as video and audio installations.
John Wesley was an American painter, known for idiosyncratic figurative works of eros and humor, rendered in a precise, hard-edged, deadpan style. Wesley's art largely remained true to artistic premises that he established in the 1960s: a comic-strip style of flat shapes, delicate black outline, a limited matte palette of saturated colors, and elegant, pared-down compositions. His characteristic subjects included cavorting nymphs, nudes, infants and animals, pastoral and historical scenes, and 1950s comic strip characters in humorously blasphemous, ambiguous scenarios of forbidden desire, rage or despair.
Walter Joseph De Maria was an American artist, sculptor, illustrator and composer, who lived and worked in New York City. Walter de Maria's artistic practice is connected with minimal art, conceptual art, and land art of the 1960s.
Kim Dingle is a Los Angeles-based contemporary artist working across painting, sculpture, photography, found imagery, and installation. Her practice explores themes of American culture, history, and gender politics through both figurative and abstract approaches.
Judy Fiskin is an American artist working in photography and video, and a member of the art school faculty at California Institute of the Arts. Her videos have been screened in the Documentary Fortnight series at the Museum of Modern Art in New York, at the Los Angeles County Museum of Art, the Hammer Museum in Los Angeles, and at the J. Paul Getty Museum in Los Angeles; her photographs have been shown at MOCA, the Museum of Contemporary Art in Los Angeles, at the Getty Museum in Los Angeles, at The New Museum in New York City, and at the Pompidou Center in Paris.
Diana Thater is an American artist, curator, writer, and educator. She has been a pioneering creator of film, video, and installation art since the early 1990s. She lives and works in Los Angeles, California.
Jessica Stockholder is a Canadian-American artist known for site-specific installation works and sculptures that are often described as "paintings in space." She came to prominence in the early 1990s with monumental works that challenged boundaries between artwork and display environment as well as between pictorial and physical experience. Her art often presents a "barrage" of bold colors, textures and everyday objects, incorporating floors, walls and ceilings and sometimes spilling out of exhibition sites. Critics suggest that her work is informed by diverse artistic traditions, including abstract expressionism, color field painting, minimalism and Pop art. Since her early career, they have noted in her work an openness to spontaneity, accident and marginality and a rejection of permanency, monetization and disciplinary conventions that Stephen Westfall characterized as an "almost shocking sense of freedom."
Haim Steinbach is an Israeli-American artist, based in New York City. His work consists of arrangements of everyday objects, presented in “Displays” and shelves of his own making.
James Welling is an American artist, photographer and educator living in New York City. He attended Carnegie-Mellon University where he studied drawing with Gandy Brodie and at the University of Pittsburgh where he took modern dance classes. Welling transferred to the California Institute of the Arts in Valencia, California in 1971 and received a B.F.A. and an M.F.A. in the School of Art. At Cal Arts, he studied with John Baldessari, Wolfgang Stoerchle and Jack Goldstein.
The Rosamund Felsen Gallery is one of the longest-running art galleries in Los Angeles, California, involved in and influencing the broader American art community since its establishment in 1978. The gallery has operated four locations since its inception: first on La Cienega Boulevard in Los Angeles, then on Santa Monica Boulevard in West Hollywood, later at Bergamot Station in Santa Monica, and finally in the Arts District, Los Angeles in Downtown Los Angeles.
Light and Space denotes a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Whether by directing the flow of natural light, embedding artificial light within objects or architecture, or by playing with light through the use of transparent, translucent or reflective materials, Light and Space artists make the spectator's experience of light and other sensory phenomena under specific conditions the focus of their work. From the movement's inception, artists were incorporating into their work the latest technologies of the Southern California-based engineering and aerospace industries to develop sensuous, light-filled objects. Turrell, who has spread the movement worldwide, summed up its philosophy in saying, "We eat light, drink it in through our skins."
Alexandra Grant is an American visual artist who examines language and written texts through painting, drawing, sculpture, video, and other media. She uses language and exchanges with writers as a source for much of that work. Grant examines the process of writing and ideas based in linguistic theory as it connects to art and creates visual images inspired by text and collaborative group installations based on that process. She is based in Los Angeles.
Marian Goodman is owner of the Marian Goodman Gallery, a contemporary art gallery opened in Manhattan, New York in 1977. Goodman has been called one of the most respected and influential gallerists of contemporary art in the world. She is known for introducing European artists like Gerhard Richter, Joseph Beuys, and Marcel Broodthaers to the United States and has represented a number of artists including Steve McQueen, Thomas Struth, Pierre Huyghe, Thomas Schütte, Lothar Baumgarten, Tony Cragg, Richard Deacon, Tacita Dean, Christian Boltanski, Annette Messager, Chantal Akerman, Niele Toroni, Gabriel Orozco, Maurizio Cattelan, Giuseppe Penone, Giovanni Anselmo, Jeff Wall, Rineke Dijkstra, and William Kentridge. Marian Goodman gained prominence in the art world in the 1970s and 1980s, a time when few women worked in this sector.
Cindy Bernard is a Los-Angeles based artist whose artistic practice comprises photography, video, performance, and activism. In 2002, Cindy Bernard founded the Society for the Activation of Social Space through Art and Sound, which presents site-relational experimental music. Her numerous Hitchcock references have been discussed in Dan Auiler's Vertigo: The Making of a Hitchcock Classic (1998), essays by Douglas Cunningham and Christine Spengler in The San Francisco of Alfred Hitchcock's Vertigo: Place, Pilgrimage and Commemoration (2012) and Spengler's Hitchcock and Contemporary Art (2014).
Adrián Villar Rojas is an Argentinian sculptor known for his elaborate fantastical works which explore notions of the Anthropocene and the end of the world. In his dream like installations he uses aspects of drawing, sculpture, video and music to create immersive situations in which the spectator is confronted with ideas and images of their imminent extinction.
Lynn Aldrich is an American sculptor whose diverse works draw on a wide range of high and low cultural influences and materials. Her work can range from what art writers describe as "slyly Minimalist meditations" on color, light and space to whimsical "Home Depot Pop" that reveals and critiques the excesses—visual, formal and material—of unbridled consumption. Critics Leah Ollman and Claudine Ise of the Los Angeles Times have described Aldrich's art, respectively, as a "consumerist spin on the assemblage tradition" and a "witty and inventive brand of kitchen-sink Conceptualism" LA Weekly critic Doug Harvey calls her "one of the most under-recognized sculptors in L.A.," whose hallmarks are the poetic transformation of found/appropriated materials, formal inventiveness and restless eclecticism. Aldrich has exhibited at the Museum of Contemporary Art, Los Angeles (MOCA), Los Angeles County Museum of Art (LACMA), Hammer Museum, Santa Monica Museum of Art, and venues throughout the United States and Europe. She has been recognized with a Guggenheim Fellowship (2014) and public art collection acquisitions by LACMA, MOCA Los Angeles and the Portland Art Museum, among others.
Roland Reiss was an American artist known for his miniature tableaux and paintings.
Ginny Bishton is an American multimedia artist based out of Los Angeles, California. Bishton was born in 1967 in Burbank, California. She attended the University of California, Los Angeles, where she earned a Bachelor’s of Arts in 1992 and a Master’s of Fine Arts in 1995. She is most well known for her photography collages, pen-and-ink drawings, and ink paintings. Her work is often described as abstract, conceptualist and/or minimalist art that focuses heavily on the meticulous and labor intensive processes that go into her pieces. Bishton's process focuses on daily life, often drawing inspiration from her home, garden, and neighborhood hiking trails. She has described her own style as representative of, “the perceived value of quotidian activities and minutia.” Bishton has been noted as often using photos of materials, such as vegetables and garden plants, from in and around her home as the color palette that is used to craft her photo collages. Michael Ned Holte, in an article about Bishton's works displayed at Richard Telles Fine Art, lauded Bishton's work when he wrote, "Her meticulous works celebrate the routine pleasures of art and life, inevitably intertwined, with an elegantly idiosyncratic approach all her own." Works by Bishton are in the collections of several American art galleries including the Museum of Modern Art, New York; San Francisco Museum of Modern Art; Museum of Contemporary Art, Los Angeles; Hammer Museum, Los Angeles; and the Los Angeles County Museum of Art. Bishton has also been featured in many solo and group exhibitions throughout her career and has received awards such as the Anonymous Was A Woman Award and The Louis Comfort Tiffany Foundation.
