Marianne Weems

Last updated
Marianne Weems
Born
Washington state
Occupations
  • Artistic director of The Builders Association
  • Professor at UC Santa Cruz

Marianne Weems is the artistic director of the New York-based Obie Award-winning performance and media company, The Builders Association, https://thebuildersassociation.org/ founded in 1994. [1] She is a director of theater and opera and a professor at UC Santa Cruz.

Contents

Early life and early career

Weems was born in Washington state and grew up in Seattle. She attended Reed College before graduating from Barnard College. In 1986–87 she attended Whitney Museum of American Art's Independent Study Program where she founded the performance and study group The V-Girls [2] along with Martha Baer, Erin Cramer, Jessica Chalmers and Andrea Fraser. From 1988 to 1993 she was dramaturg and assistant director with The Wooster Group and during that time also worked with Susan Sontag, Ron Vawter, Richard Foreman and many others. From 1986 to 1989 she was program director for the independent arts foundation Art Matters, where she remains a member of the Board. [3]

Career

In 1994 Weems founded the performance and media ensemble The Builders Association with Dan Dobson, David Pence, John Cleater, Jennifer Tipton, and Jeff Webster; Moe Angelos and James Gibbs joined the company in 1998 and 1999 respectively. The Builders Association's first production was an adaptation of Ibsen's The Master Builder, set in a full-scale three story house constructed inside a New York City warehouse. Since then company has been recognized internationally as a leader in theatrical innovation for their interdisciplinary stage performances and use of digital technology. Collaborating with architects, sound, and video artists, software designers, and performers, Weems and The Builders Association combine video, text, sound, and architecture to explore the interface between media and live performance in a culture that is, as Weems puts it, "irrevocably mediatised." [4] The company's last four productions have received their New York premieres at the Brooklyn Academy of Music; their work has been presented at New York Theatre Workshop, the Lincoln Center Festival, the Public Theater, the Singapore Arts Festival, London's Barbican Centre, Romaeuropa Festival, the Festival Iberoamericano de Teatro de Bogota, the Wexner Center, the Walker Center for the Arts, and the Melbourne International Arts Festival—the company has toured to over 80 international venues.

Weems has been an adjunct, lecturer, and visiting artist at Princeton University’s Lewis Center for the Arts, Columbia University, New York University, UC Berkeley, Ohio State University in Columbus, the University of Illinois, Urbana-Champaign, and many other institutions. From 2008 to 2014 she was the head of graduate directing at Carnegie Mellon University’s School of Drama [5] and is now professor in the Theater Arts program at UC Santa Cruz. She is the co-author of Art Matters: How The Culture Wars Changed America (NYU Press, 2001) and recently co-wrote a book with Professor Shannon Jackson The Builders Association: Performance and Media in Contemporary Theater,(MIT Press 2015.) [6]

Personal life

She divides her time between San Francisco, CA and New York City with her daughter Sunita.

Productions with the Builders Association

Related Research Articles

Richard Schechner is University Professor Emeritus at the Tisch School of the Arts, New York University, and editor of TDR: The Drama Review.

The Performance Group (TPG) was an experimental theater troupe that Richard Schechner founded in 1967 in New York City. TPG's home base was the Performing Garage in the SoHo district of Lower Manhattan. After 1975, tensions led to Schechner's resignation in 1980. The troupe reinvented itself as The Wooster Group under the leadership of director and theatre artist Elizabeth LeCompte.

Rachel Rosenthal was a French-born interdisciplinary and performance artist, teacher, actress, and animal rights activist based in Los Angeles.

Lian Amaris is an American writer, artist, and creative communicator working to connect real world experiences, performance events and the new media landscape. She is Artistic Director of Vector Art Ensemble and has authored five plays and performances that have been professionally produced at such venues as Nuyorican Poets Cafe, HERE Arts Center, The University of Chicago, P.S. 122, the Contemporary Arts Center and The University of Massachusetts. Her work also includes popular memes such as Silicon Valley Ryan Gosling and Things that cannot screen for breast cancer.

<span class="mw-page-title-main">María Irene Fornés</span> American writer

María Irene Fornés was a Cuban-American playwright, theater director, and teacher who worked in off-Broadway and experimental theater venues in the last four decades of the twentieth century. Her plays range widely in subject-matter, but often depict characters with aspirations that belie their disadvantages. Fornés, who went by the name "Irene", received nine Obie Theatre Awards in various categories and was a finalist for the Pulitzer Prize in Drama for 1990.

<span class="mw-page-title-main">Thomas P. Riccio</span> American multimedia artist and academic (born 1955)

Thomas P. Riccio is an American multimedia artist and academic. He received his BA from Cleveland State University in English Literature in 1978, his MFA from Boston University in 1982, and studied in the PhD program in Performance Studies at New York University from 1983 to 1984. Riccio has directed over one hundred plays at American regional theatres, off-off and off Broadway and has worked extensively in the area of indigenous and ritual performance conducting research and/or creating performances in: South Africa, Zambia, Burkina Faso, Tanzania, Kenya, Ethiopia, Europe, Russia, Siberia, Korea, India, Nepal, China, and Alaska. In 1993 the People's Republic of Sakha declared him a “Cultural Hero”.

Peter Meineck is Professor of Classics in the Modern World at New York University. He is also the founder and humanities program director of Aquila Theatre and has held appointments at Princeton University and University of South Carolina.

<span class="mw-page-title-main">Sarah Benson</span>

Sarah Benson is a British director of avant-garde theatre productions based in New York. As a Director of the Soho Rep, a lower Manhattan-based theatre company with an "audacious taste in plays", she is notable for her "commitment to adventurous new plays with an experimental bent". She has been at the company since 2007, and during her tenure, the company has won numerous Obie awards and Drama Desk nominations.

Brooks Barry McNamara (1937–2009) was an American theater historian, professor, and contributing editor of The Drama Review.

<span class="mw-page-title-main">Kim Weild</span>

Kim Weild is a Drama Desk Award-nominated American theatre director, educator, writer, actor and choreographer.

Factory 449: a theatre collective is a not-for-profit theatre company based in Washington, D.C. Factory 449's mission is to maintain an ensemble of multi-disciplinary artists and professionals who are dedicated to the collaborative process of creating "theatre as event". The members of this collective will assume roles involved in the development of new productions, affording artists the opportunity to write, act, direct and produce.

Caridad Svich is a playwright, songwriter/lyricist, translator, and editor who was born in the United States to Cuban-Argentine-Spanish-Croatian parents.

Erin B. Mee is an American theater director.

<span class="mw-page-title-main">Migdalia Cruz</span> American dramatist

Migdalia Cruz is a writer of plays, musical theatre and opera in the U.S. and has been translated into Spanish, French, Arabic, Greek, and Turkish.

<span class="mw-page-title-main">Anne García-Romero</span> American dramatist

Anne García-Romero is a playwright, screenwriter, scholar, and professor.

Chiori Miyagawa is a Japanese- born American playwright, poet, dramaturg, and fiction writer based in New York City. She was born in Nagano, Japan before moving to the United States at an age of 16. She has received many fellowships including the New York Foundation for the Arts Playwriting Fellowship, the Rockefeller Bellagio Residency Fellowship, and the Radcliffe Institute for Advanced Study Fellowship at Harvard University. Her plays have been published by Seagull Books and NoPassport Press in two collections: Thousand Years Waiting and Other Plays and America Dreaming and Other Plays. She was a resident playwright at the New Dramatists and is a playwright-in-residence at Bard College.

Tlaloc Rivas is a Mexican-American writer, producer, and theatre director. He is one of the co-founders of the Latinx Theatre Commons, which works side by side with HowlRound to revolutionize American theater and to highlight and promote the contributions and presence of Latinos in theatre. Central to Rivas' work is the Latino experience, but also exploring the American experience through the lens' of underrepresented voices. Rivas focuses on writing and directing plays that significantly explore Latino identity and history. Additionally, Rivas has also translated and adapted plays from the Spanish language and directed Spanish-language and bilingual plays such as Mariela in the Desert by Karen Zacarias and classical works such as Peribáñez y el Comendador de Ocaña.

Stephen Wrentmore is a British theatre director, writer, educator, and strategist currently working in the United States.

<span class="mw-page-title-main">Shannon Jackson</span>

Shannon Jackson is the Cyrus and Michelle Hadidi Professor of Rhetoric and of Theater, Dance and Performance Studies at the University of California, Berkeley, and former Associate Vice Chancellor of Art and Design. She also serves as Program Director of the Kramlich Collection and Kramlich Art Foundation.

<span class="mw-page-title-main">Remi Barclay Messenger</span> American actress

Remi Barclay Messenger, aka Remi Barclay & Remi Barclay Bosseau (b.1946) was a founding member of three prominent professional theatre companies in the New York City area – The Performance Group (l967–70), with Richard Schechner, Whole Theatre (1971–1990) and Voices of Earth (1988–2000), the latter two with Olympia Dukakis as a co-director. Her theatre work included years of acting, directing and teaching as well as creating workshops for a wide spectrum of institutions, schools and universities.

References

  1. Marranca, Bonnie. Performance Histories. New York: PAJ (2008): 189.
  2. V-Girls, "Daughter of the Revolution." October Magazine. Issue 71. (Winter 1995): 121.
  3. Schechner, Richard. "Building the Builders Association: A Conversation with Marianne Weems, James Gibbs, and Moe Angelos." The Drama Review. 56.3. (2012): 37–38.
  4. Svich, Caridad, ed. Trans-global Readings: Crossing theatrical boundaries. New York: Manchester (2003): 51.
  5. "School of Drama Hires Internationally Renowned Theatre Director Marianne Weems as Head of Graduate Directing", Carnegie Mellon University, August 13, 2008.
  6. Marianne Weems, at the Lewis Center for the Arts

Further reading