Pérez and Cabra first were discovered by Elias De Leon. They were subsequently given a record deal with White Lion Records after leaving a demo with A&R Director Carlos "Karly" Rosario. After the song "Querido FBI" was released, the group gained attention in Puerto Rico. In 2005, Calle 13 released its eponymously titled debut album, which included the singles "Se Vale Tó-Tó" and "¡Atrévete-te-te!" and reached number 6 on the BillboardTop Latin Albums chart. In 2007, the group released its second album, Residente o Visitante, which experimented with a wide variety of genres and reached number 1 on the Top Latin Albums chart. The album helped the group gain success throughout Latin America and win three Latin Grammys. The group released its third album, Los de Atrás Vienen Conmigo, in 2008, which won Album of the Year at the 2009 Latin Grammy Awards. Calle 13 released Entren Los Que Quieran in November 2010 and its latest album, Multi Viral, on March 1, 2014.
Calle 13 is noted for its eclectic musical style, often using unconventional instrumentation in its music, which distances the group from the reggaeton genre. The band is also known for its satirical lyrics as well as social commentary about Latin American issues and culture. The stepbrothers are strong supporters of the Puerto Rican independence movement, a stance that has generated controversy.[2] For their work, the group has won twenty-one Latin Grammy Awards, holding the record for the most Latin Grammy wins. They have also won three Grammy Awards.
History
2004–2005: early years
Residente and Visitante met when they were both two years old, when Residente's mother married Visitante's father.[3] The family developed strong ties to the Puerto Rican arts community; Residente's mother, Flor Joglar de Gracia, was an actress in Teatro del Sesenta, a local acting troupe, while Visitante's father (who later became Residente's stepfather) is currently a lawyer, but at one time was a musician.[2] The duo asserts that they lived a relatively comfortable lifestyle growing up, as Residente places himself in a group of Puerto Ricans who are "too poor to be rich and too rich to be poor."[4] Although their parents later divorced, the stepbrothers remained close.[3] When they were children, Visitante would visit his brother at the Calle 13 (13th Street) of the El Conquistador subsection of Trujillo Alto, Puerto Rico, every week. Since the subsection is a gated community, visitors were routinely asked "¿Residente o visitante?" ("Resident or visitor?") by a security guard when approaching the community's main gate.[2] Therefore, Visitante would identify himself as a visitor, while Residente would have to insist that he was a resident to clear the gate.[3] The pair named themselves Calle 13 after the street their family's house was on.[5] Before living there, they lived at Calle 11.[6]
Residente originally studied to be an accountant, and Visitante finished a computer science degree. An art course prompted Residente to pursue a career as a multimedia designer, and Visitante became a full-time musician and producer. Residente states that his degree in design has influenced his musical style: "What I used to do with my visual art is the same thing I do now with my lyrics. My songs are descriptive, very visual."[2] Besides this, Residente was a fan of what was then called "underground rap" in Puerto Rico, and started to earn a reputation as a lyricist (Residente says, with some embarrassment, that his moniker at the time was "El Déspota", or "The Despot"). Meanwhile, Visitante participated in Bayanga, a rock and Brazilian batucada group.[7] After Residente finished studying in Georgia at the Savannah College of Art and Design and earned a master of fine arts in animation, illustration, sequential art and film, he returned to Puerto Rico.[2] Soon after, both of them started working on their music. They claim they initially did it as a joke, but they still managed to get some of their songs heard throughout Puerto Rico.[7] They began recording music together in 2004, with the idea of hosting their work on a website, beginning with two demos ("La Tripleta" and "La Aguacatona").[3] Within a year, the duo began looking for a record label to distribute their music commercially. They decided to pursue a deal at White Lion Records, because Tego Calderón was on the label, whom the two admired.[3]
2005–2006: "Querido FBI" and Calle 13
While their first album was being mixed, Filiberto Ojeda Ríos, leader of the Puerto Rican revolutionary group known as Los Macheteros, was killed in the course of arrest by the FBI.
Angered by the FBI's action, Residente wrote a song protesting against what had happened to Ojeda and asked his record label to allow the group to release it on the Internet through viral marketing through Indymedia Puerto Rico, an alternative news website.[8]
Public controversy about the song's lyrics ensured immediate attention from mainstream media in Puerto Rico. The song, according to critics, "redefined what a reggaeton vocalist's relationship to Puerto Rico should be."[9]
Visitante during Calle 13's first concert in Managua, Nicaragua.
Soon after this, the duo rose to fame in 2005 with two back-to-back hits on Puerto Rican radio stations: "Se Vale Tó-Tó" and "Atrevete-te-te!" Both songs were later included on their eponymously titled debut album, which was released on November 29, 2005.
After this rise to fame, the duo was sought by other reggaetón artists, and they collaborated with artists such as Voltio in the song "Ojalai" (also known as "Chulin Culin Chunfly", whose name is a minor variation of a song written by Mexican comedy writer Roberto Gómez Bolaños, of whose comedic characters Residente is a fan—by citing the name, Gómez Bolaños is legally a co-author of the song,[10]) and with the Three 6 Mafia in the remix, singing or co-writing songs. At the end of 2005, they finally released their album, which received great critical praise.
In 2006 the duo kept on working as they broke into a wider-music scene with at least two more smash hits that were played throughout Puerto Rico and U.S. Urban music radio and television stations, including the songs "Japón" ("Japan"), and "Suave" ("Soft/Slow"). The group had their first massive-venue concert on May 6, 2006, at the José Miguel Agrelot Coliseum in San Juan. They also toured Central and South America, playing "Atrévete-te-te" before an escola de samba in Venezuelan television, and also visiting, among others, Guatemala, Chile, Honduras and Colombia.[citation needed]
In light of the criticism directed towards the band, Calle 13 has become a cultural reference to be reckoned with in Puerto Rico. An example of this is the constant references made to the band and to Residente by satirical writer Fiquito Yunqué in the weekly pro-independence newspaper Claridad. Yunqué's columns sometimes feature Calle 13 lyrics as their titles, and Yunqué even introduced the band onstage at one of their live performances in Puerto Rico.
Acceptance of Calle 13's music even influenced the former Governor of Puerto Rico, Aníbal Acevedo Vilá who, in December 2005, admitted to listening to Calle 13 because his son had copied some of their songs to his iPod. Acevedo claimed that "songs such as Calle 13's were eye openers" to him. As a result, since the country had a chronic problem of people being unknowingly injured or killed by stray bullets fired to the air on New Year's Eve, Acevedo felt compelled to invite the duo to La Fortaleza and to have them record a song against shootings bullets in the air as a way of celebrating the holiday.[11]
The single, "Ley De Gravedad" (Law of Gravity) was released as part of a public-service campaign for that matter. Some political adversaries of Acevedo dismissed this as a trick to ingratiate himself with Puerto Rican youth and pro-independence advocates, and was criticized by the local press due to the fact that an artist who seemingly promoted violence with their "Querido FBI" song was now supposed to be a role model for anti-violence. However, the campaign was thought to be effective in reducing the injured, from twelve (and one death) the previous year, to three the year the campaign was run, though many members of the artistic community contributed to this effort in separate campaigns.[12]
As the duo has risen to fame, other international artists of various genres have sought them. In 2006 and 2007, they recorded songs with Canadian Nelly Furtado and Spanish Alejandro Sanz. In their recent album, they feature contributions with such diverse groups like Orishas (a hip hop group whose members had emigrated from Cuba), Mexican Café Tacuba, Argentine Vicentico (from Los Fabulosos Cadillacs), and La Mala Rodríguez (from Spain), among others. On May 19, 2006, the band celebrated their first international concert, held in Panama City to a crowd of 5,000. During the summer of 2006 Calle 13 was featured on MTV's My Block: Puerto Rico. From September 15 – October 31 Calle 13 was Artist Speaking Tr3s on MTV Tr3s.
On November 2, 2006, the band won three Latin Grammys (Best New Artist; Best Urban Album; and Best Short Version Video, for the song "Atrévete-te-te"). They later filmed a video along with Voltio for "Chulín Culín Chunfly", where Residente, dressed as a priest and later as Bruce Lee, is given a severe beating by a gang.
On April 24, 2007, their second album Residente o Visitante was released. Tracks in the album were partially recorded in Puerto Rico and while on tour in Colombia, Argentina and Venezuela. While recording the album, Residente and Visitante took a trip to South America to explore areas populated by Latin America's indigenous and African-descended minorities. The duo was strongly influenced by the experience; Visitante discovered and purchased several new musical instruments on the trip including a quijada, a charango and a bombo legüero, all of which were used on the duo's song "Lllegale a Mi Guarida".[4]
Residente considered this album to be darker than the first, but also more introspective and biographical. The album garnered controversy for its sexual and religious overtones.[16] As part of the album, Calle 13 filmed the video for their first single off the album, "Tango del Pecado", on February 25, 2007.
Residente and PG-13 during the 34th. Support to Claridad Festival, in San Juan, Puerto Rico, April 24, 2008
In May 2007, the duo performed at Vive Latino, and the public answered them by throwing beer bottles filled with urine. In 2010, when taking part of the same festival, they were less bitterly welcomed.[6] In July 2007, Calle 13 teamed up with Julio Voltio to speak out against police brutality in Puerto Rico.[17] After recording a song titled "Tributo a la Policía", Calle 13 distributed the single free on the streets in front of the Police Headquarters of San Juan.
On November 8, 2007, Calle 13, along with Orishas, performed the song "Pa'l Norte" at the 8th Annual Latin Grammy Awards, held at the Mandalay Bay Events Center in Las Vegas, Nevada. Their live performance featured the percussion/dance group Stomp. A troupe of dancers dressed in traditional Latin American garb and wearing bandannas in their faces (as if they were bandits) were also featured. Two members of the traditional Colombian folk cumbia band Los Gaiteros de San Jacinto, as well as members from an indigenous tribe local to the Gaiteros' hometown in northern Colombia, followed Residente to the stage at the beginning of the song. The subtext of the presentation was that Latin Americans were "invading the North" (the United States) and were there to stay.
Calle 13 earned two Latin Grammys later that night: "Best Urban Music Album" for Residente o Visitante and "Best Urban Song" for "Pal Norte".[18] They were nominated for two other categories,[19] the others being Best Short Form Music Video and Album of the Year. The Gaiteros de San Jacinto, who had also received a Grammy for their album Un Fuego de Sangre Pura, could only accept it when Calle 13 intervened to finance their trip to Las Vegas and obtain a temporary visa to visit the United States on their behalf.[20]
A later tour of the Americas had Calle 13 perform to sell-out crowds in Colombia, Peru, Bolivia, Chile, Uruguay and Argentina. The band also performed in the United States, including an appearance at the New Orleans Jazz & Heritage Festival on April 27, 2008.
The band received all three possible audience acceptance awards when they performed at the 2008 Viña del Mar International Song Festival in Viña del Mar, Chile, taming the usually demanding crowd (traditionally nicknamed "El Monstruo", or "The Monster"—because of its fickleness—by Chilean media). They also performed to a sold-out crowd at Luna Park in Buenos Aires, Argentina. They finished their tour at the 34th Annual Claridad Support Festival in San Juan on April 24, 2008. Denise Quiñones joined the band onstage for their abbreviated song set.
On October 9, 2008, Calle 13 participated in the "MTV Tr3s Pass Tour".[21]
In an interview done during the production of their third album, Los de Atrás Vienen Conmigo, Calle 13 stated that the production would include songs discussing poverty.[22] The duo also noted that the production would include cumbia villera and "sounds from Eastern Europe".[22]
On October 21, 2008, the album was released. A series of songs off the album began to be released weekly as singles. Four singles were released: "Que Lloren" (September 16, 2008); "Electro Movimiento" (September 23, 2008); "Fiesta de Locos" (September 30, 2008); and "No Hay Nadie Como Tú", the latter featuring Café Tacuba. On August 11, 2009, the duo was invited to Ecuador by Rafael Correa's government, serving as guests in the local celebrations that commemorate the coup that began the Ecuadorian War of Independence. They played in Quito, performing in Estadio Olímpico Atahualpa for the first time, in an activity that included Nueva Canción: Argentina, León Gieco and speeches by Correa, Venezuelan president Hugo Chávez, deposed president of Honduras Manuel Zelaya, Cuban president Raúl Castro and Nicaraguan president Daniel Ortega. During the performance Residente said that he wished Puerto Rico could be an independent country such as Ecuador.[23]
Pérez made a cameo appearance in the 2009 film Old Dogs, being cast to interpret a tattoo artist.[24]
On October 15, 2009, Calle 13 won the Premios MTV Latinoamérica for Best Urban Artist.[25] Pérez also served as host throughout the ceremony, using this exposure to insult Puerto Rican governor Luis Fortuño and comment about a civilian general strike that was organized earlier that day, held to protest the firing of more than 25,000 public employees by Fortuño's administration.[25] Pérez was criticised after referring to Fortuño as an "hijo de la gran puta".[26] The phrase is commonly translated as "son of a bitch", although the phrase places emphasis on the mother of the subject being a prostitute, which many found disrespectful to Fortuño's mother. Fortuño responded by saying "This individual disrespected all Puerto Rican women, all Puerto Rican mothers and the people of Puerto Rico in general."[26]
Los de Atrás Vienen Conmigo was nominated in five categories for the 2009 Latin Grammy Awards winning all of them, including Album of the Year, Best Urban Album, Record of the Year and Best Alternative Song for the hit single "No Hay Nadie Como Tu" along with Café Tacuba, as well as Best Music Video (in Short Format) for "La Perla" featuring salsa artist Rubén Blades. The winners were announced on November 5, 2009, in a ceremony held at the Mandalay Bay Events Center in Las Vegas, Nevada.[27]
On March 23, 2010, the band performed their first concert in Cuba, the event was held at the José Martí Anti-Imperialist Plaza before an estimated crowd that ranged between 500,000 and 900,000 fans.[28][29] The band performed "No Hay Nadie Como Tú", "La Cumbia de los Aburridos", "Se Vale Tó-Tó", "La Hormiga Brava", "Un Beso de Desayuno", "Pa'l Norte", "Fiesta de Locos", "Querido FBI", "La Jirafa" and "Tango del Pecado", before adding "Electro Movimiento" and "Atrévete te-te" due to popular demand. During this event, Calle 13 received the international Cubadisco award from representatives of the Instituto Cubano de la Música (lit. Cuban Music Institute).[30] The group originally planned to participate in Paz Sin Fronteras II, but were unable to acquire visas in time.[31]
The band has also filmed a documentary. The film, Sin Mapa, is about their journeys through South America and the land's indigenous culture and art.[32] The movie became available on iTunes and DVD on July 28, 2010.
2010–2012: Entren Los Que Quieran
Calle 13 released their latest album, Entren Los Que Quieran, on November 22, 2010.[33] The singles "Calma Pueblo" and "Vamo' a Portarnos Mal" have been released to the iTunes Store. Visitante explained that the title of the album means that "Everyone's invited to enter. If you don't want to, well don't."[33] He also stated that the album continues to experiment with different styles of music, with collaborations with Omar Rodríguez-López from The Mars Volta on "Calma Pueblo", giving the song a "Beastie Boys vibe". He stated that there would also be influences from Bollywood and South American rhythms.[33] The promotional tour for Entren Los Que Quieran featured over a hundred presentations in 2011, spanning most of Latin America and parts of Europe. Among the most notable being serving as the sole representation of Puerto Rico at the inauguration of the Community of Latin American and Caribbean States and their performance at the 2011 Viña del Mar Festival, where Calle 13 decided to go against the event's rules, refusing further awards beyond a "Silver Torch" in order to avoid further interruption, despite being the most clamored artist in that night.[34] On November 19, 2011, the group offered a concert in El Salvador where the entrance gate was fully paid in rice and beans, the collected food was subsequently donated to flood victims in that country.[35] Pérez also remixed an exclusive version of "El Hormiguero" for four-time world boxing champion Miguel Cotto, who used it in his entrance prior to a successful title defense on December 3, 2011.
Upon release, the music video for "Calma Pueblo" generated controversy for its violence and full-frontal nudity, which the band claims is a metaphor for self-liberation.[36] The album received more nominations for the 12th Latin Grammy Awards than any other production that year. It went on to win nine categories in total "Album of the Year", "Best Urban Music Album" and "Producer of the Year" in general; "Best Urban Song" for "Baile de los Pobres"; "Best Tropical Song" for "Vamo' a Potarnos Mal"; "Best Short Form Music Video" for "Calma Pueblo"; "Song of the Year" and "Record of the Year" for "Latinoamérica".[37] Following this ceremony, Calle 13 emerged as the artist or group with most awards won in the event with 19, besting Juanes' 17. This accomplishment also shattered several records, including "Most Honored Album", "Most Latin Grammies won in one night" and increased their leadership in the "Most Latin Grammies won by a group" category to 13 more than their closest competitors.
In the press conference that followed, the group was interviewed by journalist Elvis Castillo of VENFM regarding his support to some elements of the Latin American left-wing. The journalist, a member of the conservative Venezuelan opposition, cited the work of local cartoonist Edo, a sketch of one of Pérez's characteristic black shirts scribbled with the phrase A Calle 13: No es lo mismo ver la Revolución como Visitante que como Residente (lit. "To Calle 13: It is not the same to see the Revolution as a Visitor as it is as a Resident") to question a supposed sympathy for Chavismo. Pérez disregarded that notion, stating that "[Calle 13] does not support any president, because when we support any president we stop belonging to the people." On June 22, 2011, Calle 13 performed at The Pachamama Peace Festival and supported the project together with 8 Latin American embassies as the Godparent of the Pachamama Project.
On December 22, 2011, the group received the Medalla Ramón Emeterio Betances from the Ateneo Puertorriqueño, the oldest cultural institution in Puerto Rico, as part of their Puerto Rican Flag Day celebrations. In the event, Pérez was heralded as the "Roberto Clemente of modern music" by host Luis Gutierrez, only to respond that he was "merely another member of [the Puerto Rican people] who decided to express [his] message". However, he admitted that being recognized in his motherland held more weight than any other award received during his career.[38]
In December 2013, they announced that their new album would be named Multi Viral and it would be followed by a Latin American tour, which saw the band performing in Paraguay, Uruguay, Chile, Venezuela, Colombia, Costa Rica and Mexico.[1] The album was released through their new own label, El Abismo,[1] since they decided not to continue their contract with Sony Music Latin.[42] The tour unofficially began at the University of Puerto Rico, Río Piedras Campus in San Juan, where Calle 13 held an impromptu free concert on February 25, 2014. The event was announced only six days before and did not receive formal promotion.[43] The concert, which featured interludes where the group opposed a revision in the UPR's enrollment fee and allowed a low income child to voice the concerns of his community, managed to attract an estimate of 50,000 fans.[44][45] The event featured the live debut of "El Aguante", which opened the show.[46] Despite recognizing that his political ideology conflicted with the inmovilist conservative ideals of governor Alejandro García Padilla, Pérez accompanied the same child to a reunion in La Fortaleza the following day.[45]
In May 2014, the duo once again performed at Vive Latino. When they were playing "El Aguante", one spectator jumped onto the stage and tried to take Residente's microphone. Five security guards grabbed the invader and Residente tried to punch him.[6] The duo later issued a statement (with a fan-made video of the incident) in which they say Residente's punch never actually hit the aggressor.[47] They also included a video in which Residente is shown with the attacker sharing a drink and celebrating the fifth album.[47]
Following the end of their Multi_Viral world tour, Residente and Visitante went separate ways to focus on personal projects - the former would see the release of his first solo effort, Residente, in March 2017. In October 2018, Visitante premiered his new musical project "Trending Tropics", a collaboration with Dominican singer Vicente García.[48] Though at the time of his album's release some media outlets referred to Calle 13 as a defunct band,[49][50][51] Residente had previously said on multiple occasions that the band is not over and is just taking a break.[52]
"Un Beso de Desayuno" from Residente o Visitante features the band experimenting with bossa nova and electronica music. The song's electronic elements helped to create a "warped" sound.[53]
Although most people have labeled Calle 13's music as reggaeton, the band has tried to distance itself from the style.[4] Indeed, Residente once admitted the group played reggaeton in their first album as way of gaining some initial popularity more easily, while assuring that the group has nothing against the genre.[6] Visitante, being a professional musician, tries to fuse diverse styles in the group's songs. Early cuts featured elements from jazz, bossa nova and salsa, while recent songs feature cumbia, tango, electronica and others. In their recent tours around Latin America they have added different musical elements according to the place the band is playing in, yet many of their songs carry the traditional reggaeton "Dem Bow" beat such as in their hit "Tango del Pecado" and the remix to "Suave".
Singer Residente is reluctant to label their music in a specific genre, instead calling it plain urban style. In an interview with Rueben Blades, Rene mentioned that he is wary of making generic hip hop and traditional reggaeton. He added that even though he welcomes the "urbanity" of Hip Hop, he does not consider it to be an authentic Latin American musical expression. On the other hand, he believes that reggaeton has become generic and watered down with pop aesthetics.[55] Calle 13 has maintained a healthy distance from the orthodoxy of reggaeton and both he and his brother justify it by saying that only three songs out of fifteen songs in their eponymous debut album, as well as four out of fifteen songs in their album Residente o Visitante, feature reggaetón beats.[5] Residente said of the group's musical style "I love to mix things up, like on our song 'La Jirafa’. We have drumming from Brazil combined with the theme music from the film Amélie. It's a pretty song, a love song for a woman, but it's about Puerto Rico too. I think this why people like our music, because – sexually speaking or politically speaking – it's just very genuine."[56]
Residente's lyrical style is inspired partly by the lyrical approach used by artists such as Vico C and Tego Calderón, trying to minimize what they refer to as "clichés" of the genre -such as open confrontations with other rappers, known in Spanish as tiradera (pronounced [tiɾaˈeɾa] in Puerto Rican dialect). He attempts to stray away from the "wannabe gangster aesthetic" typical of reggaeton music.[4] Residente's trademark is a lyrical style full of sarcasm, satire, parody and shock value, which some critics and fans have likened to Eminem's.[3] Jason Birchmeier of AllMusic writes that Residente's lyrical style and delivery "eschews reggaeton's clichés, showcasing a healthy sense of humor and an almost clownish approach to sarcasm... A world apart from the kingly bravado of most reggaeton vocalists, not to mention the obligatory glimmers of misogyny and violence that accompany such streetwise swaggering."[3] Residente also utilizes Puerto Rican slang considerably (which in turn incorporates a sizeable dose of Spanglish), as well as allegory. Early in his career, Residente expressed a desire to write lyrics only in Spanish, however he has recently stated that he will begin to write more lyrics in English in order to help communicate with English-speaking listeners.[56]
Residente's lyrics treat a wide and eclectic variety of subjects. He mentions (and sometimes derides) celebrities and icons such as Mickey Mouse, Redman, and 2Pac, in "Tengo Hambre" (I'm Hungry); 50 Cent in "La Crema" (The Cream); Madonna ("I mean, Maradona", Residente says) in "Sin Exagerar" (Without Exaggeration); Puerto Rican singer Nydia Caro (rather affectionately) in "La Era de la Copiaera", wrestler Abdullah the Butcher in "Tributo a la Policía" (A Tribute to Police), golfer Tiger Woods in "Baile de los Pobres" ("Dance of the Poor") he also made a diss track to Diddy in the song "Pi-Di-Di-Di (La Especialidad de la Casa)" (House Specialty) and a diss track aimed at the Federal Bureau of Investigation in "Querido FBI" (Dear FBI).
Visitante, on the other hand, is strongly influenced by electronica, world music, and particularly Latin American folk and popular music. He has also said that he is influenced by music from Central Europe such as Fanfare Ciocarlia (particularly its collaboration with Romani band Kaloome, also known as The Gypsy Kings and Queens) and Emir Kusturica's group, The No Smoking Orchestra. He also stated that his musician father introduced the Beatles and Jimi Hendrix to him at a young age, which has greatly influenced his music.[57] In live presentations, Visitante can be seen playing a variety of instruments: an electric guitar, synthesizers, an accordion, a melodica, a Puerto Rican cuatro and a theremin.
Calle 13 is the debut studio album by Puerto Rican urban/hip hop band Calle 13, released on November 29, 2005, by White Lion Records. The album was recorded in the wake of the group's online success with the song "Querido FBI". The album received positive reviews, with critics praising Residente's lyrical style and the musical diversity displayed on the record.
"Atrévete-te-te" is a Grammy-nominated song by Puerto Rican urban duo Calle 13 from their eponymous debut album Calle 13, released in February 2006, by White Lion Records. It is one of the duo’s best-known songs. It was a hit single in many Latin American countries. The video for this single won the Latin Grammy Award for Best Short Form Music Video at the 2006 Latin Grammy Awards. The song is featured in the soundtrack of Grand Theft Auto IV and was later named the second-best single of the decade by Latin music website Club Fonograma.
Residente o Visitante is the second studio album by Puerto Rican urban/hip hop band Calle 13, released on April 24, 2007, by Sony BMG. Recorded in various countries while on tour in promotion of the duo's debut album Calle 13, Residente o Visitante marked an evolution in the band's musical and lyrical style. While writing the album, the duo took a trip to South America to explore areas populated by Latin America's indigenous and African-descended minorities, a journey that greatly influenced the music on Residente o Visitante. The album features six guest artists and delves into genres such as tango, bossa nova, cumbia, and electronica.
"Querido FBI" is a song from Puerto Rican urban group Calle 13. The song was recorded in September, 2005 and released through the Internet about 30 hours after the death of Puerto Rican Revolutionary leader Filiberto Ojeda Ríos in what appeared to be a botched raid at his house.
White Lion Records is a reggaeton, Latin Music, Latín reggae and urbano record label established by Elías de León with the release of the album No Mercy by Daddy Yankee in 1995. The label would temporarily change its name to 'Boricua Guerrero' from 1996-2001 until reestablishing as White Lion Records with the releases of Maicol y Manuel's "Como En Los Tiempos De Antes" and the compilation "Planet Reggae" in 2002. As an independent label in 2003, it was selling over 100,000 copies of Tego Calderon's most recent album at the time; it soon after signed a distribution deal with Sony BMG.
Los de atrás vienen conmigo is the third studio album by Puerto Rican alternative hip hop band Calle 13 and was released on October 21, 2008, by Sony Music Latin. This album is a bit more colorful than the previous, although dark humor continues to be the tone. The album has a fusion of rhythms the band discovered during their visits to several countries. They fuse rhythms of 'cumbia villera' native to Argentina, and rhythms of Balkan music. The album features collaborations with Rubén Blades, Café Tacuba, and Afrobeta. It won Best Latin Rock, Alternative or Urban Album at the 52nd Annual Grammy Awards and five Latin Grammys including Album of the Year at the 10th Annual Latin Grammy Awards.
René Pérez Joglar, known professionally as Residente, is a Puerto Rican rapper, singer, songwriter and filmmaker. He is best known as one of the founders of the alternative rap band Calle 13. Residente released five albums with Calle 13 before announcing his solo career in 2015. Residente released his debut solo album in 2017. He has won four Grammy Awards and 28 Latin Grammy Awards—more than any other Latin artist. Residente has also delved into producing documentaries including Sin Mapa (2009) and Residente (2017) and has directed some of his own music videos.
Eduardo José Cabra Martínez, better known by his stage name "Visitante Calle 13", "Visitante", or more recently, "Cabra", is a Puerto Rican producer, musician, composer, and multi-instrumentalist. He rose to fame due to the Puerto Rican band Calle 13, which he co-founded with his step brother René Pérez Joglar ("Residente").
Alternative reggaeton is a subgenre of reggaeton that emerged from the reggaeton movement as a reaction to its repetitive and monotone dembow rhythm, and the predominant stereotypical gangsta content that became predictable. The result was a complex sound derived from world sounds, mainly rooted in other Latin American music based genres such as bomba, plena, salsa, bachata, merengue, cumbia, tango and other foreign influenced music such as alternative rock, rock en español and Latin alternative. Mixed with thoughtful lyricism guided by an anti-colonialism discourse, Latin American sociopolitical content, and racial pride, it gave listeners a smooth blend of danceable rhythms and intellectual dialogue.
James Cruz is a Grammy Award winning audio mastering engineer and owner of Zeitgeist Sound Studios in Long Island City, New York.
Entren Los Que Quieran is the fourth studio album by Puerto Rican hip hop band Calle 13, released on November 22, 2010. Recorded in the wake of controversial events surrounding the group, the album contains more political lyrical themes not discussed on previous Calle 13 releases. It also expands upon the musical experimentation demonstrated in the group's albums Residente o Visitante (2007) and Los de Atrás Vienen Conmigo (2008). The record's compositions feature various musical styles, including rock, ska, merengue, reggaeton, and Bollywood music.
"Latinoamérica" is a song by Puerto Rican alternative hip hop band Calle 13. It was released on September 27, 2011 as the fifth single from their fourth studio album, Entren Los Que Quieran (2010). It was written and produced by Rafael Arcaute and Calle 13, and features additional vocals from other Latinoamerican recording artists. These artists include Peruvian Susana Baca, Colombian Totó la Momposina and Brazilian Maria Rita. The song won Record of the Year and Song of the Year in the Latin Grammy Awards of 2011. The song is important in that it touches on many underlying historical, social, and political themes present throughout Latin America.
Israel Lugo is an American actor, director and Latin Grammy Award-winner music video director. Lugo was born in Brooklyn, New York and has credits for directing the documentary Sonó, Sonó, Tité Curet!!! (2011) and for acting on Mi Dia de Suerte, The Apostate, El Clown and Che. Also he is known for his work with Gabriel Coss directing music videos for Calle 13, Nelly Furtado, Maná and Paulina Rubio, among others.
Gabriel Coss is a Latin Grammy Award and a Regional Emmy Award-winner music video director. Coss also has credits for directing the documentaries Aljuriya (2004), Sonó, Sonó, Tité Curet!!! (2011) and Armonía. In 2005, Coss launched 939 Films with Israel Lugo, which they merged with Rojo Chiringa Films in 2007.
Alejandro Santiago Ciena was a Latin Grammy Award-winner music video director. He was the director of the production company Crema Batida Films, and also has credits as a second unit director for the Puerto-Rican film Manuela y Manuel (2007). Santiago Ciena was best known for his work directing music videos for the Puerto-Rican band Calle 13; Santiago Ciena was the cousin of René Pérez (Residente), the band's lead singer. The first video he directed for the band was "Calma Pueblo", the lead single of Entren Los Que Quieran in 2010. The video presented Calle 13 as terrorists dressed as nuns and was deemed as "violent" by Judy Cantor-Navas of Billboard magazine. Santiago Ciena, commented about the concept of the video, which uses nudity as a representation of freedom: "We wanted the lyrics and the visuals to be strong... we wanted it to be real, but still have a positive message to the show the union of people who fight to produce art." The video was recorded in Milla de Oro, San Juan, Puerto Rico, and was intended as a tribute to the work of American photographer Spencer Tunick. Calle 13 and Santiago received the Latin Grammy Award for Best Short Form Music Video for "Calma Pueblo".
The Entren Los Que Quieran Tour is an international tour by Puerto Rican group Calle 13 in support of the band's 2010 release, Entren Los Que Quieran.
Multi_Viral is the fifth and final studio album from Puerto Rican band Calle 13, released on March 1, 2014. It marks the band's debut release via their new independent label, El Abismo, since they parted ways with Sony Music Latin. The album won Best Urban Music Album at the 15th Annual Latin Grammy Awards and Best Latin Rock or Alternative Album at 57th Annual Grammy Awards.
Ileana Mercedes Cabra Joglar, better known by the nickname "iLe", is a Puerto Rican singer, composer and vocalist. She began her musical career as a teenager as the sole female singer of Calle 13, a group she took part in for 10 years alongside her brothers René Pérez Joglar (Residente) and Eduardo Cabra Martínez (Visitante).
Edgardo Matta, professionally known as Mattatracks, is a two-time GRAMMY and a six-time Latin GRAMMY award-winning record producer, composer, and songwriter.
↑ Aixa Sepúlveda Morales (October 10, 2008). "Calienta motores en familia". Primera Hora (in Spanish). Archived from the original on February 16, 2013. Retrieved January 13, 2013.
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