| The New Bell | |
|---|---|
 | |
| Directed by | Luis Moglia Barth |
| Written by | Ivo Pelay |
| Starring | |
| Cinematography | Vicente Cosentino |
| Edited by | Atilio Rinaldi |
| Music by | Isidro B. Maiztegui |
Production company | |
Release date |
|
| Country | Argentina |
| Language | Spanish |
The New Bell (Spanish: La campana nueva) is a 1950 Argentine comedy drama film directed by Luis Moglia Barth and starring Pedro Quartucci, Rosa Rosen and Florindo Ferrario. [1] The film's sets were designed by the art director Mario Vanarelli.
| Runtime | 1 hr 9 min (69 min) |
| Sound Mix | Mono |
| Color | Black and White |
O Fantasma is a 2000 Portuguese erotic drama film directed by João Pedro Rodrigues and produced by the independent production company Rosa Filmes.
Pedro Quartucci was an Argentine boxer and actor.
Leo Fleider was a Polish born Argentine film director and screenwriter, and one of the influential directors in the Cinema of Argentina of the classic era.
Two Angels and a Sinner is a 1945 Argentine comedy drama film directed by Luis César Amadori and starring Zully Moreno, Pedro López Lagar and Fanny Navarro. The film's sets were designed by art director Mario Vanarelli.
God Reward You is a 1948 Argentine drama film directed by Luis César Amadori and starring Arturo de Córdova and Zully Moreno. It won the Silver Condor Award for Best Film, given by the Argentine Film Critics Association in 1949 for the best picture of the previous year.
The Age of Love is a 1954 Argentine musical comedy film directed by Julio Saraceni and starring Lolita Torres, Alberto Dalbés and Floren Delbene.
El hombre señalado is a 1957 Argentine drama film directed by Francis Lauric. It was entered into the 7th Berlin International Film Festival.
El Caradura y la millonaria, also known as No estoy enamorada de tí, pero te quiero. is a 1971 Argentine comedy film directed by Enrique Cahen Salaberry. It was one of several films by Cahen Salaberry after his return from Spain to Argentine cinema in the 1960s. The screenplay was written by Luis Cesar Amadori and Antonio Botta. It is a remake of the 1938 film El canillita y la dama. The film premiered on 6 March 1971, and starred Juan Carlos Altavista and María Vaner, with Vaner performing her own songs.
Operación rosa rosa is a 1974 Argentine film, directed by Polish-born director Leo Fleider. The film was written by, and starred, the singer Sandro de América.
El Casamiento de Laucha is a 1977 Argentine film directed by Enrique Dawi.
El Fausto criollo is a 1979 Argentine fantasy drama film directed by Luis Saslavsky and Miguel Angel Lumaldo. It was written by Saslavsky with the collaboration of Estela Canto, Luisa Mercedes Levinson and Enrique Anderson Imbert, and based on the novel El Fausto Criollo, by Estanislao del Campo. It stars Claudio García Satur, María Valenzuela, Pedro Quartucci, Luisa Vehil and Gerardo Romano. Oscar Aráiz was in charge of the film's choreography. It was filmed in Eastmancolor and released on October 25, 1979.
The Grandfather is a 1954 Argentine family drama film directed by Román Viñoly Barreto and written by Emilio Villalba Welsh. It was based on the novel by Benito Pérez Galdós. Starring Enrique Muiño and Mecha Ortiz.
The Falcón Family is a 1963 Argentine film.
His Best Student is a 1944 Argentine biographical drama film directed by Lucas Demare and starring Enrique Muiño and Ángel Magaña. It was released in Buenos Aires on 22 May 1944. The film won many awards, including the award for best film of the year.
Los tres berretines is a 1933 Argentine black and white comedy film, the first film made by the newly formed Lumiton film studio, and one of the first sound films made in Argentina. It was a great success and launched the film career of the comedian Luis Sandrini. In 2022, the film was included in Spanish magazine Fotogramas's list of the 20 best Argentine films of all time.
Persona honrada se necesita is a 1941 Argentine comedy film.
Florindo Ferrario was an Argentine film, stage and radio actor. He appeared in thirty films from 1930 to 1958.
Dancing is a 1933 Argentine musical film directed by Luis Moglia Barth for Argentina Sono Film. The film's sets were designed by the art director Juan Manuel Concado. It is based on a play by Alejandro Berrutti. It was the second ever sound film to be released by the studio after Barth's ¡Tango!, released earlier in 1933, it marked the debut of Amelia Bence, who had a minor role.
Our Natacha is a 1944 Argentine drama film directed by Julio Saraceni and starring Amelia Bence, Esteban Serrador and Malisa Zini. It is based on Alejandro Casona's play of the same title.
Cleopatra Was Candida is a 1964 Argentine comedy film directed by Julio Saraceni and starring Niní Marshall, Juan Verdaguer and Tito Lusiardo.
 | This article related to an Argentine film of the 1950s is a stub. You can help Wikipedia by expanding it. |
