Intermezzo criminal | |
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Written by | Emilio Villalba Welsh |
Cinematography | Vicente Cosentino |
Edited by | Gerardo Rinaldi, Antonio Ripoll |
Music by | Alberto Soifer |
Release date |
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Country | Argentina |
Language | Spanish |
Intermezzo criminal is a 1953 Argentine film directed by Luis Moglia Barth. [1]
Life imprisonment is any sentence of imprisonment for a crime under which convicted criminals are to remain in prison for the rest of their natural lives. Crimes that warrant life imprisonment are extremely serious and usually violent. Examples of these crimes are murder, torture, terrorism, child abuse resulting in death, rape, espionage, treason, illegal drug trade, human trafficking, severe fraud and financial crimes, aggravated property damage, arson, hate crime, kidnapping, burglary, robbery, piracy, aircraft hijacking, and genocide.
In music, an intermezzo, in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work. In music history, the term has had several different usages, which fit into two general categories: the opera intermezzo and the instrumental intermezzo.
Brahms's Six Pieces for Piano, Op. 118, were completed in 1893 and published with a dedication to Clara Schumann. The set was the penultimate of Brahms's published works. It was also his penultimate work for piano solo.
Intermezzo is a 1939 American romantic film remake of a 1936 Swedish film of the same title. It stars Leslie Howard as a married virtuoso violinist who falls in love with his accompanist, played by Ingrid Bergman in her Hollywood debut. The film was directed by Gregory Ratoff and produced by David O. Selznick. It features multiple orchestrations of Heinz Provost's title piece, which won a contest associated with the original film's production. The screenplay by George O'Neil was based on that of the original film by Gösta Stevens and Gustaf Molander. It was produced by Selznick International Pictures.
The Four Pieces for Piano Op. 119, are four character pieces for piano composed by Johannes Brahms in 1893. The collection is the last composition for solo piano by Brahms. Together with the six pieces from Op. 118, Op. 119 was premiered in London in January 1894.
Intermezzo, Op. 72, is a comic opera in two acts by Richard Strauss to his own German libretto, described as a Bürgerliche Komödie mit sinfonischen Zwischenspielen. It premiered at the Dresden Semperoper on 4 November 1924, with sets that reproduced Strauss' home in Garmisch. The first Vienna performance was in January 1927.
Luis Moglia Barth was an Argentine film director and screenwriter, and one of the influential directors in the Cinema of Argentina of the classic era. He directed some 30 films between 1927 and 1959, often screenwriting for his pictures. He died in Buenos Aires, aged 81.
The term Iranian Intermezzo, or Persian Renaissance, represents a period in Iranian history which saw the rise of various native Iranian dynasties in the Iranian Plateau after the 7th-century Muslim conquest and the fall of the Sasanian Empire. The period is noteworthy since it was an interlude between the decline of Abbāsid rule and power by Arabs and the "Sunni Revival" with the 11th-century emergence of the Seljuq Turks. The Iranian revival consisted of Iranian support based on Iranian territory and most significantly a revived Iranian national spirit and culture in an Islamic form, although there were some Iranian Zoroastrian movements rejecting Islam altogether as a religion. It also focused on reviving the Persian language, the most significant Persian-language literature from this period being Shahnameh by Ferdowsi. The Iranian dynasties and entities which comprise the Iranian Intermezzo are the Tahirids, Saffarids, Sajids, Samanids, Ziyarids, Buyids, Sallarids, Rawadids, Marwanids, Shaddadids, Kakuyids, Annazids and Hasanwayhids.
The Novelletten, Op. 21, is a set of eight pieces for solo piano, written by Robert Schumann in 1838. This composition is dedicated to Adolf von Henselt.
The Enchanted is a 1950 English adaptation by Maurice Valency of the play Intermezzo written in 1933 by French dramatist Jean Giraudoux.
Intermezzo, was a British Thoroughbred racehorse and sire. He won two of his three races as a two-year-old in 1968 and went on to record his most important win in the Classic St. Leger Stakes at Doncaster in September 1969. He raced without winning in 1970 and was exported to stand as stallion in Japan, where he had some success as a sire of winners.
L'impresario delle Isole Canarie, also known as L'impresario delle Canarie or Dorina e Nibbio, is a satirical opera intermezzo libretto attributed to Metastasio, written in 1724 to be performed between the acts of Metastasio's opera seria Didone abbandonata. The first performance of the work was on February 1, 1724, in Naples, Italy, at Teatro San Bartolomeo. The first composer to set this libretto to music was Domenico Sarro, also known by the name Sarri, who also revised the work in 1730. The role of Dorina was first sung by the contralto Santa Marchesini, and Nibbio by the basso buffo singer Gioacchino Corrado. Later versions of this libretto appear with the titles L'impresario, L'impresario e la cantante and others.
A basso porto is an opera in three acts by composer Niccola Spinelli. The opera uses an Italian language libretto by Eugene Checchi which is based on Goffredo Cognetti's 1889 play O voto. The opera premiered to critical success at the Cologne Opera on April 18, 1894, sung in a German translation by Ludwig Hartmann and Otto Hess. The work is widely considered Spinelli's greatest composition, and the prelude to the opera's third act has been programmed by numerous orchestras for performances in concert.
Intermezzo is the seventh studio album by American progressive metal musician Michael Angelo Batio. Self-produced by Batio and featuring a wide range of guest musicians, it was released in November 2013 by M.A.C.E. Music.
The Intermezzo in D minor is an 1879 composition by the Austrian composer Anton Bruckner. Although it was intended to replace the scherzo of the String Quintet, that piece was instead performed in its original form; the Intermezzo was not publicly premiered until after the composer's death.
First Meeting is an album by the group Tethered Moon, comprising pianist Masabumi Kikuchi, bassist Gary Peacock and drummer Paul Motian, recorded in late 1990 and early 1991 and released on the Winter & Winter label in 1997. The album is the first recording by the trio although it was released after several other albums.
"Key West Intermezzo (I Saw You First)" is a song by American rock musician John Mellencamp. It was released as the first single from his 14th studio album, Mr. Happy Go Lucky (1996), and peaked at number 14 on the US Billboard Hot 100, making it his final top-40 hit in the US. In Canada, it gave Mellencamp his fourth number-one single on the RPM 100 Hit Tracks chart, staying at number one for five weeks. It additionally reached the top 40 in Australia and New Zealand. The song's music video features American actor Matthew McConaughey.
Mektoub, My Love: Intermezzo is a 2019 French erotic drama film produced, co-written, and directed by Abdellatif Kechiche. The film is a sequel to Kechiche's 2017 film Mektoub, My Love: Canto Uno, and like its predecessor, is based on the novel La Blessure, la vraie written by François Bégaudeau. It stars Shaïn Boumedine, Ophélie Bau, Salim Kechiouche, Alexia Chardard, Lou Luttiau, and Hafsia Herzi
Ophélie Bau is a French actress best known for her roles in Mektoub, My Love: Canto Uno and its sequel Mektoub, My Love: Intermezzo.
The Fantasies, Op. 116 for solo piano were composed by Johannes Brahms in the Austrian town of Bad Ischl during the summer of 1892. The set consists of seven pieces entitled Capriccio or Intermezzo, though Brahms originally considered using "Notturno" for No. 4 and "Intermezzo" for No. 7. The pieces were published by N. Simrock in December 1892, and represent the end of Brahms's long break from composing piano pieces. The seven movements are: