"Palomita Blanca" | ||||
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Single by Juan Luis Guerra and 4–40 | ||||
from the album Ni Es lo Mismo Ni Es Igual | ||||
Released | March 1999 | |||
Genre | Bachata | |||
Length | 3:44 | |||
Label | Karen | |||
Songwriter(s) | Juan Luis Guerra | |||
Producer(s) | Juan Luis Guerra | |||
Juan Luis Guerra and 4–40 singles chronology | ||||
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Music video | ||||
"Palomita Blanca" on YouTube |
"Palomita Blanca" (transl. "Little White Dove") [1] is a song by Dominican Republic singer-songwriter Juan Luis Guerra and his band 4-40 from his eighth studio album, Ni Es lo Mismo Ni Es Igual (1998). As with the rest of the album, the song was written and produced by Guerra. The song was released as the second single from the album in March 1999 by Karen Records. It is a bachata acoustic ballad about a man who is immensely in love with a woman and refuses to let her go.
"Palomita Blanca" received positive reactions from music critics, with one reviewer praising the usage of the mandolin. The song was a recipient of a Broadcast Music, Inc. (BMI) Latin Award in 2000. Commercially, it topped both the Billboard Hot Latin Songs and Tropical Airplay charts in the United States. The accompanying music video was filmed in the Dominican Republic and directed by Pey Guzmán. In the video, Guerra sings with his guitar while a couple reunites with each other.
In 1994, Guerra released his seventh studio album Fogaraté , a record consisting of soukous-influenced merengue and merengue típico. [2] Following its release, he took a three year hiatus from recording, citing the need to take a break. "If artists lack something, it is peace. I needed to rest to find it and I found it in the figure of Jesus Christ. I called him through prayer and received his answer", Guerra stated. [3] During the singer's hiatus, Guerra launched his own business as a director in the Dominican Republic for Mango TV and Viva FM station. [3] On 29 October 1997, an editor for La Opinión reported that the artist had started working on a new album in Miami and he said: "I'm making "I'm making a decent album, that people like. I know the wait has been a bit long, but I'm almost sure that when the public has my new production in their hands, they will better understand why I've lasted that long without recording." [4] In February the following year, Guerra gave an update on the progress, stating the disc would have 10 to 12 tracks including merengues, bachata, ballads, and a salsa, revealing it would be released later in 1998. [5]
However in June 1998, Guerra was not satisfied with the material he recorded and decided to further record. [6] Five months later, Bienvenido Rodríguez, president of Guerra's label Karen Records, revealed that the singer had wrapped up the album's production and that it would still contain the genres he announced. [7] The record's name, Ni Es Lo Mismo, Ni Es Igual, was announced on 14 November 1998, and released on 15 December of the same year. [8] [9] Guerra wrote and produced all the tracks in the album including "Palomita Blanca". [8] [10] "Palomita Blanca" is a "mellow, acoustic-leaning" bachata ballad that utilizes a mandolin and addresses the "vicissitudes of a man who refuses to lose the woman to whom he professes intense love". [11] [12] [13]
"Palomita Blanca" was released as the second single from Ni Es lo Ni Es Igual in March 1999 by Karen Records. [12] The song was later included on Guerra's compilation album Colección Romantica (2000). [14] The music video for the track was filmed in the Dominican Republic and directed by Pey Guzmán. As with the lyrics, its synopsis is about a man who refuses to let a woman he loves profoundly to leave. [12] The video alternates between Guerra playing with his guitar and a couple who "ultimately reunites to fulfill their love for each other". [1]
An editor for La Prensa San Diego called the song a "beautiful bachata" that the singer "performs excellently and brings a musical innovation to that genre" and lauded the usage of the mandolin. [11] Cary Darling of the Orange County Register "referred to it as one of the "charmer" ballads from the album alongside "Testimonio". [15] Similarly, El Norte critic Deborah Davis cited both songs along with "Amor de Conuco" as one of the record's "moving, delicate and finely composed romantic pieces". [16] The Hispanic magazine contributor Mark Holston felt that the track "recalls Guerra's hits of the midnineties". [17]
"Palomita Blanca" was acknowledged as an award-winning song at the 2000 BMI Latin Awards. [18] Commercially, "Palomita Blanca" topped the Billboard Hot Latin Songs and Tropical Airplay charts in the United States; it became Guerra's third and second number one on the charts, respectively. [19] [20] The song ranked number 32 on the Hot Latin Songs year-end chart. [21]
Weekly charts
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Juan Luis Guerra Seijas is a Dominican musician, singer, composer, and record producer. Throughout his career, he has won numerous awards including 24 Latin Grammy Awards, three Grammy Awards, and one Latin Billboard Music Award. He won 3 Latin Grammy Awards in 2010, including Album of the Year. In 2012, he won the Latin Grammy Award for Producer of the Year. He has sold 15 million records worldwide, making him one of the best-selling Latin music artists.
Monchy & Alexandra were a bachata musical group from the Dominican Republic. They sang together as a duo beginning in 1998. Their first big hit was "Hoja en Blanco (song)", which they released in 1999. Since then, they had many other hits, such as "Hasta El Fin" and "Perdidos", both from their 2004 album Hasta el Fin, as well as "No Es Una Novela" from their 2006 Éxitos y Más album. They have been often credited with being instrumental in popularizing bachata music outside of the Dominican Republic.
Mexican recording artist Luis Miguel has released 21 studio albums, 30 compilation albums, three extended plays (EP) two live albums, two soundtrack albums and five box set. Luis Miguel has sold over 60 million records, making him one of the best-selling Latin music artists of all time. Luis Miguel is also the artist with the second-most number ones on the Billboard Top Latin Albums chart with nine albums. At the age of 11, he released his debut studio album, Un Sol (1982), which was certified platinum and gold in Mexico. The artist would release four more studio albums under the record label EMI: Directo al Corazón (1982), Decídete (1983), También es Rock (1984), and Palabra de Honor (1984). A Portuguese-language version of Decídete and Palabra de Honor were released in Brazil as Decide Amor and Meu Sonho Perdido, respectively. Luis Miguel made his acting debut in the film as the lead role on Ya nunca más (1984) and recorded its soundtrack. In 1985, he participated in the Sanremo Music Festival 1985 with the song "Noi ragazzi di oggi"; it placed second in the Big Artist category and was later included on the Italian-language edition of Palabra de Honor. In the same year, Luis Miguel recorded the soundtrack for the film Fiebre de amor, which he co-starred with fellow Mexican singer Lucero.
Para Ti is the ninth studio album by singer-songwriter Juan Luis Guerra and his band 4.40. It was released on August 31, 2004, by Vene Music and distributed by Universal Latin Music. It was his first studio album in six years since Ni es lo mismo ni es igual (1998) and is his first Christian-gospel inspired album. The lyrics are inspired by his conversion to Christianity and his experience of being a born again Christian. The album explores music genres from gospel and ballads to the salsa and merengue. The album was supported by the release of three official singles: "Para Ti", "Las Avispas" and "Dinteles".
Ni Es lo Mismo Ni Es Igual is the eighth studio album recorded by Dominican singer-songwriter Juan Luis Guerra and his backup vocals 4–40. It was released by Karen Records on 15 December 1998 and distributed by PolyGram Latino. It was Guerra's comeback album after four years of silence, out of the public eye and since his conversion to Christianity. It was his first studio album since Fogarate (1994). The album production and songwriting were done by Guerra. The album was supported by the release of four official singles: "Mi PC", "Palomita Blanca", "El Niagara en Bicicleta" and "La Hormiguita". Two singles were released as promotional singles: "Vale La Pena" and "Quisiera".
Nada Es Igual is the eleventh studio album by Mexican recording artist Luis Miguel. It was released by WEA Latina on 20 August 1996. The album has a musical style similar to his previous pop album Aries (1993) on which Miguel performs power ballads and R&B tunes. Recording took place at the Record Plant Studios in February 1996, with production handled by Miguel and his longtime associate Kiko Cibrian. Its songwriting was assisted by Cibrian, Rudy Pérez, and Alejandro Lerner. The album was promoted by three singles: "Dame", "Cómo Es Posible Que a Mi Lado", and "Que Tú Te Vas"; the former became the most successful single reaching number two and number one on the Billboard Hot Latin Songs and Latin Pop Songs charts, respectively. To further promote the recording, Miguel launched the Tour America 1996 where he performed in several South American countries.
The 1st Annual Latin Grammy Awards were held in Los Angeles at the Staples Center on Wednesday, September 13, 2000. The big winners were Luis Miguel, Santana and Maná with 3 awards; Juan Luis Guerra, Shakira, Fito Páez and Emilio Estefan Jr. received 2 awards each.
Bachata Rosa is the fifth studio album by Dominican singer-songwriter Juan Luis Guerra and his group 4.40. It was released on 11 December 1990, by Karen Records. It brought bachata music into the mainstream in the Dominican Republic and gave the genre an international audience. A Portuguese version of the record was released in 1992 under the title Romance Rosa; it was certified gold in Brazil. The album received a Grammy Award for Best Tropical Latin Album and two Lo Nuestro Awards for Tropical Album of the Year and Tropical Group of the Year.
Ojalá Que Llueva Café is the fourth studio album by Dominican singer-songwriter Juan Luis Guerra released in 1989 by Karen Records. It is considered one of his most emblematic and important albums. The album set the musical path for his later albums, re-formulating Dominican merengue and bachata music through the contemporary elements of pop, rock, salsa, or jazz. Incorporating socially conscious lyrics with danceable merengues and romantic-poetic bachatas, the album is considered one of the most important albums of his discography.
Fogaraté! is the seventh album of the famous Dominican songwriter and musician Juan Luis Guerra. It was released on July 19, 1994. The album mixed a variety of music genres including rural and folkloric roots of merengue called "Perico Ripao" with elements of African soukus music and Tropical Music such as Reggae with the collaboration of African guitarist Diblo Dibala and Dominican accordionist Francisco Ulloa, along with Son, Bachata and Salsa. Also, the album features a particular, bachata-styled adaptation of the Lacrimosa movement from Mozart's Requiem Mass in D Minor and Guerra's first song fully in English "July 19". Exploring lyrics and themes about magical realism of Latin American literature and commenting on the politics of the Caribbean, for many fans and critics, Fogaraté! is one of his most musically complex album.
Areíto is the sixth album by Juan Luis Guerra with his band 440, released on 8 December 1992, by Karem Records. The album, meant to be a tribute to the indigenous tribes of the Dominican Republic, is named after a dance that the aboriginal inhabitants of the Greater Antilles (Taínos) accompanied with songs during their festivals and religious rites. The album contains twelve tracks including "Cuando te Beso", interpret by Santo Domingo Philharmonic Orchestra. Congolese musician Diblo Dibala played guitar on the song "El Costo de la Vida", which was a Spanish cover of his own soukous song "Kimia Eve", while the last track on the album, "Naboria daca, mayanimacaná", is sung in Arawak, the language of the Taíno people. Areíto was originally set to be released in early April 1992, but was first delayed to the end of October 1992 and was finally released on 8 December 1992.
A Son de Guerra, sometimes referred to as Asondeguerra, is the 11th studio album recorded by Dominican singer-songwriter Juan Luis Guerra, It was released by Capitol Latin on June 8, 2010. The album contains 11 tracks, and its musical structure and production are based on Merengue, Bachata, Son, Salsa, experimenting and incorporating elements of jazz, blues, funk, cumbia, rock, reggae, rap, and mambo. Lyrical themes on the album include protest against political corruption, immigration, love and romance. Featured appearances include Juanes and Chris Botti. For many fans and critics alike, it's his album with the most social content and strong social criticism since his 1992's Areito.
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"El Niágara en Bicicleta" is a song by Dominican Republic singer-songwriter Juan Luis Guerra and his band 4-40 from his eighth studio album, Ni Es lo Mismo Ni Es Igual (1998). The song was written and produced by Guerra. It was released as the third single from the album in 1999 by Karen Records. A merengue rap song, it sees the protagonist finding himself in a hospital that is in poor condition, based on Guerra's experience in one. The song received positive reactions from three music critics, who praised who praise its music and social conscious lyrics.
The Latin Grammy Award for Best Engineered Album is given every year since the 1st Latin Grammy Awards ceremony in 2000 which took place at the Staples Center in Los Angeles, California. The first winner in the category was Juan Luis Guerra's Ni Es Lo Mismo Ni Es Igual, with Carlos Álvarez, Mike Couzzi, Bolívar Gómez, Miguel Hernández, Luis Mansilla, Carlos Ordehl, Eric Ramos, July Ruiz and Eric Schilling receiving the award.
Grandes Éxitos de Juan Luis Guerra y 440 or simply Grandes Éxitos is a compilation album of Dominican singer-songwriter Juan Luis Guerra, and his band 440 released in July 1995 by Karem Records. It contained Guerra's fifteen biggest hits from 1988 to 1994 on the original version and from the albums Mudanza y Acarreo(1985) to Fogarate! (1994) on the international versions. The compilation receive positive reviews by the critics.
The Dominican singer, songwriter and producer Juan Luis Guerra has released 14 studio albums, two live albums and forty-eight singles. He is one of the best selling Latin artist of all time with more 30 millions of records worldwide. He made his debut with his first studio album Soplando, released in 1984. He later released his second studio album in 1985, Mundanza y Acarreo which was his first national success and marked his first entry at the US Billboard Charts at number seventeen on Billboard Tropical Charts. In 1987, his third studio album Mientras Más Lo Pienso...Tú become his first work to gain international attention in countries such as Venezuela and Puerto Rico. Between this last two albums, it sold over two million copies worldwide.
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"El Costo de la Vida" is a song by Dominican Republic singer-songwriter Juan Luis Guerra from his sixth studio album, Areíto (1992). The song was released as the album's third single in 1992 by Karen Records. It is a Spanish-language adaptation of soukous song "Kimia Eve" composed by Diblo Dibala. The song features Dibala on the guitar and is performed by Guerra as a merengue number. The lyrics to the song provides a social commentary to the rising cost of living, while Guerra denounces the dislevel of socioeconomics as well as political corruptions in Latin America. Guerra also references the racial identities of Latin America.