Marilyn Lanfear | |
---|---|
Born | December 27, 1930 Waco, TX |
Died | January 19, 2020 |
Education | University of Texas at San Antonio University of Texas at Austin |
Occupation | Artists |
Marilyn Lanfear (December 27, 1930 - January 19, 2020) was an American sculptor and performance artist. [1]
Lanfear was born in Waco, Texas, and raised in Corpus Christi. [2] She earned her bachelor's degree at the University of Texas and received an MFA from the University of Texas San Antonio in 1978. [3] [4] She married, raised a family, and lived in New York City for some years. [4] After her return to Texas, she became a resident of San Antonio, where she showed much of her work. [2] [5]
Her work has been shown in many venues in Texas, [6] as well as some outside the United States. Her art is strongly autobiographical and sociological. [3] [7] Her work is also influenced by the theme of family. [8] Her works are exhibited in the permanent collections of the San Antonio Museum of Art and the Crystal Bridges Museum of American Art. [1]
Georgia Totto O'Keeffe was an American modernist painter and draftswoman whose career spanned seven decades and whose work remained largely independent of major art movements. Called the "Mother of American modernism", O'Keeffe gained international recognition for her meticulous paintings of natural forms, particularly flowers and desert-inspired landscapes, which were often drawn from and related to places and environments in which she lived.
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Marion Koogler McNay, was an American painter, art collector, and art teacher who inherited a substantial oil fortune upon the death of her parents. She later willed her fortune to be used to establish San Antonio's first museum of modern art, which today bears her name. Inspired by Modern, Impressionism, and American Art, she used her wealthy background to cultivate her eclectic art collection. McNay was able to design her San Antonio home after moving there in 1926. As soon as McNay moved to San Antonio, she began buying and commissioning art pieces. The Spanish styled house was able to showcase a diverse amount of paintings, including both American and European styled art. McNay favored Art made in the South Western American style. The fortune she inherited was able to fund her art collection which spanned over seven hundred art pieces by 1950, marking the year of her passing. San Antonio allowed McNay to have an expansive estate marking over 23 acres of land. The goal for McNay was to make her museum "a place of beauty with the comforts and warmth of a home."
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