Related Research Articles
The Renwick Gallery is a branch of the Smithsonian American Art Museum located in Washington, D.C. that displays American craft and decorative arts from the 19th to 21st century. The gallery is housed in a National Historic Landmark building that was opened in 1859 on Pennsylvania Avenue and originally housed the Corcoran Gallery of Art. When it was built in 1859, it was called "the American Louvre", and is now named for its architect James Renwick Jr.
Arline Fisch is an American artist and educator. She is known for her work as a metalsmith and jeweler, pioneering the use of textile processes from crochet, knitting, plaiting, and weaving in her work in metal. She developed groundbreaking techniques for incorporating metal wire and other materials into her jewelry.
Robert William Ebendorf is an American metalsmith and jeweler, known for craft, art and studio jewelry, often using found objects. In 2003–2004, the Smithsonian American Art Museum organized an exhibition of 95 pieces, titled The Jewelry of Robert Ebendorf: A Retrospective of Forty Years.
Mary Lee Hu is an American artist, goldsmith, and college level educator known for using textile techniques to create intricate woven wire jewelry.
Mark Lindquist is an American sculptor in wood, artist, author, and photographer. Lindquist is a major figure in the redirection and resurgence of woodturning in the United States beginning in the early 1970s. His communication of his ideas through teaching, writing, and exhibiting, has resulted in many of his pioneering aesthetics and techniques becoming common practice. In the exhibition catalog for a 1995 retrospective of Lindquist's works at the Renwick Gallery of the Smithsonian American Art Museum, his contributions to woodturning and wood sculpture are described as "so profound and far-reaching that they have reconstituted the field". He has often been credited with being the first turner to synthesize the disparate and diverse influences of the craft field with that of the fine arts world.
Dan Owen Dailey is an American artist and educator, known for his sculpture. With the support of a team of artists and crafts people, he creates sculptures and functional objects in glass and metal. He has taught at many glass programs and is professor emeritus at the Massachusetts College of Art, where he founded the glass program.
Nancy Lee Worden was an American artist and metalsmith. Her jewelry art is known for weaving together personal narratives with current politics. She received many awards and honors. Worden exhibited internationally, and her work is represented in collections around the world, including the Smithsonian American Art Museum and the Museum of Fine Arts, Boston.
Kay Sekimachi is an American fiber artist and weaver, best known for her three-dimensional woven monofilament hangings as well as her intricate baskets and bowls.
Gertrud Amon Natzler was an Austrian-American ceramicist, who together with her husband Otto Natzler created some of the most praised ceramics art of the 20th century, helping to elevate ceramics to the status of a fine art.
Tanya Aguiñiga is a Los Angeles–based artist, designer, and activist.
Marilyn Levine was a Canadian ceramics artist known for her trompe-l'œil art. She built a reputation making ceramic works of art that looked like leather handbags, garments, and briefcases. She was associated with the funk art movement.
Barbara Tisserat (1951–2017) was an American artist and lithographer born in Denver, Colorado. She taught lithography at Virginia Commonwealth University's School of the Arts. She was a member of One/Off Printmakers and also taught at the Virginia Museum of Fine Arts Robinson House lithography workshop with Marilyn Bevilacqua. She was active with the Richmond Printmaking Workshop and served on the Advisory Board of Studio Two-Three in Richmond, Virginia. She was a member of the Summer 2007 graphics faculty at Haystack Mountain School of Crafts and was a visiting artist and lecturer in the Lyceum program at Emory and Henry College.
Cynthia Bringle was born in Memphis, Tennessee, and has lived and worked in Penland, North Carolina since 1970. She is a potter and teaches at the Penland School of Crafts, Anderson Ranch Arts Center, and John C. Campbell Folk School.
Dominic L. Di Mare is an American artist and craftsperson, known for his weaving, abstract mixed-media sculpture, watercolor paintings, cast paper art, and fiber art. His work touches on themes of personal spirituality. He is based in Tiburon, California.
Sharon Church was an American studio jeweler, metalsmith, and educator. She is a professor emerita of the University of the Arts (Philadelphia) in Philadelphia, Pennsylvania. In 2012, Church was elected a Fellow of the American Craft Council (ACC). In 2018, she received a Lifetime Achievement Award from the Society of North American Goldsmiths.
Flora C. Mace is an American glass artist, sculptor, and educator. She was the first woman to teach at Pilchuck Glass School. Since the 1970s, her artistic partner has been Joey Kirkpatrick and their work is co-signed. Mace has won numerous awards including honorary fellow by the American Craft Council (2005).
Joey Kirkpatrick is an American glass artist, sculptor, wire artist, and educator. She has taught glassblowing at Pilchuck Glass School. Since the 1970s, her artistic partner has been Flora Mace and their work is co-signed. Kirkpatrick has won numerous awards including honorary fellow by the American Craft Council (2005).
Mary Giles (1944–2018) was an American fiber artist.
Rebecca Medel is an American artist known for sculptural fiber art. She attended Arizona State University and the University of California, Los Angeles. In 2010 she became Fellow of the American Craft Council. Her work is in the Art Institute of Chicago, the Fine Arts Museums of San Francisco, the Museum of Design Zurich, and the Philadelphia Museum of Art. Her work, Framed Light, was acquired by the Smithsonian American Art Museum as part of the Renwick Gallery's 50th Anniversary Campaign.
Norma Minkowitz is an American visual artist, known for fiber art. She is known for her crochet sculptures.
References
- ↑ "Artist: Marilyn Pappas". Smithsonian American Art Museum . Archived from the original on 7 July 2024. Retrieved 18 December 2022.
- ↑ "Marilyn Pappas in Conversation with Glenn Adamson by Fuller Craft Museum". Textile Society of America . 2022. Archived from the original on 16 September 2024. Retrieved 18 December 2022.
- ↑ "Artist Record: Marilyn R. Pappas". Krannert Art Museum . Archived from the original on 7 June 2024. Retrieved 18 December 2022.
- ↑ "Museum of Arts and Design Collection Exhibition Highlights Craft's Advancements from 1950s to Today". Museum of Arts and Design . 2021. Archived from the original on 15 April 2024. Retrieved 18 December 2022.
- ↑ "Marilyn Pappas". Museum of Fine Arts, Houston . Archived from the original on 18 December 2022. Retrieved 18 December 2022.
- ↑ "Flight Suit - Marilyn R. Pappas [1972]". Museum of Fine Arts, Boston . Archived from the original on 18 December 2022. Retrieved 18 December 2022.
- ↑ Savig, Mary; Atkinson, Nora; Montiel, Anya (2022). This Present Moment: Crafting a Better World. Washington, DC: Smithsonian American Art Museum. pp. 228–238. ISBN 9781913875268. OCLC 1291595008.
- ↑ "Nike with Broken Wings - Marilyn Pappas [2002]". Smithsonian American Art Museum . Archived from the original on 22 April 2024. Retrieved 18 December 2022.
- ↑ Kipp, Caroline (Summer 2022). "Nevertheless She Persisted - Marilyn Pappas' 60-Year Career" (PDF). Craft Quarterly. James Renwick Alliance for Craft. pp. 10–12. Archived (PDF) from the original on 17 September 2024. Retrieved 17 September 2024.
- ↑ Cook, Greg (10 April 2022). "Marilyn Pappas Addresses Feminism, War, Beauty, Aging As She Draws With Thread". Wonderland. Archived from the original on 18 April 2024. Retrieved 18 December 2022.
- ↑ "Marilyn Pappas: A Retrospective". Fuller Craft Museum . 2022. Archived from the original on 27 March 2023. Retrieved 18 December 2022.
