Juan Luis Guerra | |
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Born | Juan Luis Guerra Seijas 7 June 1957 Santo Domingo, Dominican Republic |
Alma mater | Berklee College of Music |
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Years active | 1983–present |
Title | Juan Luis Guerra |
Spouse | Nora Clementina Altagracia Vega Rasuk (m. 1983) |
Children | 2 |
Musical career | |
Genres | |
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Labels |
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Website | www |
Juan Luis Guerra Seijas (born 7 June 1957) [1] is a Dominican musician, singer, composer, and record producer. Throughout his career, he has won numerous awards including 28 Latin Grammy Awards, three Grammy Awards, and one Latin Billboard Music Award. He won 3 Latin Grammy Awards in 2010, including Album of the Year. In 2012, he won the Latin Grammy Award for Producer of the Year. [2] He has sold 15 million records worldwide, [3] making him one of the best-selling Latin music artists. [4] [5]
Guerra is one of the most internationally recognized Latin artists of recent decades. His popular style of merengue and Latin fusion has garnered him considerable success throughout Latin America. He is also credited for popularizing bachata music on a global level and is often associated with the genre, although his distinct style of bachata features a more traditional bolero rhythm and aesthetic mixed with bossa-nova influenced melodies and harmony in some of his songs. [6] He does not limit himself to one style of music, instead, his music incorporates a wide arrange of diverse rhythms such as merengue, bachata, bolero, balada, fusion, salsa, cumbia, mambo, cha-cha-cha, pop, rock and roll, reggae, classical, R&B, folk, blues, jazz, funk, soul, rock, hip-hop/rap, son cubano, and religious, amongst many others. Ojalá Que Llueva Café is one of his most critically acclaimed pieces.
Born Juan Luis Guerra Seijas, his parents were Gilberto Guerra Pacheco, and Olga Seijas Herrero. He has two brothers, José Gilberto, a plastic surgeon, and Diego Esteban, a graduate in business administration. He was a student at La Salle and Santa Teresita school, where he stood out for his love of sports. Before becoming interested in music, Guerra studied Philosophy and Literature at the Universidad Autónoma de Santo Domingo. [7] He later studied guitar and music theory at the Dominican Republic's Conservatorio Nacional de Música (National Conservatory of Music) in Santo Domingo, and then decided to go to the United States to attend the Berklee College of Music in Boston, from which he graduated in 1982 with a diploma in jazz composition. He then returned to the Dominican Republic and formed a band with local musicians from his community.
Guerra released his first album, Soplando (1984), with local musicians who became known as Juan Luis Guerra y 440. The number refers to the standard tuning of A440. The band's name in Spanish is Cuatro Cuarenta ("Four Forty"). According to Guerra, this first album was based on jazz tunes and concepts he had learned at Berklee, and it "wasn't intended to be a commercial hit." Subsequently, however, he began to write more merengues. [7]
In 1983, after a performance in front of the Dominican entrepreneur Bienvenido Rodríguez, Juan Luis Guerra was signed to Karen Records. This marked a radical shift in Guerra's musical style toward merengue. In this period, he recorded two albums, Mudanza y Acarreo in 1985 and Mientras Más Lo Pienso...Tú in 1987. These works gained more recognition, and the band was nominated to attend the OTI (Organization of Iberoamerican Television) Festival to represent the Dominican Republic.
In 1988, during the recording of the album Ojalá Que Llueva Café, Guerra became the dominant vocalist of 440. This album also began his international recognition; the album's sales topped the charts in many Latin American countries.
In 1990, 440 released their next album, Bachata Rosa , which became a major hit and earned Guerra his first Grammy award. With sales over five million, the album let Guerra keep touring Latin America, US and Europe. It contains memorable love songs such as "Burbujas de amor" (Bubbles of Love), "Bachata Rosa", "Rosalía", "Como abeja al panal" (Like a Bee to the Honeycomb), "A pedir su mano" (Asking For Her Hand), "Carta de amor" (Love Letter), and "Estrellitas y duendes" (Little stars and elves).
Guerra attracted controversy in 1992 after he released his next album, Areíto (which is a Taíno word for song and dance). It featured the hit single "El costo de la vida", a song that decries corruption in Latin America and the rising costs of living as a consequence. Other songs included in this album protest the poor conditions in many Latin American countries, the celebration of the 'discovery' of the Americas ("1492"), and the double standards of first-world nations. "El costo de la vida" was his first number-one hit in the Hot Latin Tracks.
His next album, Fogaraté (1994) avoided such controversy. It focuses on more rural and lesser known types of Dominican music, like Perico Ripiao .
Guerra's 1998 release Ni es lo mismo ni es igual (Neither The Same Nor Equal) won three Latin Grammys in 2000 for Best Merengue Performance, Best Tropical Song, and Best Engineered Album. Its hits include "Mi PC" (lit. "My PC", My Computer ), "Palomita Blanca" (Little White Dove), and "El Niágara en Bicicleta" (The Niagara on Bicycle).
In 2004, Guerra signed a one-off deal with Vene music and released his first new album in six years. [8] Entitled "Para Tí" (For you), the album's songs are mostly Christian, it debuted at number one in US Top Latin Albums and at 110 of US Billboard 200. It was three times certified platinum by the RIAA for selling 300,000 copies and sold half a million copies worldwide. It was certified gold in Argentina and Central America and as platinum in Venezuela. This album won two awards at the 2005 Billboard Music Awards, in the categories of Gospel-Pop and Tropical-Merengue, for the hit single Las Avispas (The wasps), the first time ever that one song has won these two categories at the same time. Other hits included "Para Tí" and "Soldado" (Soldier). In the same ceremony, Guerra was awarded Spirit of Hope Award for his philanthropic work. [9] At the same time, Guerra was honored with the Latino Special Award for the Music Academy of Spain for his contributions to the music of his country and the Caribbean in the last 20 years. In the same year, Guerra embarked on his 20-year anniversary tour, "Tour 20 años". In the United States, he visited cities including Miami, Chicago, Washington D.C., Orlando, Boston and a concert at New York`s Madison Square Garden. [10] In November 2005, Guerra was awarded with two awards at the 6th Annual Latin Grammy Awards for Best Christian Album (Spanish Language) and Best Tropical Song for "Las Avispas". [11]
In January 2006, Guerra performed at Berklee's 60th anniversary, along with other artists such as Paul Simon, Herbie Hancock, Michel Camilo and Chiara Civello. That same year, he recorded with Diego Torres in "Abriendo Caminos" (Opening roads) and with Maná in "Bendita Tu Luz" (Blessed Be Your Light). On 6 April 2006, Guerra was honored as a BMI Icon at the 13th annual BMI Latin Awards. Named BMI's 1995 Latin Songwriter of the Year, Guerra's songwriting has garnered 14 BMI Latin Awards. [12]
Guerra set records for the highest-grossing music tour when he opened for The Rolling Stones' A Bigger Bang Tour at their San Juan, Puerto Rico show in February 2006. He was also invited by Sting to sing with him at a concert at Altos de Chavón , La Romana in the Dominican Republic in 2006.
At the Premio Lo Nuestro awards in 2007, he was given the honorary lifetime achievement award. He also performed the lead single of his new album, "La Llave De Mi Corazón", released in March 2007. Guerra won more than 20 awards with this CD, including 5 Latin Grammy Awards, 6 Premios Casandra awards, 4 billboard Awards, 2 lo nuestro, and one Grammy Award.
In 2007,Guerra was awarded the Excellence Award at the 2007 Lo Nuestro Awards. [13] Guerra was honored at the Latin Grammy Awards in the same year with 5 awards, sweeping each category he was nominated in: Record of the Year, Album of the Year, Song of the Year, Best Tropical Song, and Best Merengue Album. Its engineers, Allan Leschhorn, Luis Mansilla, Ronnie Torres, and Adam Ayan, were also awarded Best Engineered Album. The night before the Latin Grammy Awards, he received the Academy's Person of the Year Award for his contribution to Latin music and for his philanthropy.
On 10 March 2008, Guerra was honored with 6 awards in los Premios Casandra, the most important award event in the Dominican Republic. He won for Orchestrator of the year, Outstanding artist abroad, Music album of the year for "La Llave de mi Corazón" (The Key to My Heart) and "El Soberano" (The Sovereign).
On 16 March 2008, he and other artists participated in the Paz Sin Fronteras concert organized by Juanes, celebrating the end of the 2008 Andean diplomatic crisis between Colombia, Venezuela, and Ecuador.
On 11 April 2008, Guerra was the Billboard Latin awards big winner, with 7 nominations and 3 awards.
On 15 September 2008 Guerra was named a UNESCO Artist for Peace "in recognition of his efforts for the benefit of children with disabilities and children in need." [14]
On 9 May 2009, Guerra was awarded an honorary doctorate from his alma mater, Berklee College of Music at its commencement ceremony. [15]
On 5 April 2010, Guerra released the official video for his new single "Bachata en Fukuoka". The video was filmed in various locations in the city of Los Angeles, and was directed by Colombian director Simon Brand. On 8 June 2010, Guerra released A son de Guerra which contains eight musical rhythms (bachata, merengue, bolero, Mambo, funk, Rock, Jazz, reggae) and includes the collaboration of Juanes among others. The album contains hits including "La Guagua", "La Calle", and "Bachata en Fukuoka". The first single from his new production, "Bachata en Fukuoka", placed in the # 1 position on the Hot Latin Tracks, Tropical Songs, and Latin Pop Airplay Songs of the Billboard charts. Simultaneously, the collaboration of Guerra with Enrique Iglesias on "Cuando me Enamoro" was in the #2 spot on the Rhythm Airplay Chart.
In January 2012, the video for his single "En el cielo no hay Hospital" premiered on YouTube. This song belonged to his new album "Colección Cristiana". Later that year, he collaborated with the Spanish singer Miguel Bosé on his album Papitwo, in the song "Yo creo en Ti".
On 25 April 2014, "Tus Besos" was released. It is a bachata song with a music video inspired by the rock and roll of the 1950s. This video was directed by his son Jean Gabriel. [16]
In 2019 during the Carnival of Santa Cruz de Tenerife in Spain, Juan Luis Guerra surpassed the record reached in 1987 by Celia Cruz by bringing together more than 400,000 people as the largest congregation of people in an open-air plaza to attend a concert. [17]
Guerra has recorded several songs in English, like "July 19th" on his 1994 album Fogaraté, and more recently "Medicine for My Soul" and "Something Good" with Italian singer Chiara Civello. Some of his songs have verses in both English and Spanish such as "Woman del Callao", "Guavaberry", "Señorita" on his 1995 compilation album Grandes Exitos as a bonus track and more recently "La Llave de Mi Corazón". The album Areíto featured two songs, the cover-title song "Areíto" and "Naboria daca, mayanimacaná", which are sung in the Arawak language of the extinct Taino natives of Hispaniola. Juan Luis Guerra also recorded the album "Bachata Rosa" in Portuguese. He uses Japanese words in Bachata en Fukuoka (Bachata in Fukuoka), 2010 Latin Grammy winner for Best Tropical Song.
In 1988, he made his debut as a songwriter for other artists such as fellow Dominican musician Taty Salas, for whom he wrote the music for De tu boca, a song with which he participated in the now defunct OTI Festival, reaching the top 3 category. He also composed songs for Mexican artists like Emmanuel (No he podido verte, recorded in 1990) and Luis Miguel (Hasta que me olvides 1993 and Te necesito 2003). He also composed for the Puerto Rican salsa singer Gilberto Santa Rosa in 1994 (Te Propongo).
Being a native Dominican, his music is heavily influenced by native Caribbean rhythms, such as merengue and bachata.
His lyrics are often charged with intentionally simple, heavily metaphorical, or popular expressions, such as "Burbujas de Amor" (Bubbles of Love). His lyrics also reflect in political issues, but from a deeply human perspective, that is, centering the lyrics in the human drama that social injustice generates. This is seen in "Visa Para un Sueño" about the broken dream of a visit to America. "El Niágara en Bicicleta" — a title based on the Cuban idiom, "al pasar el Niagara en bicicleta", meaning a difficult task — describes the negligence that destroys the social health services. "El Costo de La Vida" describes the effects of globalization and government corruption on the working-class people; "Acompáñeme Civil" ("Accompany me Civilian") is about police and military corruption that exploits the people that they should care for.
The following is a list of Guerra's Grammy Awards wins and nominations:
Year | Category | Nominees(s) | Nominated for | Result |
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1992 | Best Tropical Latin Album | Juan Luis Guerra | Bachata Rosa | Won |
1994 | Areíto | Nominated | ||
1995 | Best Tropical Latin Performance | Fogaraté | Nominated | |
2000 | Best Latin Pop Performance | Ni es lo mismo ni es igual | Nominated | |
2008 | Best Tropical Latin Album | La Llave de Mi Corazon | Won | |
2011 | A Son de Guerra | Nominated | ||
2016 | Todo Tiene Su Hora [20] | Nominated | ||
2020 | Literal | Nominated |
The following is a list of Guerra's Latin Grammy Awards wins and nominations:
Year | Category | Nominated for | Result |
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2000 | Album of the Year | Ni Es Lo Mismo Ni Es Igual | Nominated |
Best Merengue Album | Won | ||
Song of the Year | "El Niágara En Bicicleta" | Nominated | |
Best Tropical Song | Won | ||
2005 | "Las Avispas" | Won | |
Best Christian Album (Spanish Album) | Para Ti | Won | |
2007 | Album of the Year | La Llave De Mi Corazon | Won |
Best Merengue Album | Won | ||
Record of the Year | "La Llave De Mi Corazon" | Won | |
Song of the Year | Won | ||
Best Tropical Song | Won | ||
2010 | "Bachata En Fukuoka" | Won | |
Best Short Form Music Video | Nominated | ||
Best Contemporary Tropical Album | A Son De Guerra | Won | |
Album of the Year | Won | ||
2011 | |||
Guerra is the son of Gilberto Guerra Pacheco and Olga Seijas Herrero; he has two brothers, José Gilberto Guerra Seijas, plastic surgeon, and Diego Esteban Guerra Seijas, economist. [21] He is married to Nora Clementina Altagracia Vega Rasuk, and has two children. His wife is the sister of Otto Miguel Vega Rasuk, who is the father of Miss Universe 2003 Amelia Vega Polanco.
In 2000, he became an evangelical Christian and worship director at the “Más Que Vencedores” church in Santo Domingo. [22]
On 17 October 2008, he participated as a Goodwill Ambassador for UNESCO in an event called "Levántate y Actúa contra la Pobreza y por los Objetivos de Desarrollo del Milenio", in Bavaro, Dominican Republic, during the International Conference of the Americas. [23]
On 18 April 2010, he organized a concert to raise money for those who were affected by the 2010 Haiti earthquake. After this successful event was held, a children's hospital was later built in Haiti. [24]
Para Ti is the ninth studio album by singer-songwriter Juan Luis Guerra and his band 4.40. It was released on August 31, 2004, by Vene Music and distributed by Universal Latin Music. It was his first studio album in six years since Ni es lo mismo ni es igual (1998) and is his first Christian-gospel inspired album. The lyrics are inspired by his conversion to Christianity and his experience of being a born again Christian. The album explores music genres from gospel and ballads to the salsa and merengue. The album was supported by the release of three official singles: "Para Ti", "Las Avispas" and "Dinteles".
Ni Es lo Mismo Ni Es Igual is the eighth studio album recorded by Dominican singer-songwriter Juan Luis Guerra and his backup vocals 4–40. It was released by Karen Records on 15 December 1998 and distributed by PolyGram Latino. It was Guerra's comeback album after four years of silence, out of the public eye and since his conversion to Christianity. It was his first studio album since Fogarate (1994). The album production and songwriting were done by Guerra. The album was supported by the release of four official singles: "Mi PC", "Palomita Blanca", "El Niagara en Bicicleta" and "La Hormiguita". Two singles were released as promotional singles: "Vale La Pena" and "Quisiera".
La Llave de Mi Corazón is the 10th studio album recorded by Dominican singer-songwriter Juan Luis Guerra, It was released by EMI Televisa Music on March 20, 2007. It was Guerra's first album to contain songs in English since his 1994 recording of Fogarate. The album contains fusions of mambo and tropical rhythms that Guerra himself defined as "Mambo merengue". Its production and musical structure of album is based on merengue, bachata and salsa and encompasses elements of Blues, Son, Jazz, Mambo and Bossa Nova. The album was written, arranged and produced by Juan Luis Guerra and according to the artist is his most romantic album. It is composed of four merengues, two bachatas, three romantic songs and two salsas.
Bachata Rosa is the fifth studio album by Dominican singer-songwriter Juan Luis Guerra and his group 4.40. It was released on 11 December 1990, by Karen Records. It brought bachata music into the mainstream in the Dominican Republic and gave the genre an international audience. A Portuguese version of the record was released in 1992 under the title Romance Rosa; it was certified gold in Brazil. The album received a Grammy Award for Best Tropical Latin Album and two Lo Nuestro Awards for Tropical Album of the Year and Tropical Group of the Year.
Ojalá Que Llueva Café is the fourth studio album by Dominican singer-songwriter Juan Luis Guerra released in 1989 by Karen Records. It is considered one of his most emblematic and important albums. The album set the musical path for his later albums, re-formulating Dominican merengue and bachata music through the contemporary elements of pop, rock, salsa, or jazz. Incorporating socially conscious lyrics with danceable merengues and romantic-poetic bachatas, the album is considered one of the most important albums of his discography.
Fogaraté! is the seventh album of the famous Dominican songwriter and musician Juan Luis Guerra. It was released on July 19, 1994. The album mixed a variety of music genres including rural and folkloric roots of merengue called "Perico Ripao" with elements of African soukus music and Tropical Music such as Reggae with the collaboration of African guitarist Diblo Dibala and Dominican accordionist Francisco Ulloa, along with Son, Bachata and Salsa. Also, the album features a particular, bachata-styled adaptation of the Lacrimosa movement from Mozart's Requiem Mass in D Minor and Guerra's first song fully in English "July 19". Exploring lyrics and themes about magical realism of Latin American literature and commenting on the politics of the Caribbean, for many fans and critics, Fogaraté! is one of his most musically complex album.
Areíto is the sixth album by Juan Luis Guerra with his band 440, released on 8 December 1992, by Karem Records. The album, meant to be a tribute to the indigenous tribes of the Dominican Republic, is named after a dance that the aboriginal inhabitants of the Greater Antilles (Taínos) accompanied with songs during their festivals and religious rites. The album contains twelve tracks including "Cuando te Beso", interpret by Santo Domingo Philharmonic Orchestra. Congolese musician Diblo Dibala played guitar on the song "El Costo de la Vida", which was a Spanish cover of his own soukous song "Kimia Eve", while the last track on the album, "Naboria daca, mayanimacaná", is sung in Arawak, the language of the Taíno people. Areíto was originally set to be released in early April 1992, but was first delayed to the end of October 1992 and was finally released on 8 December 1992.
A Son de Guerra, sometimes referred to as Asondeguerra, is the 11th studio album recorded by Dominican singer-songwriter Juan Luis Guerra, It was released by Capitol Latin on June 8, 2010. The album contains 11 tracks, and its musical structure and production are based on Merengue, Bachata, Son, Salsa, experimenting and incorporating elements of jazz, blues, funk, cumbia, rock, reggae, rap, and mambo. Lyrical themes on the album include protest against political corruption, immigration, love and romance. Featured appearances include Juanes and Chris Botti. For many fans and critics alike, it's his album with the most social content and strong social criticism since his 1992's Areito.
"Mi PC" is a song by Dominican Republic singer-songwriter Juan Luis Guerra and his band 4-40 from his eighth studio album, Ni Es lo Mismo Ni Es Igual (1998). The song was released as the lead single from the album in November 1998 by Karen Records. The song was written and produced by Guerra. It is a pop merengue track in which Guerra uses computer terminology to narrate a love story. "Mi PC" was met with positive reactions from music critics who found the lyrics to be clever and its music catchy.
"Palomita Blanca" is a song by Dominican Republic singer-songwriter Juan Luis Guerra and his band 4-40 from his eighth studio album, Ni Es lo Mismo Ni Es Igual (1998). As with the rest of the album, the song was written and produced by Guerra. The song was released as the second single from the album in March 1999 by Karen Records. It is a bachata acoustic ballad about a man who is immensely in love with a woman and refuses to let her go.
"El Niágara en Bicicleta" is a song by Dominican Republic singer-songwriter Juan Luis Guerra and his band 4-40 from his eighth studio album, Ni Es lo Mismo Ni Es Igual (1998). The song was written and produced by Guerra. It was released as the third single from the album in 1999 by Karen Records. A merengue rap song, it sees the protagonist finding himself in a hospital that is in poor condition, based on Guerra's experience in one. The song received positive reactions from three music critics, who praised who praise its music and social conscious lyrics.
Grandes Éxitos de Juan Luis Guerra y 440 or simply Grandes Éxitos is a compilation album of Dominican singer-songwriter Juan Luis Guerra, and his band 440 released in July 1995 by Karem Records. It contained Guerra's fifteen biggest hits from 1988 to 1994 on the original version and from the albums Mudanza y Acarreo(1985) to Fogarate! (1994) on the international versions. The compilation receive positive reviews by the critics.
Todo Tiene Su Hora is the 13th studio album by Dominican singer-songwriter Juan Luis Guerra and his band 4.40. It was released on November 11, 2014, by Capitol Latin and was produced by Juan Luis Guerra & Janina Rosado. Like his previous albums, the album is composed by variety of tropical music genres such as bachata, merengue, salsa and son but with different instrumentation normally used in classical music such as strings and violins. Guerra described the album as "innovative" and explored lyrics raging from love and romance to social conscience and protest against political corruption. The record encompassed elements of funk and jazz with merengue and classical music with bachata.
Vicente García Guillén is a Dominican musician, singer and composer. He is the former lead singer of the Dominican alternative rock band Calor Urbano, which he left in 2010 to pursue a solo career. Garcia has collaborated in concerts with renowned artists such as Juan Luis Guerra, Alejandro Sanz, Cultura Profetica, Juanes, Ximena Sariñana and Maná among others. He has won four Latin Grammy awards including Best New Artist in 2017.
Literal is the 14th studio album by Dominican singer, songwriter and producer Juan Luis Guerra. It was released on 31 May 2019 by Universal Music Latin. Written and produced by Juan Luis Guerra, the album contains eleven tracks and encompasses a variety of tropical genres, such as bachata, merengue, salsa and son along with influences from jazz, gospel, rock and Dominican folk music. The album was co-produced by Guerra's longtime collaboration and musical director Janina Rosado. It has lyrics about romance, love, nostalgia, moving on and protest against corruption.
"El Costo de la Vida" is a song by Dominican Republic singer-songwriter Juan Luis Guerra from his sixth studio album, Areíto (1992). The song was released as the album's third single in 1992 by Karen Records. It is a Spanish-language adaptation of soukous song "Kimia Eve" composed by Diblo Dibala. The song features Dibala on the guitar and is performed by Guerra as a merengue number. The lyrics to the song provides a social commentary to the rising cost of living, while Guerra denounces the dislevel of socioeconomics as well as political corruptions in Latin America. Guerra also references the racial identities of Latin America.
Prive is the first EP by the Dominican artist Juan Luis Guerra. It was released on December 25, 2020, and was distributed Universal Music Latin. It consisted in three new versions of Guerra's previous hits Las Avispas, Ojalá Que Llueva Cafe and Pedir Su Mano with acoustic arrangements and two new songs, Pambiche Pa` Mi Novia which was the lead single and "Donde Naces Tus Besos". The EP production consisted in an intimate sound based and oriented on Son and a slow version of merengue called Pambiche and with elements of jazz, blues, bossa nova and classical music along with the use of instruments piano, guitar, guira, vibraphone and saxophone. Privé was produced by Juan Luis Guerra and co-produced by his longtime arranger Janina Rosado.
Entre Mar y Palmeras is the second live album of the Dominican artist Juan Luis Guerra and 4.40. It was released on June 18, 2022 along with special concert, an open-air and audience-free concert, broadcast by HBO special, premiere on June 3, 2021, performing the songs and was recorded at the Esmeralda Beach, Miches in the Dominican Republic. It contains 16 live versions of hits and was directed by Guerra's oldest son, Jean Guerra. The album won Best Long Form Music Video at the 22nd Annual Latin Grammy Awards and Best Merengue/Bachata Album at the 23rd Annual Latin Grammy Awards. Also, it was nominated for Album of the year at the 2022 Lo Nuestro Awards.
Señales de Humo is the second single of Juan Luis Guerra sixth studio album Areito (1992). The track is divided in two parts: The first part is a bachata and the second one the rhythm transformed to Mambo with elements of son and salsa. The title made reference of the communication that the indigenous use between vast and unpopulated areas and that are made by bonfires. The song met with critical acclaim and won Song of The Year at the 1994`s BMI Latin Awards. The track was a great success in Latin America and Billboard US Latin charts. The track was included on Guerra`s compilation album Colección Romantica (2001).
El Beso de la Ciguatera is a song by Dominican Republic singer-songwriter Juan Luis Guerra released as the third single for his album Fogarate (1994) with the collaboration of Diblo Dibala. The song was released in January 23, 1995 by Karen Records. The track encompasses merengue with soukus. The song was a recipient of a Broadcast Music, Inc. (BMI) Latin Award in 1996. Commercially, it reached the top ten on the Billboard Hot Latin Songs and Tropical Airplay charts in the United States. It also received moderate airplay in Europe.