Para Ti | ||||
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Studio album by | ||||
Released | August 31, 2004 | |||
Recorded | 2003–2004 | |||
Studio |
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Genre | Merengue, Christian, salsa | |||
Length | 42:19 | |||
Label | Vene Music | |||
Juan Luis Guerra chronology | ||||
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Singles from Para Ti | ||||
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Para Ti (transl. For You) is the ninth studio album by singer-songwriter Juan Luis Guerra and his band 4.40. It was released on August 31, 2004, by Vene Music and distributed by Universal Latin Music. It was his first studio album in six years since Ni es lo mismo ni es igual (1998) and is his first Christian-gospel inspired album. The lyrics are inspired by his conversion to Christianity and his experience of being a born again Christian. [1] The album explores music genres from gospel and ballads to the salsa and merengue. The album was supported by the release of three official singles: "Para Ti", "Las Avispas" and "Dinteles".
Para Ti received positive reviews from both critics and fans and won two awards at the 6th Annual Latin Grammy Awards, Best Christian Album (Spanish Language) and Best Tropical Song for "Las Avispas". [2] It was awarded Tropical Album Of The Year, Male, and Latin Christian/Gospel Album Of The Year at the 2005 Latin Billboard Music Awards. Guerra was awarded the Spirit Of Hope for his philanthropic work in the Dominican Republic. [3] [4]
Para Ti was a commercial success in Latin America and was certified gold and platinum in Argentina, Colombia, Venezuela and Central America. In the United States, it debuted at number 2 on Billboard Top Latin Album and was his first album to debut inside the Billboard 200 at number 110. It remained the top-selling album on the US tropical album charts for seven weeks and was certified triple platinum by the RIAA (Latin Field) for 300,000 shipments in the United States. It sold 98,000 copies worldwide within two days of release and sold half a million copies worldwide.To promote the Album, Guerra embarked on Tour 20 años, his first tour since Areito Tour in 1993. The tour visited many countries including the United States, Italy, Denmark, Spain, Holland and closed with a concert in Santo Domingo, Dominican Republic. [5] [6] [7]
Following the release of Guerra's seventh studio album, Fogarate (1994), Guerra decided to retire because of stress and personal issues.[ citation needed ] In 1996, he converted to Christianity. [8] In 1998, on the track "Testimonio", included on the tracklist of the album Ni es lo mismo ni es igual , Guerra described how his life changed since his conversion. In 2003, he performed at the closing ceremony at the 2003 Pan American Games in Santo Domingo, his first performance in the country since his show in 1999 at Altos de Chavon. [9] In February 2004, it was confirmed by the press that Guerra was going to release an album called Para Ti and it was a Christian-inspired album. [10] On July 15, 2004, Guerra signed a one-off contract with Vene Music to release the album. He remained signed to his long time indie-label Karen Records. [11] [12]
Review scores | |
---|---|
Source | Rating |
Allmusic | [13] |
Para Ti received positive reviews from critics. Jenny Gage from Allmusic gave the album three and half stars out of five. She said "Para Ti is bound to make all but the most stalwartly areligious feel a whole lot better. Aside from a couple of isolated missteps involving a culturally displaced gospel choir and what sounds suspiciously like a wind machine, these are great songs, as danceable as they are devotional". [14] The album received two awards at the 6th Annual Latin Grammy Awards, for Best Christian Album (Spanish Language) and Best Tropical Song for "Las Avispas". [15] In 2005 Guerra was the most nominated artist for the 2005 Casandra Awards. [16] He was awarded Best International Artist and Merengue of the Year for "Las Avispas". [17]
In the United States, the album debuted at number 110 at the Billboard 200, Guerra's first album to debut inside the chart, and sold 10,000 copies in the first week. [18] Its debut at number 2 of US Billboard Latin Albums was the highest debut for a Christian album on that chart.[ citation needed ] Four weeks later, Para Ti remained at the top five, an anomaly for an album whose content - a mix of praise and worship, gospel and inspirational music - is profoundly devotional. It topped the Tropical Albums charts for seven consecutive weeks and was the sixth best-selling tropical album of 2004. [19] [20] It was certified platinum three times (Latin field) by the RIAA for shipping 300,000 copies in the United States. In Latin America, the album reached the Top 10 in Argentina and was certified gold for selling over 20,000 copies. In Dominican Republic, it topped the charts and was the best-selling album of 2004 despite piracy. [21] It was certified platinum in Venezuela and Gold in Central America and Colombia. In Spain, the album peaked at number 41 and sold over 20,000 copies. Worldwide, Para Ti sold more copies than Bachata Rosa in the first week. [22] In total it sold half a million copies worldwide. [23]
All tracks are written by Juan Luis Guerra
No. | Title | Length |
---|---|---|
1. | "Soldado" | 3:55 |
2. | "Eres" | 3:26 |
3. | "Los Dinteles" | 3:38 |
4. | "Gloria" | 4:50 |
5. | "Mi Padre Me Ama" | 4:09 |
6. | "Las Avispas" | 3:18 |
7. | "Tan Solo He Venido" | 4:10 |
8. | "Para Ti" | 3:43 |
9. | "Extiende Tu Mano" | 4:13 |
10. | "Aleluya" | 2:26 |
11. | "Canción de Sanidad" | 4:38 |
Total length: | 42:19 |
Chart (2004) | Peak position |
---|---|
Argentina Albums Chart [24] | 9 |
Dominican Republic Albums Chart [25] | 1 |
Spanish Albums (PROMUSICAE) [26] | 41 |
US Billboard 200 [27] | 110 |
US Top Latin Albums (Billboard) [28] | 2 |
US Tropical Albums (Billboard) [29] | 1 |
US Top Heatseekers (Billboard) [30] | 3 |
Venezuela Albums Chart | 7 |
Region | Certification | Certified units/sales |
---|---|---|
Argentina (CAPIF) [31] | Gold | 20,000^ |
Central America (CFC) [32] | Gold | |
Colombia [33] | Gold | |
Dominican Republic | — | 4,192 [34] |
Spain | — | 20,000 [35] |
United States (RIAA) [36] | 3× Platinum (Latin) | 300,000^ |
Venezuela [37] | Platinum | |
^ Shipments figures based on certification alone. |
Juan Luis Guerra Seijas is a Dominican musician, singer, composer, and record producer. Throughout his career, he has won numerous awards including 28 Latin Grammy Awards, three Grammy Awards, and one Latin Billboard Music Award. He won 3 Latin Grammy Awards in 2010, including Album of the Year. In 2012, he won the Latin Grammy Award for Producer of the Year. He has sold 15 million records worldwide, making him one of the best-selling Latin music artists.
Ni Es lo Mismo, Ni Es Igual is the eighth studio album recorded by Dominican singer-songwriter Juan Luis Guerra and his band 4.40. It was released by Karen Records on 15 December 1998 and distributed by PolyGram Latino. It was Guerra's comeback album after four years of silence, out of the public eye and since his conversion to Christianity. It was his first studio album since Fogarate (1994). The album production and songwriting were done by Guerra. The album was supported by the release of four official singles: "Mi PC", "Palomita Blanca", "El Niagara en Bicicleta" and "La Hormiguita". Two singles were released as promotional singles: "Vale La Pena" and "Quisiera".
Frank Reyes is a Dominican singer. Known as the Prince of Bachata, he is regarded as one of the best known bachata artists of all time and famous throughout Latin America. He is a 7 time Bachata Artist of the Year winner at the Soberano Awards, making him the most awarded artist in that category. He is known for hits like "Vine a Decirte Adios", "Con el Amor No Se Juega", "Tu Eres Ajena", "Nada De Nada", "Quién Eres Tu", "Princesa", "Amor a Distancia", "Decidí", among others.
La Llave de Mi Corazón is the 10th studio album recorded by Dominican singer-songwriter Juan Luis Guerra, It was released by EMI Televisa Music on March 20, 2007. It was Guerra's first album to contain songs in English since his 1994 recording of Fogarate. The album contains fusions of mambo and tropical rhythms that Guerra himself defined as "Mambo merengue". Its production and musical structure of album is based on merengue, bachata and salsa and encompasses elements of Blues, Son, Jazz, Mambo and Bossa Nova. The album was written, arranged and produced by Juan Luis Guerra and according to the artist is his most romantic album. It is composed of four merengues, two bachatas, three romantic songs and two salsas.
Bachata Rosa is the fifth studio album by Dominican singer-songwriter Juan Luis Guerra and his group 4.40. It was released on 11 December 1990, by Karen Records. It brought bachata music into the mainstream in the Dominican Republic and gave the genre an international audience. A Portuguese version of the record was released in 1992 under the title Romance Rosa; it was certified gold in Brazil. The album received a Grammy Award for Best Tropical Latin Album and two Lo Nuestro Awards for Tropical Album of the Year and Tropical Group of the Year.
Ojalá Que Llueva Café is the fourth studio album by Dominican singer-songwriter Juan Luis Guerra released in 1989 by Karen Records. It is considered one of his most emblematic and important albums. The album set the musical path for his later albums, re-formulating Dominican merengue and bachata music through the contemporary elements of pop, rock, salsa, or jazz. Incorporating socially conscious lyrics with danceable merengues and romantic-poetic bachatas, the album is considered one of the most important albums of his discography.
Fogaraté! is the seventh album of the famous Dominican songwriter and musician Juan Luis Guerra. It was released on July 19, 1994. The album mixed a variety of music genres including rural and folkloric roots of merengue called "Perico Ripao" with elements of African soukus music and Tropical Music such as Reggae with the collaboration of African guitarist Diblo Dibala and Dominican accordionist Francisco Ulloa, along with Son, Bachata and Salsa. Also, the album features a particular, bachata-styled adaptation of the Lacrimosa movement from Mozart's Requiem Mass in D Minor and Guerra's first song fully in English "July 19". Exploring lyrics and themes about magical realism of Latin American literature and commenting on the politics of the Caribbean, for many fans and critics, Fogaraté! is one of his most musically complex album.
A Son de Guerra, sometimes referred to as Asondeguerra, is the 11th studio album recorded by Dominican singer-songwriter Juan Luis Guerra, It was released by Capitol Latin on June 8, 2010. The album contains 11 tracks, and its musical structure and production are based on Merengue, Bachata, Son, Salsa, experimenting and incorporating elements of jazz, blues, funk, cumbia, rock, reggae, rap, and mambo. Lyrical themes on the album include protest against political corruption, immigration, love and romance. Featured appearances include Juanes and Chris Botti. For many fans and critics alike, it's his album with the most social content and strong social criticism since his 1992's Areito.
"Mi PC" is a song by Dominican Republic singer-songwriter Juan Luis Guerra and his band 4-40 from his eighth studio album, Ni Es lo Mismo Ni Es Igual (1998). The song was released as the lead single from the album in November 1998 by Karen Records. The song was written and produced by Guerra. It is a pop merengue track in which Guerra uses computer terminology to narrate a love story. "Mi PC" was met with positive reactions from music critics who found the lyrics to be clever and its music catchy.
"Palomita Blanca" is a song by Dominican Republic singer-songwriter Juan Luis Guerra and his band 4-40 from his eighth studio album, Ni Es lo Mismo Ni Es Igual (1998). As with the rest of the album, the song was written and produced by Guerra. The song was released as the second single from the album in March 1999 by Karen Records. It is a bachata acoustic ballad about a man who is immensely in love with a woman and refuses to let her go.
"El Niágara en Bicicleta" is a song by Dominican Republic singer-songwriter Juan Luis Guerra and his band 4-40 from his eighth studio album, Ni Es lo Mismo Ni Es Igual (1998). The song was written and produced by Guerra. It was released as the third single from the album in 1999 by Karen Records. A merengue rap song, it sees the protagonist finding himself in a hospital that is in poor condition, based on Guerra's experience in one. The song received positive reactions from three music critics, who praised who praised its music and socially conscious lyrics.
Lágrimas Cálidas is the debut studio album by Colombian recording artist Fanny Lu, released on August 8, 2006. The record contains ten tracks, most of which were composed by Jose Gaviria, and produced with Andres Munera. Musically, the album experiments with tropipop, which is composed of the genres of vallenato, merengue, and pop music. Recording for the album took place in 2004 in three cities: Miami, Bogota and Medellin. An international version of the album, containing two remixes, was released exclusively in United States, Spain and Colombia.
Colección Romántica is a compilation album by Dominican songwriter and musician Juan Luis Guerra and 4.40. It was released in November 21, 2000 and February 6, 2001 in the United States by Karen Records.It is a dual album compilation including 20 of the group's classic songs remastered and re-recorded as ballads. The album also contained unaltered original versions of their softer songs, like acoustic ballads or bachatas. It would become Guerra's last album released under the Dominican independent music label Karen Records, as his later albums would be released under Vene Music and subsequently under EMI music and Capitol Latin.
Todo Tiene Su Hora is the 13th studio album by Dominican singer-songwriter Juan Luis Guerra and his band 4.40. It was released on November 11, 2014, by Capitol Latin and was produced by Juan Luis Guerra & Janina Rosado. Like his previous albums, the album is composed by variety of tropical music genres such as bachata, merengue, salsa and son but with different instrumentation normally used in classical music such as strings and violins. Guerra described the album as "innovative" and explored lyrics raging from love and romance to social conscience and protest against political corruption. The record encompassed elements of funk and jazz with merengue and classical music with bachata.
The Dominican singer, songwriter and producer Juan Luis Guerra has released 14 studio albums, two live albums and forty-eight singles. He is one of the best selling Latin artist of all time with more 30 millions of records worldwide. He made his debut with his first studio album Soplando, released in 1984. He later released his second studio album in 1985, Mundanza y Acarreo which was his first national success and marked his first entry at the US Billboard Charts at number seventeen on Billboard Tropical Charts. In 1987, his third studio album Mientras Más Lo Pienso...Tú become his first work to gain international attention in countries such as Venezuela and Puerto Rico. Between this last two albums, it sold over two million copies worldwide.
Colección Cristiana is the 12th album by Dominican songwriter and musician Juan Luis Guerra, released on February 28, 2012. It is also his first Christian album since 2004's Para Ti.
Literal is the 14th studio album by Dominican singer, songwriter and producer Juan Luis Guerra. It was released on 31 May 2019 by Universal Music Latin. Written and produced by Juan Luis Guerra, the album contains eleven tracks and encompasses a variety of tropical genres, such as bachata, merengue, salsa and son along with influences from jazz, gospel, rock and Dominican folk music. The album was co-produced by Guerra's longtime collaboration and musical director Janina Rosado. It has lyrics about romance, love, nostalgia, moving on and protest against corruption.
"El Costo de la Vida" is a song by Dominican Republic singer-songwriter Juan Luis Guerra from his sixth studio album, Areíto (1992). The song was released as the album's third single in 1992 by Karen Records. It is a Spanish-language adaptation of soukous song "Kimia Eve" composed by Diblo Dibala. The song features Dibala on the guitar and is performed by Guerra as a merengue number. The lyrics to the song provides a social commentary to the rising cost of living, while Guerra denounces the dislevel of socioeconomics as well as political corruptions in Latin America. Guerra also references the racial identities of Latin America.
Entre Mar y Palmeras is the second live album of the Dominican artist Juan Luis Guerra and 4.40. It was released on June 18, 2022 along with special concert, an open-air and audience-free concert, broadcast by HBO special, premiere on June 3, 2021, performing the songs and was recorded at the Esmeralda Beach, Miches in the Dominican Republic. It contains 16 live versions of hits and was directed by Guerra's oldest son, Jean Guerra. The album won Best Long Form Music Video at the 22nd Annual Latin Grammy Awards and Best Merengue/Bachata Album at the 23rd Annual Latin Grammy Awards. Also, it was nominated for Album of the year at the 2022 Lo Nuestro Awards.
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