A Son de Guerra | ||||
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Studio album by | ||||
Released | June 8, 2010 | |||
Recorded | 2009–2010 | |||
Studio | JLG Studio (Santo Domingo, Dominican Republic) Ocean Way Recording Studio City Sound (Hollywood, California) | |||
Genre | Merengue · bachata · tropical music | |||
Length | 36:53 | |||
Label | Capitol Latin | |||
Producer | Juan Luis Guerra | |||
Juan Luis Guerra chronology | ||||
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Singles from A Son de Guerra | ||||
A Son de Guerra (transl. To The Beat Of War), sometimes referred to as Asondeguerra, is the 11th studio album recorded by Dominican singer-songwriter Juan Luis Guerra, It was released by Capitol Latin on June 8, 2010 (see 2010 in music). The album contains 11 tracks, and its musical structure and production are based on Merengue, Bachata, Son, Salsa, experimenting and incorporating elements of jazz, blues, funk, cumbia, rock, reggae, rap, and mambo. Lyrical themes on the album include protest against political corruption, immigration, love and romance. Featured appearances include Juanes and Chris Botti. For many fans and critics alike, it's his album with the most social content and strong social criticism since his 1992's Areito.
A Son de Guerra met with positive reviews by critics. It won three awards including Album of the Year on November 11, 2010, at the 11th Annual Latin Grammy Awards and was nominated Best Tropical Latin Album at 53rd Annual Grammy Awards. The album was support by six official singles: Bachata en Fukuoka which won Best Tropical Song at the 11th Latin Grammy Awards, Mi Bendicion, La Guagua, La Calle, Lola`s Bambo and Apaga y Vamonos.
A Son de Guerra debuted at number one on the Billboard Tropical Albums. It remained the top-selling album on the chart for 9 weeks and was certified platinum (Latin field) in the United States by the Recording Industry Association of America (RIAA). It top the charts in Spain and Uruguay and reached the top 10 in Chile, Colombia, Ecuador, Mexico, Peru and Venezuela. It was certified gold and platinum in Mexico and Venezuela. To promote the album, Guerra embarked on the A Son de Guerra World Tour . In 2013, Guerra released A Son de Guerra Tour, recorded live during the tour stop in Santo Domingo the previous year.
By the end of 2009, Guerra concluded his Travesia Tour which he performed in countries such as Japan for the first time. At the end of the tour, the artist stated that he wanted to do something different in comparison to his other works. By 2010, Juan Luis Guerra had sold over 20 million copies worldwide. [4] [5] On March 22, 2010, Guerra released the lead single "Bachata en Fukuoka" and he explained that he got the inspiration of the lyrics during his stop of his previous in the city of the same name in Japan. [6] [7]
On May 25, 2010, Guerra revealed to the press "Perhaps it is the most varied album in terms of musical genres, in others I have made two or three fusions, in this one I have made a deeper mix". Also, it explained first time he mixed seven music genres: bachata, merengue, mambo, jazz, cumbia, son and rock and also that he returned to do social content on his music. [8]
The album contains 11 tracks in total. The opening track "No aparecen" is a romantic merengue. "La Guagua" is a son with elements of cumbia and guracha with a strong with a political message and is a reflection about the poverty and political corruption in Latin America. [9] Mi bendicion is a bachata song that talks about the blessing of been love. "La Calle" feat Juanes, is a rock song with also contains social criticism. "Bachata en Fukuoka" is a romantic bachata song. "Apaga y Vamonos" is a merengue song that contains social criticism and reflects about how the poverty, corruption and poor conditions had stayed the same. [8] "Son del Rey" is Christian song with an infectious Cuban son rhythm. Cayo Arena is a merengue with strong influences of jazz and blues. [10] [11]
"Arregla Los Papeles" is an intricate salsa that talks about immigration. "Lola`s Mambo" is a salsa song with elements of mambo. Caribbean Blues is a Cuban son and is his first English language song since "Medicine for my soul" on his 10th studio album La Llave la de mi corazon. [12]
Review scores | |
---|---|
Source | Rating |
Allmusic | [13] |
A Son de Guerra was one of the most anticipated Latin albums for the summer of 2010. [14] The album was met with positive reviews. Jason Birchmeier of Allmusic gave the album a positive review, and while he felt that "there's nothing extravagant here", he stated that "every song is interesting from one standpoint or another." [13]
At the 11th Latin Grammy Awards the album won three awards: Best Tropical Song, Best Contemporary Tropical Album and Album of the Year. [15] At the 2011 Premio Lo Nuestro, he was the most nominated artist with six. [16] Eventually he won best merengue artist. [17] At the 27th Annual Soberano Awards, previously Casandra awards, Guerra won two awards including album of the year for A Son de Guerra. [18] The album received a nomination for Best Tropical Latin Album at 53rd Annual Grammy Awards.
In the United States, A son de Guerra debuted at number two on the Billboard Top Latin Albums and number one Billboard Tropical Albums on the week of 26 June 2010. Also, It debut at 52 on US Billboard 200 . It was certified platinum (latin field) by the RIAA for shipping 100,000 copies in the United States. [19] In Mexico, the album peaked a number six and was certified gold for selling over 30,000 copies. [20]
In Chile, it peaked at number 7 and number 6 in Colombia at albums retail charts. In Peru, it peaked at number 9 at the albums retail albums charts. In Spain, A son de Guerra debuted at number one on the albums charts. [21] In Uruguay, the album debuted at number one at the album monthly charts. In Ecuador, the album reached number 5 on the retail charts and sold over 5,000 copies. In Venezuela, it reached number 2 at the albums retail charts and was certified platinum.[ citation needed ]
All tracks are written by Juan Luis Guerra
No. | Title | Length |
---|---|---|
1. | "No Aparecen" | 3:16 |
2. | "La Guagua" | 3:23 |
3. | "Mi Bendición" | 3:08 |
4. | "La Calle (featuring Juanes)" | 3:34 |
5. | "Bachata en Fukuoka" | 3:11 |
6. | "Apaga y Vámonos" | 3:15 |
7. | "Son al Rey" | 3:32 |
8. | "Cayo Arena" | 3:24 |
9. | "Arregla los Papeles" | 3:33 |
10. | "Lola's Mambo (featuring Chris Botti)" | 3:00 |
11. | "Caribbean Blues" | 3:35 |
Chart (2010-2011) | Peak Position |
---|---|
Chilean Albums Chart [22] | 7 |
Colombian Albums Chart [23] | 3 |
Ecuadorian Albums (Musicalisimo) [24] | 5 |
Mexican Albums Chart [25] | 6 |
Mexican International Chart Albums [20] | 11 |
Spanish Albums Chart [21] | 1 |
Peruan Albums Chart [26] | 9 |
US Billboard 200 [27] | 52 |
U.S. Billboard Top Latin Albums [27] | 2 |
U.S. Billboard Latin Tropical Albums [27] | 1 |
Uruguayan Albums (CUD) [28] | 1 |
Venezuelan Albums (Recordland) [29] | 2 |
Region | Certification | Certified units/sales |
---|---|---|
Ecuador | — | 5,000 [30] |
Mexico (AMPROFON) [31] | Gold | 30,000^ |
United States (RIAA) [32] | Platinum (Latin) | 100,000^ |
Venezuela [33] | Platinum | |
^ Shipments figures based on certification alone. |
Juan Luis Guerra Seijas is a Dominican musician, singer, composer, and record producer. Throughout his career, he has won numerous awards including 28 Latin Grammy Awards, three Grammy Awards, and one Latin Billboard Music Award. He won 3 Latin Grammy Awards in 2010, including Album of the Year. In 2012, he won the Latin Grammy Award for Producer of the Year. He has sold 15 million records worldwide, making him one of the best-selling Latin music artists.
Para Ti is the ninth studio album by singer-songwriter Juan Luis Guerra and his band 4.40. It was released on August 31, 2004, by Vene Music and distributed by Universal Latin Music. It was his first studio album in six years since Ni es lo mismo ni es igual (1998) and is his first Christian-gospel inspired album. The lyrics are inspired by his conversion to Christianity and his experience of being a born again Christian. The album explores music genres from gospel and ballads to the salsa and merengue. The album was supported by the release of three official singles: "Para Ti", "Las Avispas" and "Dinteles".
Ni Es lo Mismo Ni Es Igual is the eighth studio album recorded by Dominican singer-songwriter Juan Luis Guerra and his band 4.40. It was released by Karen Records on 15 December 1998 and distributed by PolyGram Latino. It was Guerra's comeback album after four years of silence, out of the public eye and since his conversion to Christianity. It was his first studio album since Fogarate (1994). The album production and songwriting were done by Guerra. The album was supported by the release of four official singles: "Mi PC", "Palomita Blanca", "El Niagara en Bicicleta" and "La Hormiguita". Two singles were released as promotional singles: "Vale La Pena" and "Quisiera".
La Llave de Mi Corazón is the 10th studio album recorded by Dominican singer-songwriter Juan Luis Guerra, It was released by EMI Televisa Music on March 20, 2007. It was Guerra's first album to contain songs in English since his 1994 recording of Fogarate. The album contains fusions of mambo and tropical rhythms that Guerra himself defined as "Mambo merengue". Its production and musical structure of album is based on merengue, bachata and salsa and encompasses elements of Blues, Son, Jazz, Mambo and Bossa Nova. The album was written, arranged and produced by Juan Luis Guerra and according to the artist is his most romantic album. It is composed of four merengues, two bachatas, three romantic songs and two salsas.
Bachata Rosa is the fifth studio album by Dominican singer-songwriter Juan Luis Guerra and his group 4.40. It was released on 11 December 1990, by Karen Records. It brought bachata music into the mainstream in the Dominican Republic and gave the genre an international audience. A Portuguese version of the record was released in 1992 under the title Romance Rosa; it was certified gold in Brazil. The album received a Grammy Award for Best Tropical Latin Album and two Lo Nuestro Awards for Tropical Album of the Year and Tropical Group of the Year.
Ojalá Que Llueva Café is the fourth studio album by Dominican singer-songwriter Juan Luis Guerra released in 1989 by Karen Records. It is considered one of his most emblematic and important albums. The album set the musical path for his later albums, re-formulating Dominican merengue and bachata music through the contemporary elements of pop, rock, salsa, or jazz. Incorporating socially conscious lyrics with danceable merengues and romantic-poetic bachatas, the album is considered one of the most important albums of his discography.
Fogaraté! is the seventh album of the famous Dominican songwriter and musician Juan Luis Guerra. It was released on July 19, 1994. The album mixed a variety of music genres including rural and folkloric roots of merengue called "Perico Ripao" with elements of African soukus music and Tropical Music such as Reggae with the collaboration of African guitarist Diblo Dibala and Dominican accordionist Francisco Ulloa, along with Son, Bachata and Salsa. Also, the album features a particular, bachata-styled adaptation of the Lacrimosa movement from Mozart's Requiem Mass in D Minor and Guerra's first song fully in English "July 19". Exploring lyrics and themes about magical realism of Latin American literature and commenting on the politics of the Caribbean, for many fans and critics, Fogaraté! is one of his most musically complex album.
Areíto is the sixth album by Juan Luis Guerra with his band 440, released on 8 December 1992, by Karem Records. The album, meant to be a tribute to the indigenous tribes of the Dominican Republic, is named after a dance that the aboriginal inhabitants of the Greater Antilles (Taínos) accompanied with songs during their festivals and religious rites. The album contains twelve tracks including "Cuando te Beso", interpret by Santo Domingo Philharmonic Orchestra. Congolese musician Diblo Dibala played guitar on the song "El Costo de la Vida", which was a Spanish cover of his own soukous song "Kimia Eve", while the last track on the album, "Naboria daca, mayanimacaná", is sung in Arawak, the language of the Taíno people. Areíto was originally set to be released in early April 1992, but was first delayed to the end of October 1992 and was finally released on 8 December 1992.
"Mi PC" is a song by Dominican Republic singer-songwriter Juan Luis Guerra and his band 4-40 from his eighth studio album, Ni Es lo Mismo Ni Es Igual (1998). The song was released as the lead single from the album in November 1998 by Karen Records. The song was written and produced by Guerra. It is a pop merengue track in which Guerra uses computer terminology to narrate a love story. "Mi PC" was met with positive reactions from music critics who found the lyrics to be clever and its music catchy.
"Palomita Blanca" is a song by Dominican Republic singer-songwriter Juan Luis Guerra and his band 4-40 from his eighth studio album, Ni Es lo Mismo Ni Es Igual (1998). As with the rest of the album, the song was written and produced by Guerra. The song was released as the second single from the album in March 1999 by Karen Records. It is a bachata acoustic ballad about a man who is immensely in love with a woman and refuses to let her go.
"El Niágara en Bicicleta" is a song by Dominican Republic singer-songwriter Juan Luis Guerra and his band 4-40 from his eighth studio album, Ni Es lo Mismo Ni Es Igual (1998). The song was written and produced by Guerra. It was released as the third single from the album in 1999 by Karen Records. A merengue rap song, it sees the protagonist finding himself in a hospital that is in poor condition, based on Guerra's experience in one. The song received positive reactions from three music critics, who praised who praised its music and socially conscious lyrics.
Todo Tiene Su Hora is the 13th studio album by Dominican singer-songwriter Juan Luis Guerra and his band 4.40. It was released on November 11, 2014, by Capitol Latin and was produced by Juan Luis Guerra & Janina Rosado. Like his previous albums, the album is composed by variety of tropical music genres such as bachata, merengue, salsa and son but with different instrumentation normally used in classical music such as strings and violins. Guerra described the album as "innovative" and explored lyrics raging from love and romance to social conscience and protest against political corruption. The record encompassed elements of funk and jazz with merengue and classical music with bachata.
The Dominican singer, songwriter and producer Juan Luis Guerra has released 14 studio albums, two live albums and forty-eight singles. He is one of the best selling Latin artist of all time with more 30 millions of records worldwide. He made his debut with his first studio album Soplando, released in 1984. He later released his second studio album in 1985, Mundanza y Acarreo which was his first national success and marked his first entry at the US Billboard Charts at number seventeen on Billboard Tropical Charts. In 1987, his third studio album Mientras Más Lo Pienso...Tú become his first work to gain international attention in countries such as Venezuela and Puerto Rico. Between this last two albums, it sold over two million copies worldwide.
A Son de Guerra Tour, stylized Asondeguerra Tour, is a live album from Dominican singer Juan Luis Guerra. It was recorded during the A Son de Guerra World Tour at Santo Domingo in front of 42,000 audience.
Colección Cristiana is the 12th album by Dominican songwriter and musician Juan Luis Guerra, released on February 28, 2012. It is also his first Christian album since 2004's Para Ti.
Literal is the 14th studio album by Dominican singer, songwriter and producer Juan Luis Guerra. It was released on 31 May 2019 by Universal Music Latin. Written and produced by Juan Luis Guerra, the album contains eleven tracks and encompasses a variety of tropical genres, such as bachata, merengue, salsa and son along with influences from jazz, gospel, rock and Dominican folk music. The album was co-produced by Guerra's longtime collaboration and musical director Janina Rosado. It has lyrics about romance, love, nostalgia, moving on and protest against corruption.
"El Costo de la Vida" is a song by Dominican Republic singer-songwriter Juan Luis Guerra from his sixth studio album, Areíto (1992). The song was released as the album's third single in 1992 by Karen Records. It is a Spanish-language adaptation of soukous song "Kimia Eve" composed by Diblo Dibala. The song features Dibala on the guitar and is performed by Guerra as a merengue number. The lyrics to the song provides a social commentary to the rising cost of living, while Guerra denounces the dislevel of socioeconomics as well as political corruptions in Latin America. Guerra also references the racial identities of Latin America.
Entre Mar y Palmeras is the second live album of the Dominican artist Juan Luis Guerra and 4.40. It was released on June 18, 2022 along with special concert, an open-air and audience-free concert, broadcast by HBO special, premiere on June 3, 2021, performing the songs and was recorded at the Esmeralda Beach, Miches in the Dominican Republic. It contains 16 live versions of hits and was directed by Guerra's oldest son, Jean Guerra. The album won Best Long Form Music Video at the 22nd Annual Latin Grammy Awards and Best Merengue/Bachata Album at the 23rd Annual Latin Grammy Awards. Also, it was nominated for Album of the year at the 2022 Lo Nuestro Awards.
"La Bilirrubina" is a song by Dominican singer-songwriter Juan Luis Guerra. It was written by Guerra and released by Karem Records on 1990 and 1991 in Europe as the second single from his fifth studio album, Bachata Rosa. It was nominated for Record of the Year at 1991 Lo Nuestro Awards. The merengue track is considered one of Guerra's signature songs and most popular. It receive positive reviews and was listed one of the best tracks of the album.
"Mambo 23" is the lead single of Guerra's second EP, Radio Guira. It was released on September 22, 2023, by Rimas Entertainment. The track marked the first time that the artist ventured into Mambo Merengue or Merengue de Calle and Latin trap. The song include fusions of bachata, trap and merengue with arrangements of saxophones, trumpets, trombones, and classical instruments with influences of Dominican dembow and trap music. The music video was directed by Guerra's oldest son, Jean Gabriel Guerra.