Marie France | |
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Born | 9 February 1946 Oran |
Awards | |
Website | http://www.myspace.com/mariefrancedeparis/ |
Marie-France Garcia, known professionally as Marie France (born 9 February 1946 in Oran , French Algeria) is a French singer and actress. She is a transgender Parisian pop icon of the 1970s.
Marie-France was hired in 1969 by the Alcazar cabaret bar in the Latin Quarter of Paris, where she gained recognition by portraying Marilyn Monroe. She remained one of the celebrities of that music-hall until 1987. She became a member of Front homosexuel d'action révolutionnaire (FHAR, 'Homosexual Front of Revolutionary Action'), [1] alongside Guy Hocquenghem . As a member of FHAR, she was interviewed in the magazine Recherches (special issue "Trois milliards de pervers" (3 billion perverts), 1973). She was a member of a small group, the Gazolines, with Hélène Hazera. [1] The two performed in Les Intrigues de Sylvia Couski by Adolfo Arrieta (1974).
Marie-France was often referred to as transsexual, [2] [3] a word that she disliked, and one which certain television hosts automatically questioned. "When one has passed onto the other side, why do they keep this title?" she regrets. [4]
She appeared as a singer in Barocco by André Téchiné in 1976, where she produced "On se voit se voir", a song written by Philippe Sarde . She pursued her acting career in theater, notably in Le Navire Night by Marguerite Duras in 1979. She recorded the album 39 de Fièvre (39 °C Fever) in 1980, performing several renditions of 1960s pop (Gillian Hils, Johnny Hallyday , Sylvie Vartan , Rocky Volcano). She appeared in the film Les Innocents , directed by Téchiné in 1987. In 1993, she recorded a song by Édith Piaf with Marc Almond. Daniel Darc and Mirwais collaborated with her in 1997 on her eponymous album. Dave then invited her on his album Doux tam tam in 2003. Frédéric Botton wrote several songs for her in 2005. At the end of 2006, Léonard Lasry and Marie France sang a duet titled "Du désir au bout des doigts". This song is featured on the first Léonard Lasry album Des Illusions. [5]
Marie France also published a duet with Hélèna Noguerra on her last album, released in October 2007. In 2008, Marie France recorded a rock'n'roll garage album entirely written by Jacques Duvall and composed by Miam Monster Miam. The album is titled Phantom feat. Marie France. [6]
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André Téchiné is a French screenwriter and film director. He has a long and distinguished career that places him among the most accomplished post-New Wave French film directors.
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Barocco is a 1976 French romantic thriller film, directed by André Téchiné. The film stars Isabelle Adjani, Gérard Depardieu and Marie-France Pisier. Identity, redemption and resurrection are the themes of the film. The plot follows a young woman who convinces her boxer boyfriend to accept a bribe to tell a lie that discredits a local politician. When the boyfriend is murdered, she is racked with guilt until she meets the killer and plans to remake him into the image of her slain lover. The film won three César Awards: Best Actress in a Supporting Role, Best Cinematography and Best Music. The film had a total of 678,734 admissions in France.
The Brontë Sisters is a 1979 French biographical drama film directed by André Téchiné, who co-wrote the screenplay with Pascal Bonitzer and Jean Gruault. The film stars Isabelle Adjani, Marie-France Pisier and Isabelle Huppert as the Brontë sisters. The cinematography was by Bruno Nuytten. It was a project that Téchiné wanted to make since 1972, but only after the favourable reception of Souvenirs d'en France (1975) and Barocco (1976), he was able to find the necessary financing. Produced by Gaumont, the film's originally running time was cut from three to less than two hours upon its release at the 1979 Cannes Film Festival.
Bruno Nuytten is a French cinematographer turned director.
The Mother and the Whore is a 1973 French film directed by Jean Eustache and starring Jean-Pierre Léaud, Bernadette Lafont and Françoise Lebrun. An examination of the relationships between three characters in a love triangle, it was Eustache's first feature film and is considered his masterpiece. Eustache wrote the screenplay drawing inspiration from his own relationships, and shot the film from May to July 1972.
"Maman a tort" is a 1984 song recorded by French artist Mylène Farmer. It was the debut single from Farmer's first studio album Cendres de Lune, and marked the beginning of her collaboration with her long-time composer, Laurent Boutonnat. With lyrics by Jérôme Dahan, who also helped compose the song with Boutonnat, the song was first released in March 1984. Initially, Boutonnat and Dahan held auditions to find a performer for the song, which ultimately led to Farmer being chosen. An English-language version, titled "My Mum Is Wrong" and produced by F. R. David, was released in September 1984.
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The Phantom Baron is a 1943 French drama film directed by Serge de Poligny and starring Odette Joyeux, Jany Holt, and Alain Cuny. It was made during the German occupation of France, and it was an example of the fantastique genre in film which was among those less likely to face difficulties with the censorship of the time.
Gisèle Casadesus was a French actress, who appeared in numerous theatre and film productions. She was an honorary member of the Sociétaires of the Comédie-Française, Grand Officer of the Legion of Honor, Officer of the Ordre des Arts et des Lettres, and Grand-Croix of the National Order of Merit. In a career spanning more than 80 years, Casadesus appeared in more than a dozen films after turning 90.
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