Marie-Anne Couperin | |
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Born | 11 November 1677 Paris, France |
Nationality | French |
Occupation | Organist and harpsicordist |
Marie-Anne Couperin was a 17th-century French organist and harpsichordist and a member of the musically prominent Couperin family, which included generations of famous composers and organists. [1] [2] [3]
Born 11 November 1677 in Paris, Marie-Anne was baptized at the church of Saint-Louis-en-l'Isle in Dordogne, France on 14 November. [4] [5] Although there are conflicting reports of her parentage (due to the similarity of names reused in the extended family), one credible source [4] says her parents were Francois Couperin (the "first") and his second wife, Louise Bongard. She was goddaughter and cousin of François Couperin (1668-1733) (called "François the second" or "Couperin the Great") and he served as the royal harpsichordist of Louis XIV. [2] [3]
Marie-Anne was a cousin of the noted soprano and organist Marguerite-Louise Couperin (born about 1675), and Marie-Anne was aunt to the first woman to be appointed a royal court harpsichordist, Marguerite-Antoinette Couperin (1705 – c. 1778). [2] [3] [6]
Marie-Anne became known as the organist and harpsichordist at Maubuisson Abbey (also called Notre-Dame-la-Royale). [2] The ancient abbey, founded in 1236 by Blanche of Castile, is a Cistercian nunnery located at Saint-Ouen-l'Aumône, in the Val-d'Oise department of France. [7]
François Couperin was a French Baroque composer, organist and harpsichordist. He was known as Couperin le Grand to distinguish him from other members of the musically talented Couperin family.
The Couperin family was a musical dynasty of professional composers and performers. They were the most prolific family in French musical history, active during the Baroque era. Louis Couperin and his nephew, François Couperin le grand, are the best known members of the family.
The year 1705 in music involved some significant events.
François d'Agincourt was a French harpsichordist, organist, and composer. He spent most of his life in Rouen, his native city, where he worked as organist of the Rouen Cathedral and of three smaller churches. Highly regarded during his lifetime, d'Agincourt was one of the organists of the royal chapel. The single surviving book of harpsichord music by him contains masterful pieces inspired by François Couperin; also extant are some 40 organ works that survive in manuscript copies.
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Marguerite-Antoinette Couperin was a French harpsichordist, the first woman to hold the position of ordinaire de la musique de la chambre du roi pour le clavecin.
Marguerite-Louise Couperin was a French soprano singer and harpsichordist, who came from the musically talented Couperin family dynasty. The Frenchman Évrard Titon du Tillet, in his 1732 book Le Parnasse françois, describes her as "one of the most celebrated musicians of our time, who sang with admirable taste and who played the harpsichord perfectly."
Antoine de Léris was a French journalist and drama critic of the 18th century and a historian of the French theatre, author of the Dictionnaire portatif historique et littéraire des théâtres, contenant l'origine des differens théâtres de Paris,, published without the author's name on the title page by Jombert in Paris in 1754.The corrected and augmented second edition, 1763, is a standard work of theatre history, a "library" of information. "Léris is accounted by many commentators very nearly the equal of François and Claude Parfaict when it comes to painstaking accuracy and responsible commentary," William Brooks observes.
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Marguerite-Antoinette Couperin.