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Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova.
Callen Radcliffe Tjader Jr. was an American Latin Jazz musician, often described as the most successful non-Latino Latin musician. He explored other jazz idioms, especially small group modern jazz, even as he continued to perform music of Africa, the Caribbean and Latin America.
Eddie Palmieri is an American Grammy Award-winning pianist, bandleader, musician, and composer of Puerto Rican ancestry. He is the founder of the bands La Perfecta, La Perfecta II, and Harlem River Drive.
Giovanni Hidalgo a.k.a. "Mañenguito" is a Latin jazz percussionist.
A descarga is an improvised jam session consisting of variations on Cuban music themes, primarily son montuno, but also guajira, bolero, guaracha and rumba. The genre is strongly influenced by jazz and it was developed in Havana during the 1950s. Important figures in the emergence of the genre were Cachao, Julio Gutiérrez, Bebo Valdés, Peruchín and Niño Rivera in Cuba, and Tito Puente, Machito and Mario Bauzá in New York. Originally, descargas were promoted by record companies such as Panart, Maype and Gema under the label Cuban jam sessions. From the 1960s, the descarga format was usually adapted by large salsa ensembles, most notably the Fania All-Stars.
Felipa Graciela Pérez y Gutiérrez, known by the mononym Graciela, was a Cuban-born American singer of Cuban music and Latin jazz.
Arturo "Chico" O'Farrill was a Cuban composer, arranger, and conductor, best known for his work in the Latin idiom, specifically Afro-Cuban jazz or "Cubop", although he also composed traditional jazz pieces and even symphonic works.
Hilton Ruiz was an American jazz pianist in the Afro-Cuban jazz mold, but was also a talented bebop player. He was of Puerto Rican descent.
Francisco Aguabella was an Afro-Cuban percussionist whose career spanned folk, jazz, and dance bands. He was a prolific session musician and recorded seven albums as a leader.
Barron W. "Barry" Rogers was an American jazz and salsa trombonist.
Alfredo "Chocolate" Armenteros was a Cuban trumpeter. He played with artists such as Arsenio Rodríguez, Generoso Jiménez, Chico O'Farrill, Orchestra Harlow, Eddie Palmieri, Cachao and Sonora Matancera. Due to his characteristic approach to Afro-Cuban trumpet playing as well as his extensive recording career, several monographs have been written on his music.
Sonny Bravo, born Elio Osacar, is an Afro-Cuban jazz and Latin jazz pianist. He was once a very good baseball player with many prospects born in New York, New York, though due to an injury in 1956 he sought out a career in music. It was then he started performing with Many Campo, El Casino de Miami, José Fajardo and many others. He also recorded with Tito Puente and Bobby Paunetto.
Horacio "El Negro" Hernandez is a Cuban drummer and percussionist. He has played alongside Latin jazz pianists such as Gonzalo Rubalcaba, Michel Camilo, Chucho Valdés, Eddie Palmieri and Hilario Durán.
Carlos Valdés Galán, better known as Patato, was a Cuban conga player. In 1954, he emigrated from La Habana to New York City where he continued his prolific career as a sideman for several jazz and Latin music ensembles, and occasionally as a bandleader. He contributed to the development of the tunable conga drum which revolutionized the use of the instrument in the US. His experimental descarga albums recorded for Latin Percussion are considered the counterpart to the commercial salsa boom of the 1970s. Tito Puente once called him "the greatest conguero alive today".
Francisco "Chino" Pozo was a Cuban drummer.
Ernest AnthonyPuente Jr., commonly known as TitoPuente, was an American musician, songwriter, bandleader, timbalero, and record producer. He is best known for dance-oriented mambo and Latin jazz compositions from his 50-year career. His most famous song is "Oye Como Va".
Michael Philip Mossman is an American jazz trumpeter.
Jerry González was an American bandleader, trumpeter and percussionist of Puerto Rican descent. Geraldo, his father, was a singer in a band and worked for Las Villas, a chain of stores selling Latin American products. Jerry, who liked the trumpet and studied it carefully, but also the congas was a member of Cal Tjader Callen Radcliffe Tjader Jr. an American Jazz musician, known as the most successful non-Latino of Latin Jazz. Together Jerry Gonzalez with his brother, bassist Andy González, played an important role in the development of Latin Jazz during the late 20th century. During the 1970s, both played alongside Eddie Palmieri and in Manny Oquendo's Conjunto Libre, and from 1980 to 2018 they directed The Fort Apache Band. From 2000 to 2018, Jerry González resided in Madrid, where he fronted Los Piratas del Flamenco and El Comando de la Clave. In October 2018, he died of a heart attack after a fire in his home in Madrid.
Nicky Marrero is an American Latin jazz percussionist, best known as the timbale player in The Fania Allstars and as a recording artist during the 1970s salsa boom in New York.
Jon Fausty is a multiple Grammy Award-winning sound and recording engineer best known for his work on some of the most successful Latin albums ever recorded.
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