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Entre a Mi Mundo is the third studio album by American singer Selena, released on May 6, 1992, by EMI Latin. The label endeavored to bolster Selena's popularity within the Latin music market in the United States with this release. A. B. Quintanilla sustained his role as the singer's producer and, in collaboration with Selena y Los Dinos members Pete Astudillo and Ricky Vela, composed tracks for the album. The ensuing recording encompassed an eclectic array of songs, attributable to the members' diverse backgrounds, which facilitated the modernization of the sundry genres they explored. Entre a Mi Mundo is a Tejano cumbia album that encapsulated Selena's quintessential sound, characterized by engaging tunes harmonized with her distinctive, plaintive vocals and a relaxed, danceable cumbia beat. The album incorporates musical inspirations from power pop, R&B, disco, rock, funk, and synthesized Tejano music.
Para Ti is the ninth studio album by singer-songwriter Juan Luis Guerra and his band 4.40. It was released on August 31, 2004, by Vene Music and distributed by Universal Latin Music. It was his first studio album in six years since Ni es lo mismo ni es igual (1998) and is his first Christian-gospel inspired album. The lyrics are inspired by his conversion to Christianity and his experience of been a born again Christian. The album explores music genres from gospel and ballads to the salsa and merengue. The album was supported by the release of three official singles: "Para Ti", "Las Avispas" and "Dinteles".
Aries is the ninth studio album by Mexican recording artist Luis Miguel. It was released by WEA Latina on 22 June 1993. After attaining commercial success in 1991 with his previous album, Romance, Luis Miguel decided to return to a style similar to his earlier work, featuring pop ballads and dance numbers with R&B influences. The record was produced by Miguel, who was assisted by Kiko Cibrian, Rudy Pérez, David Foster, and Juan Luis Guerra.
Amarte Es un Placer is the thirteenth studio album by Mexican singer Luis Miguel. It was released by WEA Latina on 13 September 1999. Produced by Miguel, it is a pop album with R&B and jazz influences. Miguel was more involved with the songwriting on this record than on earlier albums and was assisted by composers including Arturo Pérez, Armando Manzanero, and Juan Carlos Calderón. Despite the popularity of his contemporaries Ricky Martin and Enrique Iglesias who crossed over to the English-language market, Miguel preferred to sing and record in Spanish at the time.
"Sol, Arena y Mar" is a song written by Arturo Perez, Francisco Loyo, and Salo Loyo and co-written, produced, and performed by Mexican singer Luis Miguel. It is a horn-driven uptempo pop song with jazz influence which deals with a strained relationship. The song's lyrics were rumored to have been influenced by Miguel's previous relationship with Daisy Fuentes. It was released as the lead single from the album Amarte Es un Placer on 19 July 1999.
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"Con Los Años Que Me Quedan" is a song by Cuban American singer Gloria Estefan from her third studio album, Mi Tierra (1993). The song was written by the artist and her husband Emilio Estefan, with Emilio, Jorge Casas, and Clay Ostwald handling its production. An English-language version titled "If We Were Lovers" was also recorded. It was released as the second single from the album in 1993 by Epic Records. A pop bolero ballad, it speaks of an melancholy lament. The song received positive reactions from music critics, who saw it as one of the best tracks from the album.
"Se Me Olvidó Otra Vez" is a song written and performed by Mexican singer-songwriter Juan Gabriel for his fourth studio album, Juan Gabriel con el Mariachi Vargas de Tecalitlán (1974). The song is a ranchera number that tells of an impossible reunion as the singer forgets he is the only one who loved a woman. It was released as the lead single from the album in 1975. The song has been listed as among Juan Gabriel's best songs according to music critics and was one of the best-performing singles of 1975 in Mexico. Gabriel has re-recorded the song twice, the first for his compilation album, Por Los Siglos (2001), and as a duet with fellow Mexican singer-songwriter Marco Antonio Solís on his 28th studio album, Los Dúo (2015).
"Como la Flor" is a song that was recorded by American singer Selena for her third studio album Entre a Mi Mundo (1992). It was written by A. B. Quintanilla and Pete Astudillo. The song was written by A. B. who was inspired by a family selling illuminated plastic flowers at a concert in Sacramento, California, in 1982. A decade later, A. B. was seized with an infectious melody and abruptly dashed out of the shower in a hotel room in Bryan, Texas, to recreate it on a keyboard with Astudillo. He completed the music in just 20 minutes, while Astudillo took another hour to complete the lyrics. "Como la Flor" is an up-tempo, Tejano cumbia torch song that blends tropical cumbia rhythms with hints of reggae and pop music. Its lyrics describe the feelings of a female protagonist addressing her former lover, who abandoned her for another partner. The narrator is uncertain of her ability to love again, while at the same time, wishing her former partner and his new lover the best.
The 9th annual Billboard Latin Music Awards, which honor the most popular albums, songs, and performers in Latin music, took place May 9 in Miami. Winners are determined by the actual sales and radio airplay data that informs Billboard's weekly charts, including Top Latin Albums, and radio charts, including Hot Latin Tracks, during a one-year period from the issue dated Feb. 17, 2001 through the Feb. 9, 2002, issue.
Fogaraté! is the seventh album of the famous Dominican songwriter and musician Juan Luis Guerra. It was released on July 19, 1994. The album mixed a variety of music genres including rural and flolklroic rots of merengue called "Perico Ripao" with elements of African soukus music and Tropical Music such as Reggae with the collaboration of African guitarist Diblo Dibala and Dominican accordionist Francisco Ulloa, along with Son, Bachata and Salsa. Also, the album features a particular, bachata-styled adaptation of the Lacrimosa movement from Mozart's Requiem Mass in D Minor and Guerra's first song fully in English "July 19". Exploring lyrics and themes about magical realism of Latin American literature and commenting on the politics of the Caribbean, for many fans and critics, Fogaraté! is one of his most musically complex album.
Areíto is the sixth album by Juan Luis Guerra with his band 440, released on 8 December 1992, by Karem Records. The album, meant to be a tribute to the indigenous tribes of the Dominican Republic, is named after a dance that the aboriginal inhabitants of the Greater Antilles (Taínos) accompanied with songs during their festivals and religious rites. The album contains twelve tracks including "Cuando te Beso", interpret by Santo Domingo Philharmonic Orchestra. Congolese musician Diblo Dibala played guitar on the song "El Costo de la Vida", which was a Spanish cover of his own soukous song "Kimia Eve", while the last track on the album, "Naboria daca, mayanimacaná", is sung in Arawak, the language of the Taíno people. Areíto was originally set to be released in early April 1992, but was first delayed to the end of October 1992 and was finally released on 8 December 1992.
"Mi PC" is a song by Dominican Republic singer-songwriter Juan Luis Guerra and his band 4-40 from his eighth studio album, Ni Es lo Mismo Ni Es Igual (1998). The song was released as the lead single from the album in November 1998 by Karen Records. The song was written and produced by Guerra. It is a pop merengue track in which Guerra uses computer terminology to narrate a love story. "Mi PC" was met with positive reactions from music critics who found the lyrics to be clever and its music catchy.
The Dominican singer, songwriter and producer Juan Luis Guerra has released 14 studio albums, two live albums and forty-eight singles. He is one of the best selling Latin artist of all time with more 30 millions of records worldwide. He made his debut with his first studio album Soplando, released in 1984. He later released his second studio album in 1985, Mundanza y Acarreo which was his first national success and marked his first entry at the US Billboard Charts at number seventeen on Billboard Tropical Charts. In 1987, his third studio album Mientras Más Lo Pienso...Tú become his first work to gain international attention in countries such as Venezuela and Puerto Rico. Between this last two albums, it sold over two million copies worldwide.
"Hasta Que Me Olvides" is a song by Mexican singer Luis Miguel from his ninth studio album, Aries (1993). The song was composed by Dominican Republic singer-songwriter Juan Luis Guerra with Miguel and Kiko Cibrian handling the production. It was released as the album's second single in August 1993 by WEA Latina. A sentimental ballad, the song narrates the protagonist who insists on loving his partner until he is forgotten.
"El Costo de la Vida" is a song by Dominican Republic singer-songwriter Juan Luis Guerra from his sixth studio album, Areíto (1992). The song was released as the album's third single in 1992 by Karen Records. It is a Spanish-language adaptation of soukous song "Kimia Eve" composed by Diblo Dibala. The song features Dibala on the guitar and is performed by Guerra as a merengue number. The lyrics to the song provides a social commentary to the rising cost of living, while the artist denounces the dislevel of socioeconomics as well as political corruptions in Latin America. He also references the racial identities of Latin America.
"Bachata Rosa" is a song by Dominican Republic singer-songwriter Juan Luis Guerra released in 1991 and served as the lead seventh and final from his fifth studio album Bachata Rosa (1990). Along with Estrellitas y Duendes and Como Abeja Al Panal, is one of Guerra's first international hits and helped to contribute to the bachata sophistication and have recognition in Latin America and Europe. The track was a commercial success, toping the airplay charts in Mexico and was the fourth single of the album to peak insade of the top 10 at the US Hot Latin Tracks.
"Mal de Amor" is the fourth single from Juan Luis Guerra's sixth studio album Areíto, released in 1993 by Karem Records. The song was written and produced by Guerra. The track encompasses traditional merengue with Cumbia. The song was the fourth consecutive single from the album to reach the top-ten on the Billboard Hot Latin Songs chart in the United States. It also reached the top-ten in Venezuela.
La Cosquillita is the lead single of the seventh studio album Fogarate! by dominican superstar Juan Luis Guerra. It was released on June 21, 1994 by Karen Records. The rural merengue track was written and produced with the Dominican accordionist Francisco Ulloa and his band. About the success of the track, Guerra stated "With the `perico ripiao' we are doing the same thing that we did with the `bachata,' breaking down the barriers that prevent it from reaching all of Dominican society, and then exporting it". The song became Guerra's first number-one hit in his native Dominican Republic; and became a top-ten hit in Spain, Venezuela and the US Hot Latin Songs chart.
"Ayer" (transl. "Yesterday") is a song by Mexican singer Luis Miguel from his ninth studio album, Aries (1993). Miguel and Kiko Cibrian handled the song's production. It was released as the album's lead single on 17 May 1993 by WEA Latina. It is a Spanish-language adaptation of David Foster's instrumental "All That My Heart Can Hold" with lyrics written by Rudy Pérez. A sentimental ballad, the song conveys the singer's pride and pain of his frustrated dreams. Three music videos for the song were filmed at the Longoria Mansion in Mexico City and were nominated for Video of the Year at the Premio Lo Nuestro 1994. The ballad received positive reactions from music critics who favorably compared it to the ballads of his previous studio album, Romance (1991).
References
- ↑ Burr, Ramiro (Dec 30, 1993). "Latino hits range from tropical to Tejano Series: '93 A LOOK BACK: [FINAL Edition]" . Austin American Statesman . GateHouse Media, Inc. p. 12. ProQuest 256329794 – via Proquest.
- ↑ Hilburn, Robert (Feb 19, 1993). "RATING THE RECORDS: [FIVE STAR Edition]" . Los Angeles Times . pp. 04G. ProQuest 303719613 – via Proquest.
- ↑ Juan Luis Guerra 4.40 - Cuando Te Beso (in Spanish), retrieved 2022-06-29
- ↑ "Los Discos Mas Populares de Latinoamerica". h.elsiglodetorreon.com.mx. September 7, 1993. Retrieved 2022-06-24.
- ↑ "Los Discos Mas Populares de Latino America". El Siglo de Torreón . May 3, 1993.
- ↑ Inc, Nielsen Business Media (1994-02-05). Billboard. Nielsen Business Media, Inc.
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