| Con el dedo en el gatillo | |
|---|---|
 | |
| Directed by | Luis Moglia Barth |
| Written by | Homero Manzi, Ulises Petit de Murat |
| Cinematography | Antonio Merayo |
| Music by | Mario Maurano |
Release date |
|
| Country | Argentina |
| Language | Spanish |
Con el dedo en el gatillo is a 1940 Argentine film directed by Luis Moglia Barth during the Golden Age of Argentine cinema. [1]
Homero Nicolás Manzione Prestera, better known as Homero Manzi was an Argentine tango lyricist, author of various famous tangos. He was also a filmmaker, notable for his work during the classical era of Argentine cinema.
Mario Almada Otero was a Mexican actor with a career lasting over seven decades. He appeared in over 300 films. He was most known for his roles in urban westerns, narco peliculas and action pictures. He was the brother of actor Fernando Almada.
Luis Moglia Barth was an Argentine film director and screenwriter, and one of the influential directors in the Golden Age of Argentine cinema. He directed some 30 films between 1927 and 1959, often screenwriting for his pictures. He died in Buenos Aires, aged 81.
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Mario Maurano was an Argentine film score composer and pianist, best remembered for his tangos. He was especially known for his orchestral work supporting starlet Libertad Lamarque, with songs including Te quiero (1946) and many more. He was a frequent collaborator with director Luis Moglia Barth in the Golden Age of Argentine cinema, and was particularly prolific in the late 1930s and 1940s, composing for films such as Twelve Women (1939), Confesión (1940), Con el dedo en el gatillo (1940), Huella (1940), and Boína blanca (1941). He also worked on films such as Caminito de Gloria (1939) with Luis César Amadori, and La Verdadera victoria (1944) with Carlos F. Borcosque.
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