Luis Camnitzer is a German-born Uruguayan artist, curator, art critic, and academic who was at the forefront of 1960s Conceptual Art. Camnitzer works primarily in sculpture, printmaking, and installation, exploring topics such as repression, institutional critique, and social justice.
María Amalia Lacroze de Fortabat was an Argentine executive and philanthropist.
Manuel Espinosa was an Argentinian painter.
Elda Cerrato was an Italian-born Argentine artist who was professor at the Universidad de Buenos Aires, and lifelong partner of composer Luis Zubillaga.
Javier Marin was born in 1962 Uruapan, Michoacan. His career expands for more than 30 years of experience; Starting in 1983 in a group exhibition with"Escultura en barro." Salón Nacional de Artes. Casa de la Cultura, Morelia, Michoacan, Mexico. Later in 1986 Javier Marin sets off onto an international traveling exhibitions including solo and group projects that exposes him to the international art community.
Lidia "Lidy" Elena Prati (1921–2008) was an Argentine painter who was known for her abstract, geometric paintings. Her artwork called into question representational art and was influential in defining the concrete art movement in Latin America. Prati contributed to the publication of Arturo magazine and during the 1940s, was one of the founding members of the Asociación Arte Concreto-Invención (AACI) art movement along with Enio Iommi and Tomás Maldonado. While she is primarily known for her concrete art paintings, Prati also worked in graphic and layout design and worked with textiles and jewelry.
Jim Amaral is an American-born Colombian artist known for his drawings and bronze sculptures. Over a career that spans more than half a century, Amaral has also been dedicated to painting, etchings, collages, furniture design, assemblages/objects, and artist’s books. The artist has been widely recognized for his draughtsmanship, the subtlety and refinement of his technique as well as his imaginative and cultured universe. As a constant experimenter, Amaral has developed a unique aesthetics and symbolism and therefore has never belonged to any style or movement in particular. However, his work has been linked, for example, to surrealism and ancient Greece (sculpture). His art is deeply rooted in the psychological realms of the human existence. Amaral has always been focused on the condition of the human being, especially the topic of death and the passing time. "I am only trying to understand the world, to live through my painting. I am trying to understand certain mysteries, such as the energies of life and death, the loneliness of a man (...) I paint what people can reflect upon, so that what stays with the spectator is not only the visual impact".
María Obligado de Soto y Calvo was an Argentine painter who worked in a variety of genres.
Delia Cancela is an Argentine pop artist and fashion designer. She has lived in Argentina, New York, London and Paris, and exhibited internationally. Retrospective exhibitions of her work and her collaborations with Pablo Mesejean include Delia Cancela 2000-Retrospectiva (2000), Pablo & Delia, The London Years 1970-1975 (2001), and Delia Cancela: una artista en la moda (2013).
Martha Boto was an Argentinian artist. Boto was born in Buenos Aires, Argentina, and was co-founder of the Group of Non-Figurative Artists of Argentina. She is considered to be a pioneer of kinetic and programmed art.
Juan Nicolás Melé was an Argentine sculptor, painter, and art critic. Melé was a member of the Asociación Arte Concreto-Invención as well as co-founder of the Grupo Arte Nuevo.
Arnaud Cohen is a French contemporary artist, sculptor, and visual artist.
Liliana Maresca was an Argentine artist. Her works cover a variety of styles including sculpture, painting, graphic montages art objects and installations. She was a prominent artist in the period following the dictatorship of the National Reorganization Process. She was a key figure who participated in the artistic scene since the early 80's, starring the enthusiastic young bohemian that detonated Buenos Aires from the early years of democracy rapidly becoming an inflection figure. Her works included objects, installations, performances, interventions in public and semipublic places, and the photographic performances. Maresca died of AIDS in 1994, just a few days after the opening of her retrospective at the Centro Cultural Recoleta in Buenos Aires.
Sandra Eleta is an artist and photographer. Eleta was born in Panama City in Republic of Panama on September 4, 1942, as Sandra Eleta Boyd. Eleta studied Fine Arts at Finch College and then later studied Social Investigation in The New School of Social Research in New York. Her study of Social Investigation lead her to tell the life stories of a variety of different people in varying social classes throughout Latin America. In the 1970s, she took courses at the International Center of Photography (ICP) in New York with Ken Heyman and George Tice, who were both photographers. She then went on to teach at the Universidad Nacional de Costa Rica. She lived and worked in Portobelo, Panama for many years, since the mid-1970s.
Diego Bianchi is an Argentinian visual artist. He lives and works in Buenos Aires, Argentina.
Silvia Torras (1936–1970) was a Catalan informalist painter. Torras became a notable artist in the Argentine informalism movement and showed her work in several major exhibits during the short period she painted.
Fabiana Barreda is an Argentine photographer, performer, installationist and multimedia artist. Her work specializes in the body, desire and politics of gender. She has participated in national and international exhibitions, being the most important ones in places such as Museum of Modern Art, New York University (USA), International Architecture Biennale Rotterdam (Netherlands), Telefonica Foundation of Madrid (Spain) and Museum of Monterrey – MACO (Mexico).
Noemí Di Benedetto (1930–2010) was an Argentine painter and visual artist with a long career. She formed part of the Informalism group in Argentina.
Silvia Rivas is an Argentine visual artist known for her multi-channel video installations. In Latin America she is considered a precursor in the area of expanded video. Her work is characterized by the crossing of materialities and technologies in which she uses both electronic devices and ancestral techniques. Her production is organized in thematic series of video installations, drawings, photographs or objects. Interested in revealing the metaphorical power of different materialities, she uses the electronic medium and the moving image to record stillness, the imminent and the subjective perception of time.
Mercedes Santamarina Gastañaga was an Argentine art collector and patron. Interested in art from an early age, Santamarina amassed a large collection of pieces over the course of her life. In her last few years she donated much of her collection to the Museo Nacional de Bellas Artes in Buenos Aires and the Museo Municipal de Bellas Artes Tandil in Tandil.
