Cinema of Argentina refers to the film industry based in Argentina. The Argentine cinema comprises the art of film and creative movies made within the nation of Argentina or by Argentine filmmakers abroad.
Amelia Bence was an Argentine film actress and one of the divas of the Golden Age of Argentine Cinema (1940–60).
Luis Bayón Herrera was a Spanish film director and screenwriter who worked in Argentine film of the 1940s and 1950s. He was "one of the most important directors of the golden age of Argentine cinema".
Laura Ana "Tita" Merello was an Argentine film actress, tango dancer and singer of the Golden Age of Argentine Cinema (1940–1960). In her six decades in Argentine entertainment, at the time of her death, she had filmed over thirty movies, premiered twenty plays, had nine television appearances, completed three radio series and had had countless appearances in print media. She was one of the singers who emerged in the 1920s along with Azucena Maizani, Libertad Lamarque, Ada Falcón, and Rosita Quiroga, who created the female voices of tango. She was primarily remembered for the songs "Se dice de mí" and "La milonga y yo".
Luis César Amadori was an Italian-Argentine film director and screenwriter and one of the most influential directors in the cinema of Argentina of the classic era. He directed over 60 films between 1936 and 1967, writing the scripts to over 50 pictures.
Luis Moglia Barth was an Argentine film director and screenwriter, and one of the influential directors in the Cinema of Argentina of the classic era. He directed some 30 films between 1927 and 1959, often screenwriting for his pictures. He died in Buenos Aires, aged 81.
Manuel Romeo was an Argentine film director, screenwriter, dramatist and score composer, and one of the influential directors in the cinema of Argentina of the classic era. He directed and wrote over 50 films between 1931 and 1951 even composing the musical scores for several.
Tito Lusiardo was an iconic Argentine film actor and tango singer of the classic era.
Luis Sandrini was a prolific Argentine comic film actor and film producer. Widely considered one of the most respected and most acclaimed Argentine comedians by the public and critics. He made over 80 appearances in film between 1933 and 1980.
El Caradura y la millonaria, also known as No estoy enamorada de tí, pero te quiero. is a 1971 Argentine comedy film directed by Enrique Cahen Salaberry. It was one of several films by Cahen Salaberry after his return from Spain to Argentine cinema in the 1960s. The screenplay was written by Luis Cesar Amadori and Antonio Botta. It is a remake of the 1938 film El canillita y la dama. The film premiered on 6 March 1971, and starred Juan Carlos Altavista and María Vaner, with Vaner performing her own songs.
Alberto De Zavalia was an Argentine film director and film producer.
Zulema Esther González Borbón, better known as Zully Moreno, was an Argentine film actress of the Golden Age of Argentine Cinema (1940–1960). She appeared in more than 70 movies, earning best actress awards from the Argentine Academy of Motion Picture Arts and Sciences and the Spanish Cinema Writers Circle.
Alita Blanca Barchigia, better known as Alita Román, was an Argentine film actress of the Golden Age of Argentine Cinema (1940–1960).
Oscar Valicelli was an Argentine film actor.
Olinda Bozán was an Argentine film actress and comedian of the Golden Age of Argentine Cinema (1940–1960). Born into a circus family, she acted on the vaudeville circuit, and performed in silent and sound movies. She was trained by the Podestá brothers, one of whom she married, who have one of the most prestigious Argentine acting awards named for them. Bozán' appeared in 75 films and was considered one of the best comic actors of Argentine cinema in the 20th century.
Lumiton is a former film production company and current museum located in Munro, Buenos Aires, Argentina. Lumiton Studios was founded in 1932 at the start of the golden age of film in that country. Its lowbrow, populist films appealed to local audiences and were highly successful in Argentina and throughout Latin America. It was the main competitor to Argentina Sono Film in the 1940s.
Miguel Gómez Bao was a Spanish-born Argentine actor of the Golden Age of Argentine cinema. He appeared in films such as Amalia, (1936), Safo, historia de una pasión (1943) and La pequeña señora de Pérez (1944). He also did much work for radio and appeared on Radio El Mundo in the late 1930s.
Pampa Film was an Argentine film production company that was active in the 1930s and 1940s. It is known for its classic Prisioneros de la tierra (1939).
Tania was the stage name of Spanish tango singer Ana Luciano Divis. She was one of the most significant tango interpreters of her era. She was honored as an Illustrious Citizen of the City of Buenos Aires and a Personality of Argentine Culture, as well as receiving the Order of Isabella the Catholic from Juan Carlos I of Spain.
Antonio Botta was a Spanish language dramatist and screenwriter. He was born in Brazil, but it was in Argentina that he built his career and made his name.
