Leo Fleider was a Polish born Argentine film director and screenwriter, notable for his work during the classical era of Argentine cinema.
Two Angels and a Sinner is a 1945 Argentine fantasy comedy drama film of the classical era of Argentine cinema, directed by Luis César Amadori and starring Zully Moreno, Pedro López Lagar and Fanny Navarro. The film's sets were designed by art director Mario Vanarelli.
God Reward You is a 1948 Argentine melodrama film of the classical era directed by Luis César Amadori and starring Arturo de Córdova and Zully Moreno, produced during the classical era of Argentina cinema. It won the Silver Condor Award for Best Film, given by the Argentine Film Critics Association in 1949 for the best picture of the previous year.
A Story of the Nineties is a 1949 Argentine musical film of the classical era of Argentine cinema, written and directed by Hugo del Carril and starring himself, Sabina Olmos and Santiago Arrieta. The film marked del Carril's directorial debut. Set in the 1890s, it was one of a number of tango-influenced films produced in Argentina.
The Age of Love is a 1954 Argentine musical comedy film of the classical era of Argentine cinema, directed by Julio Saraceni and starring Lolita Torres, Alberto Dalbés and Floren Delbene.
El Caradura y la millonaria, also known as No estoy enamorada de tí, pero te quiero. is a 1971 Argentine comedy film directed by Enrique Cahen Salaberry. It was one of several films by Cahen Salaberry after his return from Spain to Argentine cinema in the 1960s. The screenplay was written by Luis Cesar Amadori and Antonio Botta. It is a remake of the 1938 film El canillita y la dama. The film premiered on 6 March 1971, and starred Juan Carlos Altavista and María Vaner, with Vaner performing her own songs.
Operación rosa rosa is a 1974 Argentine film, directed by Polish-born director Leo Fleider. The film was written by, and starred, the singer Sandro de América.
The Grandfather is a 1954 Argentine melodrama film of the classical era of Argentine cinema, directed by Román Viñoly Barreto and written by Emilio Villalba Welsh. It was based on the novel by Benito Pérez Galdós. Starring Enrique Muiño and Mecha Ortiz.
Campeón a la fuerza is a 1950 Argentine comedy film of the classical era of Argentine cinema.
The Falcón Family is a 1963 Argentine film.
His Best Student is a 1944 Argentine biographical film of the classical period directed by Lucas Demare and starring Enrique Muiño and Ángel Magaña. It was released in Buenos Aires on 22 May 1944. The film won many awards, including the award for best film of the year.
Los tres berretines is a 1933 Argentine black and white comedy film, the first film made by the newly formed Lumiton film studio, and one of the first sound films made in Argentina. Along with ¡Tango!, released that same year, the film is credited with inaugurating the Golden Age of Argentine cinema. It was a great success and launched the film career of the comedian Luis Sandrini. In 2022, the film was included in Spanish magazine Fotogramas's list of the 20 best Argentine films of all time.
Persona honrada se necesita is a 1941 Argentine comedy film of the Golden Age of Argentine cinema, directed by Francisco Múgica and starring Francisco Petrone, Alicia Vignoli and Marcelo Ruggero.
Stella is a 1943 Argentine romantic drama film of the classical era of Argentine cinema directed by Benito Perojo and starring Zully Moreno, Florindo Ferrario and Guillermo Battaglia. At the 1944 Argentine Film Critics Association Awards, Gregorio López Naguil won the Silver Condor award for Best Production Design.
Florindo Ferrario was an Argentine film, stage and radio actor. He appeared in thirty films from 1930 to 1958. As an actor, he was known for The Grandfather (1954), Historia del 900 (1949) and Pachamama (1944).
Dancing is a 1933 Argentine musical film directed by Luis Moglia Barth for Argentina Sono Film. The film's sets were designed by the art director Juan Manuel Concado. It is based on a play by Alejandro Berrutti. It was the second ever sound film to be released by the studio after Barth's ¡Tango!, which inaugurated the classical-industrial period of Argentine cinema. It marked the debut of Amelia Bence, who had a minor role.
Only the Valiant or The Charge of the Brave is a 1940 Argentine historical drama film directed by Adelqui Migliar and starring Santiago Arrieta, Domingo Sapelli and Anita Jordán. Produced during the Golden Age of Argentine cinema, it was one of the most films made in Argentina up to that point. It portrays the 1827 defence of Carmen de Patagones against Brazilian forces during the Cisplatine War.
Our Natacha is a 1944 Argentine drama film of the classical era of Argentine cinema, directed by Julio Saraceni and starring Amelia Bence, Esteban Serrador and Malisa Zini. It is based on Alejandro Casona's play of the same title.
Cleopatra Was Candida is a 1964 Argentine comedy film directed by Julio Saraceni and starring Niní Marshall, Juan Verdaguer and Tito Lusiardo.
Goal (Spanish:¡Goal!) is a 1936 Argentine sports film directed by Luis Moglia Barth during the Golden Age of Argentine cinema.
