In opera, verismo was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. Verismo as an operatic genre had its origins in an Italian literary movement of the same name. This was in turn related to the international literary movement of naturalism as practised by Émile Zola and others. Like naturalism, the verismo literary movement sought to portray the world with greater realism. In so doing, Italian verismo authors such as Giovanni Verga wrote about subject matter, such as the lives of the poor, that had not generally been seen as a fit subject for literature.
Mario Del Monaco was an Italian operatic tenor.
Renata Scotto is an Italian soprano and opera director.
Andrea Chénier is a verismo opera in four acts by Umberto Giordano, set to an Italian libretto by Luigi Illica, and first performed on 28 March 1896 at La Scala, Milan. The story is based loosely on the life of the French poet André Chénier (1762–1794), who was executed during the French Revolution. The character Carlo Gérard is partly based on Jean-Lambert Tallien, a leading figure in the Revolution. It remains popular with audiences, though less frequently performed than in the first half of the 20th century. One reason for its survival in the repertoire is the lyrical-dramatic music provided by Giordano for the tenor lead, which gives a talented singer opportunities to demonstrate his skills and flaunt his voice. Giuseppe Borgatti's triumph in the title role at the first performance immediately propelled him to the front rank of Italian opera singers. He went on to become Italy's greatest Wagnerian tenor, rather than a verismo-opera specialist.
José Luis Victor Cura Gómez is an Argentine operatic tenor, conductor, director, scenographer and photographer known for intense and original interpretations of opera characters, notably Otello in Verdi’s Otello, Samson in Saint-Saëns’ Samson et Dalila, Canio in Ruggero Leoncavallo's Pagliacci, Stiffelio in Giuseppe Verdi's Stiffelio and many others.
Mario Ancona, was a leading Italian baritone and master of bel canto singing. He appeared at some of the most important opera houses in Europe and America during what is commonly referred to as the "Golden Age of Opera".
Serenade is a 1956 film directed by Anthony Mann and starring tenor Mario Lanza, Joan Fontaine, Sara Montiel, and Vincent Price. Based on the 1937 novel Serenade by James M. Cain, the film was a Warner Bros. release, Lanza's fifth film, and his first on-screen appearance in four years.
Mario Lanza Live at the Hollywood Bowl: Historical Recordings is a 2000 CD, released by the Gala label, includes the six selections that tenor Mario Lanza sang at his first Hollywood Bowl concert on August 27, 1947. This is the performance that first brought Lanza to the attention of Hollywood, and shortly afterwards he was signed to a seven-year film contract with MGM. Included from the performance at the Bowl are six arias, three of them in duet with soprano Frances Yeend. Eugene Ormandy conducts the Hollywood Bowl Orchestra for these performances.
The following discography contains information regarding some of the published recordings by Enrico Caruso made from 1902 through 1920 as have been made available in selected compact disc compilations.
Giuseppe Taddei was an Italian baritone, who, during his career, performed multiple operas composed by numerous composers.
Boyko Tzvetanov is a Bulgarian operatic tenor. He was taken on as a soloist with the Sofia National Opera from 1982 to 1990. In 1991, he became a member of the ensemble of the Zurich Opera House until his retirement in 2016.
Kamen Tchanev / Kamen Chanev was a Bulgarian operatic tenor who enjoyed an international career.
Gabriella Tucci was an Italian operatic soprano who was particularly associated with the Italian repertory and performed at notable opera houses worldwide. She appeared at the Metropolitan Opera in 11 Verdi roles across 13 seasons, including Violetta in La traviata and Desdemona in Otello.
Giuseppe Valdengo was an Italian operatic baritone. Opera News said that, "Although his timbre lacked the innate beauty of some of his baritone contemporaries, Valdengo's performances were invariably satisfying — bold and assured in attack but scrupulously musical."
Roy Cornelius Smith is an American operatic tenor, from Big Stone Gap, Virginia.
Wiesław Ochman is a Polish tenor.
Aria: The Opera Album is Andrea Bocelli's fourth studio album, released in April 1998.
Carlo Sabajno was an Italian conductor. From 1904 to 1932, he was the Gramophone Company's chief conductor and artistic director in Italy, responsible for some of the earliest full-length opera recordings, most of them with the orchestra of La Scala, Milan and prominent singers there. Particularly outstanding among these are his stately, authoritative late-1920s and early-1930s electrical recordings of Don Pasquale, Traviata, Aida, Otello and Bohème.
Silvano Carroli was an Italian baritone.
Mirjam Tola is an Albanian operatic soprano and voice teacher. She is also an Austrian citizen.
