No Me Dejes de Querer

Last updated

"No Me Dejes de Querer"
No Me Dejes De Querer Single.jpg
Single by Gloria Estefan
from the album Alma Caribeña
ReleasedMarch 27, 2000 (2000-03-27)
Studio Crescent Moon Studios, Miami, Florida
Genre
Length3:28
Label Epic
Songwriter(s)
Producer(s)
  • Estefan, Jr.
  • Blades
Gloria Estefan singles chronology
"Music of My Heart"
(1999)		"No Me Dejes de Querer"
(2000)		"Cómo Me Duele Perderte"
(2000)
Music video
"No Me Dejes de Querer" on YouTube

"No Me Dejes de Querer" (transl. "Don't Stop Loving Me") [1] is a song by Cuban-American singer Gloria Estefan from her ninth studio album, Alma Caribeña (2000). The song was written by the artist along with Roberto Blades and her husband Emilio Estefan. The latter two also handled the song's production. It was released as the album's lead single on March 27, 2000, by Epic Records. "No Me Dejes de Querer" is a son cubano and murga song in which the narrator pleads her lover to never stop loving her. The song was met with mostly positive reviews, which found it to be an upbeat number.

Contents

Commercially, the song reached number one in Spain and topped the Billboard Hot Latin Songs, Latin Pop Airplay, and Tropical Airplay charts in the United States. An accompanying music video directed by Emilio was filmed in Miami, Florida, and features Gloria dancing with extras at the Tropicana Club. The visual won the Latin Grammy Award for Best Short Form Music Video in 2000. The song itself received several accolades including a Latin Grammy nomination for Best Tropical Song.

Background and composition

In 1998, Gloria Estefan released Gloria! , a disco-influenced pop album. Although met with favorable reviews by music critics, [2] [3] it was commercially unsuccessful. [4] A year later, she starred in the 1999 American biographical musical drama film Music of the Heart and recorded its title track "Music of My Heart" with NSYNC. [5] That year, she played a New Year's Eve concert at the American Airlines Arena in Miami, Florida, [6] where during a rehearsal, her husband Emilio Estefan hinted that her next studio album would be "great". [4] Further details about the project were not revealed until February 2000, when the title was announced, Alma Caribeña . [7]

Recording for the album took place at Crescent Moon Studios in Miami, Florida, with Emilio and Roberto Blades handling its production. [8] Alma Caribeña is Gloria's third Spanish-language album after Mi Tierra (1993) and Abriendo Puertras (1995). In the album, she draws from a variety of Caribbean music genres. [9] Emilio and Blades co-wrote most of the album's tracks including "No Me Dejes de Querer", which features additional writing from Gloria. [8] Musically, "No Me Dejes de Querer" is a son cubano and Panamanian murga track with a salsa section. [8] [10] Gloria described the song as a "happy record" and further elaborated: "It talks about a kind of love that is wonderful and happy and feels great, and you're saying to that person, 'Don't ever stop loving me'". [11] A remix of the track by Pablo Flores was also included in the album and features Los Rabanes lead singer Emilio Regueira. [12] [13]

Promotion

"No Me Dejes de Querer" was released as the album's lead single on March 27, 2000, by Epic Records. [14] The accompanying music video was directed by Emilio Estefan, filmed at the Tropicana Club in Miami, Florida, recorded in 24 hours, and released on March 28, 2000. [15] In the video, Gloria is seen wearing a Dolce & Gabbana dress and dancing with 200 extras who are dressed to the fashion of 1950s Cuba. [15] At the inaugural Latin Grammy Awards in 2000, "No Me Dejes de Querer" won Best Short Form Music Video. [16] At the 2001 Billboard Music Video Awards, the visual was nominated "Best Clip of the Year" under the Latin field but ultimately lost to "She Bangs" by Ricky Martin. [17] [18]

Critical reception and accolades

A writer for Palabra described "No Me Dejes de Querer" as a song with a "catchy melody and flavor of Cuban son". [15] Dan Aquilante of the New York Post called it a "sexy love song". [19] The Sunday Herald editor Graeme Virtue found the track to be the album's highlight, lauding it as an "irresistible limbo lurch". Virtue, however, regarded the remix to be pointless, stating it "reflects badly on the entire enterprise". [20] The Sun-Sentinel critic Sean Piccoli listed "No Me Dejes de Querer" alongside "Punto de Referencia" as tracks where Gloria "sounds much more at ease". [21] Writing for The Boston Globe , Cindy Rodriguez stated that the artist "really cuts loose" on the "brassy" track and sings "with fiery brilliance". [22] An editor for the Windsor Star described it as "uplifting" and claimed that Gloria leads a "spirited romp ". [23]

In an otherwise negative review of Alma Caribeña, Deborah Davis of El Norte highlighted the song alongside "Tres Gotas de Agua Bendita" as songs where the artist "shines". [24] The Newsday reviewer Richard Torres noted that Gloria "gets into a fine call-and-response with the background vocalists" in the track. [3] The San Diego Union-Tribune contributor Ernesto Portillo Jr. complimented "No Me Dejes de Querer" as a "solid salsa dance number". [25] Elysa Gardner wrote for USA Today : "Those seeking zestier fare can check out the sexy, horns-fueled 'No Me Dejes de Querer'". [26] Mark Marymont of the Springfield News-Leader felt that "No Me Dejes de Querer" is "carried on a happy, propulsive beat" and further marked that the original and remix versions "recall Estefan's early days with the Miami Sound Machine. [27] The Sunday Mail 's Kris Teo commented that the song "smacks with a happy party feel with a breathtaking salsa mid- section". [28] The Chicago Tribune reviewer Achy Obejas called the remix a "cardiac- provoking dance beat". [29]

AllMusic reviewer William Ruhlmann regarded the remix to be a "requisite dancefloor entry". [1] The Observer 's Neil Spencer, who was not impressed with Alma Caribeña, opined that "things only catch fire on the finale, 'No Me Dejes de Querer', where Estefan does battle with some snorting brass". [30] In an unfavorable review of the album, The Morning Call contributor Len Righi cited "No Me Dejes de Querer" as showing "how little consequence she is" and wrote that Reguiera outperformed her on the remix, which she described as the "most exciting track on the disc". [13] Maddy Costa of The Guardian was more critical of the song, stating that the remix was the artist's "smartest decision" when making the album. Costa lambasted the track as an "abysmal song, the kind of spangly, flashing-lights-and-thrusting-rhythm tackiness you hear blaring from the speakers of every crap tourist disco from Benidorm to Barbados; something that parents of teenagers dance to in their exclusive resort hotels. It's so awful, it sends you scuttling back to track one to get the bad taste out of your mouth". [31]

At the inaugural Latin Grammy Awards in 2000, "No Me Dejes de Querer" was nominated in the Best Tropical Song category, which was awarded to "El Niágara en Bicicleta" by Juan Luis Guerra. [32] [33] It was recognized as an award-winning song at the 2001 BMI Latin Awards. [34] At the 8th Annual Billboard Latin Music Awards in the same year, it was nominated for Latin Dance Maxi-Single of the Year and Latin Dance Club Play Track of the Year, but ultimately lost both awards to "Solo Me Importas Tú" by Enrique Iglesias. [35]

Commercially, it reached number one in Spain and topped the Billboard Hot Latin Songs, Latin Pop Airplay, and Tropical Airplay charts in the United States. [36] [37] [38] It became her first Spanish-language song to rank on the Billboard Hot 100, where it peaked at number 77. [39] Furthermore, it reached 100 in the Netherlands, [40] 76 in Switzerland, [41] and numbers 8 and 31 on the Billboard Dance Club Songs and Regional Mexican Airplay charts in the United States, respectively. [42] [43] Due to it ranking on the latter chart, however, Epic Records was suspected of performing payola by the magazine. [44]

Formats and track listings

Remixes [45]

  1. No Me Dejes De Querer (Album Version) –3:28
  2. No Me Dejes De Querer (Pablo Flores Miami Mix) –8:37
  3. No Me Dejes De Querer ("Flores" Del Caribe Mix Radio Edit) –4:27
  4. No Me Dejes De Querer (Unplugged) –3:27

Charts

See also

Related Research Articles

<span class="mw-page-title-main">Gloria Estefan</span> Cuban-American singer (born 1957)

Gloria María Milagrosa Estefan is a Cuban-American singer, actress, and businesswoman. Estefan is an eight-time Grammy Award winner, a Presidential Medal of Freedom recipient, and has been named one of the Top 100 greatest artists of all time by both VH1 and Billboard. Estefan's record sales exceed 100 million worldwide, making her one of the best-selling female singers of all-time. Many of Estefan's songs became international chart-topping hits, including "1-2-3", "Don't Wanna Lose You", "Coming Out of the Dark", "Turn the Beat Around", and "Heaven's What I Feel". Other hits include "Bad Boy", "Rhythm Is Gonna Get You", "Get On Your Feet", and "You'll Be Mine ".

<span class="mw-page-title-main">Ojos Así</span> 1999 single by Shakira

"Ojos Así" is a song by Colombian singer Shakira from her fourth studio album, Dónde Están los Ladrones? (1998). Infused with nuances of Arabic pop, the lyrics tell of the singer traveling the world but not having seen eyes like her lover's. It was released as the album's fifth single in October 1999 by Sony Discos. It was written by Shakira, composed and produced by her, Pablo Flores, and Javier Garza. The song was later adapted into English by Gloria Estefan as "Eyes Like Yours" and included on her first English studio album Laundry Service (2001).

<span class="mw-page-title-main">Ciega, Sordomuda</span> 1998 single by Shakira

"Ciega, Sordomuda" is a song by Colombian singer Shakira from her fourth studio album, Dónde Están los Ladrones? (1998). A pop rock track, it utilizes mariachi trumpets and lyrically equates total love to a person being blind, deaf, and mute. It was released as the album's lead single on 4 September 1998 by Columbia Records and Sony Discos. The lyrics were written by Shakira. Its music was co-composed by Shakira and Estéfano, while produced by the singer and Lester Méndez.

<i>Arrasando</i> 2000 studio album by Thalía

Arrasando is the seventh studio album by Mexican singer Thalía, released on 25 April 2000, by EMI Latin. She collaborated with producers like Emilio Estefan, Roberto Blades and Lawrence Dermer. In many interviews during the album launch, Thalía said that this album was different from her previous ones, because it shows her turn to a more dance/techno-influenced sound, describing it as a fusion between many types of music. Thalía co-wrote eight songs on the album, in addition, it includes two covers: the South African hit "Pata Pata" and Gloria Estefan's "Lucky Girl".

<i>Gloria!</i> 1998 studio album by Gloria Estefan

Gloria! is the eighth studio album released by Cuban-American singer-songwriter Gloria Estefan, released on June 2, 1998, by Epic Records.

<i>Alma Caribeña</i> 2000 studio album by Gloria Estefan

Alma Caribeña - Caribbean Soul is the ninth studio solo album and third Spanish album recorded by Cuban-American singer-songwriter Gloria Estefan. It was first released by Epic Records in France on May 9, 2000, and in North America on May 23, 2000.

<i>90 Millas</i> 2007 studio album by Gloria Estefan

90 Millas is the eleventh solo studio album by the Cuban-American singer-songwriter Gloria Estefan, and her fourth Spanish language album, coming after Mi Tierra, Abriendo Puertas and Alma Caribeña. It was released on September 17, 2007 by SonyBMG. All original material, the album contains a selection of various Cuban rhythms mixed with Latin-American contemporary pop.

<span class="mw-page-title-main">1st Annual Latin Grammy Awards</span> Music awards presented Sept 2000

The 1st Annual Latin Grammy Awards were held in Los Angeles at the Staples Center on Wednesday, September 13, 2000. The big winners were Luis Miguel, Santana and Maná with 3 awards; Juan Luis Guerra, Shakira, Fito Páez and Emilio Estefan Jr. received 2 awards each.

<span class="mw-page-title-main">Cómo Me Duele Perderte</span> 2000 single by Gloria Estefan

"Cómo Me Duele Perderte" is a song by Cuban American singer Gloria Estefan from her ninth studio album, Alma Caribeña (2000). The song was written by Marco Flores with her husband Emilio Estefan and Roberto Blades handling its production. It was released as the album's second single by Epic Records on July 10, 2000. "Cómo Me Duele Perderte" is a salsa and bachata track that narrates the singer in pain of losing someone. The song was met with unfavorable reactions from music critics who criticized its arrangements and the singer's efforts. Commercially, the song topped the Billboard Hot Latin Songs and Tropical Airplay charts in the United States, while also peaking at number 12 on the Dance Club Songs chart in the same country and number eight in Spain. The accompanying music video was directed by Emilio, filmed in Miami, Florida, and features dramatic scenes of Estefan in front of a mirror remembering her former lover.

<span class="mw-page-title-main">Abriendo Puertas (song)</span> 1995 single by Gloria Estefan

"Abriendo Puertas" is a song from Cuban American singer-songwriter Gloria Estefan's sixth studio album, of the same name (1995). The song was written by Kike Santander, who handled production alongside Gloria's husband Emilio Estefan. It was released as the lead single from the album on September 19, 1995. The song is a vallenato and son cubano tune that metaphorically deals with opening doors and closing wounds. Its music video features Estefan performing the song while also showing scenes of farmers planting crops. The song received positive reactions from music critics, who mostly praised the instruments. Commercially, it topped both Billboard's Hot Latin Songs and Tropical Airplay charts in the United States and peaked at number three on the Dance Club Songs chart as well.

<span class="mw-page-title-main">Píntame De Colores</span> 2008 single by Gloria Estefan

"Píntame De Colores" is a song recorded by Cuban-American singer Gloria Estefan for her fourth Spanish-language and eleventh studio album, 90 Millas. The song was written by Gloria Estefan and her husband, Emilio Estefan Jr. and Gaitanes and production was credited to Estefan Jr. and Gaitanes. The single was released by SonyBMG in November 2007 digitally as first promotional-only single from 90 Millas to Europe and third overall single to the United States.

<span class="mw-page-title-main">Con Los Años Que Me Quedan</span> 1993 single by Gloria Estefan

"Con Los Años Que Me Quedan" is a song by Cuban American singer Gloria Estefan from her third studio album, Mi Tierra (1993). The song was written by the artist and her husband Emilio Estefan, with Emilio, Jorge Casas, and Clay Ostwald handling its production. An English-language version titled "If We Were Lovers" was also recorded. It was released as the second single from the album in 1993 by Epic Records. A pop bolero ballad, it speaks of an melancholy lament. The song received positive reactions from music critics, who saw it as one of the best tracks from the album.

<span class="mw-page-title-main">Mi Tierra (song)</span> 1993 single by Gloria Estefan

"Mi Tierra" is a song by Cuban American singer Gloria Estefan, from her third studio album of the same name (1993). It was written by Estefano and the artist, with her husband Emilio Estefan, Jorge Casas, and Clay Ostwald handling the production. The song was released as the lead single from the album in 1993 by Epic Records. It is a son montuno track in which the singer narrates longing for her homeland. The song received positive reactions from music critics, who praised its arrangement.

<span class="mw-page-title-main">Gloria Estefan singles discography</span>

The discography of singles, promo singles, remixes and Latin tracks for Cuban-American singer Gloria Estefan and Miami Sound Machine consists of 50 singles and 24 promotional singles. Miami Sound Machine began releasing singles in 1977 and continued until 1989, when Estefan began being credited solely as a solo artist. Miami Sound Machine released a number of commercially successful singles through the late 1980s, including "Conga", "Dr. Beat", "Anything for You", and "Bad Boy". Although Miami Sound Machine was no longer featured in the credits of releases from 1989 onwards, they remain Estefan's backing group until this day, though none of the original members remain.

<span class="mw-page-title-main">Entre el Mar y una Estrella</span> 2000 single by Thalía

"Entre el Mar y una Estrella" is a song by Mexican singer Thalía from her sixth studio album, Arrasando (2000). It was released as the album's lead single on 27 March 2000 by EMI Latin. The song was written and co-produced by Emilio Estefan and Marco Flores. The track is a pop ballad that deals with lost love and the song was dedicated to her former lover, Alfredo Díaz Ordaz, who died in 1993.

<span class="mw-page-title-main">90 Millas World Tour</span> 2008–09 concert tour by Gloria Estefan

The 90 Millas World Tour is the seventh concert tour by singer and songwriter Gloria Estefan, the tour was performed primarily for her Spanish audience but also for the Dutch, Irish and British who have been her most ardent supporters.

<span class="mw-page-title-main">Vuélveme a Querer (Cristian Castro song)</span> 1995 single by Cristian Castro

"Vuélveme a Querer" is a song written and produced by Jorge Avendaño Lührs and performed by Mexican recording artist Cristian Castro for the compilation album Boleros: Por Amor y Desamor (1995). The song speaks of a protagonist who yearns for his lover to return. In the United States, the song peaked at number two on the Billboard Hot Latin Songs and number one on the Billboard Latin Pop Songs chart. It received a Billboard Latin Music Award and a Lo Nuestro nomination for Pop Song of the Year the following year. Avendaño received an award in the Pop/Rock category at the American Society of Composers, Authors and Publishers (ASCAP) Awards of 1997

Paquito Hechavarría was a Cuban pianist. Hechavarría built his career in Cuba by playing in some of the most popular orchestras, including Conjunto Casino, Orquesta Riverside and Los Armónicos. However, he is primarily known for his later work with Miami Sound Machine, the band that catapulted Gloria Estefan to international stardom. He has collaborated with popular artists such as David Byrne, Santana and Christina Aguilera.

The 8th annual Billboard Latin Music Awards which honor the most popular albums, songs, and performers in Latin music took place in Miami.

References

  1. 1 2 Ruhlmann, William. "Gloria Estefan - Alma Caribeña Album Reviews, Songs & More". AllMusic. Archived from the original on September 22, 2022. Retrieved May 7, 2023.
  2. ↑ Erlewine, Stephen Thomas. "Gloria Estefan - Gloria! Album Reviews, Songs & More". AllMusic. Archived from the original on February 27, 2023. Retrieved May 8, 2023.
  3. 1 2 Torres, Richard (May 28, 2000). "Latin Sounds: Gloria Estefan the Baladeer". Newsday . p. D25. Archived from the original on January 8, 2024. Retrieved May 7, 2023.
  4. 1 2 Cobo, Leila (May 11, 2000). "Gloria Estefan Stirs Latin Rhythms 'Alba Caribena'". Oshkosh Northwestern . p. C10. Retrieved May 8, 2023.
  5. ↑ Ruhlmann, William. "Original Soundtrack - Music of the Heart Album Reviews, Songs & More". AllMusic. Archived from the original on December 11, 2021. Retrieved May 8, 2023.
  6. ↑ Heiman, JD (December 1999). "All About Eve". US Weekly (263): 90–98. ISSN   1529-7497. ProQuest   236537780 . Retrieved May 9, 2024.
  7. ↑ Lannert, John (February 26, 2000). "Estefan to Open Latin Music Confab". Billboard. Vol. 112, no. 9. p. 46. ISSN   0006-2510. Archived from the original on October 16, 2023. Retrieved May 8, 2023.
  8. 1 2 3 Niurka, Norma (May 3, 2000). "Gloria caribeña". El Nuevo Herald (in Spanish). p. 101. Archived from the original on May 8, 2023. Retrieved May 8, 2023.
  9. ↑ Flick, Larry (May 6, 2000). "Epic's Estefan Blends Caribbean Sounds on Set" (PDF). Billboard. Vol. 112, no. 19. p. 132. Archived (PDF) from the original on January 8, 2024. Retrieved May 8, 2023.
  10. ↑ Martinez, Gerald (June 1, 2000). "Caribbean Soul!". Sunday Mail. p. 12. ProQuest   326211996. Archived from the original on October 16, 2023. Retrieved May 8, 2023.
  11. ↑ "Gloria Estefan Lets Her Alma Caribeña Shine". New York Daily News . June 4, 2000. Archived from the original on January 8, 2024. Retrieved May 8, 2023.
  12. ↑ "Trae Gloria sabor panameno". Reforma (in Spanish). April 2, 2000. p. 15. ProQuest   310424590. Archived from the original on October 16, 2023. Retrieved May 9, 2023.
  13. 1 2 Righi, Len (July 29, 2000). "Disc Reviews". The Morning Call . p. A51. Archived from the original on January 8, 2024. Retrieved May 8, 2023.
  14. ↑ "Proyectaran un programa especial de Gloria Estefan". El Siglo de Torreon (in Spanish). July 20, 2000. p. 34. Archived from the original on May 6, 2023. Retrieved May 7, 2023.
  15. 1 2 3 "Abre su 'alma caribena'". Palabra (in Spanish). March 28, 2000. p. 8. ProQuest   377137404. Archived from the original on October 16, 2023. Retrieved May 7, 2023.
  16. ↑ "1st Annual Latin Grammy Awards Winners". The New York Times. September 16, 2000. Archived from the original on July 10, 2021. Retrieved July 26, 2022.
  17. ↑ "Billboard Music Video Award Nominees". Billboard. Vol. 113, no. 34. August 25, 2001. p. 79. ISSN   0006-2510. Archived from the original on January 8, 2024. Retrieved May 9, 2023.
  18. ↑ Hay, Carla (2001). "Gorillaz, Fatboy Slim Top Video Awards". Billboard. Vol. 104. p. 10. ISSN   0006-2510. Archived from the original on February 9, 2022. Retrieved February 9, 2022.
  19. ↑ Aquilante, Dan (May 23, 2000). "Henley Does a Good 'Job'". New York Post . Archived from the original on May 7, 2023. Retrieved May 7, 2023.
  20. ↑ Virtue, Graeme (May 14, 2000). "Alma Caribea Gloria Estefan (Epic)". Sunday Herald . p. 11. ProQuest   331078936. Archived from the original on October 16, 2023. Retrieved May 7, 2023.
  21. ↑ Piccoli, Sean (May 23, 2000). "Estefan Goes Home with Soul". Sun-Sentinel . Retrieved May 11, 2024.
  22. ↑ Rodriguez, Cindy (July 14, 2000). "Estefan Continues Trend with 'Alma Caribena'". The Boston Globe . p. D16. ProQuest   405364853 . Retrieved May 7, 2023.
  23. ↑ "CD Reviews". Windsor Star . July 6, 2000. p. E6. ProQuest   254348227. Archived from the original on October 16, 2023. Retrieved May 7, 2023.
  24. ↑ Davis, Deborah (June 25, 2000). "Le falta un poco de alma". El Norte (in Spanish). p. 24. ProQuest   316015798. Archived from the original on October 16, 2023. Retrieved May 7, 2023.
  25. ↑ Portillo Jr., Ernesto (June 22, 2000). "Album Reviews". The San Diego Union-Tribune . p. NIGHT & DAY-29. ProQuest   271676520. Archived from the original on October 16, 2023. Retrieved May 7, 2023.
  26. ↑ Gardner, Elysa (May 30, 2000). "Hot Raps Crowd 'House'; Benson Picks 'Absolute' Winner". USA Today . p. 10D. ProQuest   408820597. Archived from the original on October 16, 2023. Retrieved May 7, 2023.
  27. ↑ Marymont, Mark (May 28, 2000). "At 74, King's Blues Strong as Ever". Springfield News-Leader . p. 5G. Archived from the original on January 8, 2024. Retrieved May 8, 2023.
  28. ↑ Teo, Kris (June 18, 2000). "The Definitive Wonder". Sunday Mail . p. 31. ProQuest   325005630. Archived from the original on October 16, 2023. Retrieved May 8, 2023.
  29. ↑ Obejas, Achy (August 6, 2000). "The Beat Goes on Albita Picks Up Where Estefan, Emilio and Gloria, Have Left Off". Chicago Tribune . p. 7.9. ProQuest   419205654. Archived from the original on October 16, 2023. Retrieved May 8, 2023.
  30. ↑ Spencer, Neil (May 14, 2000). "Arts: Music: Pop Releases Gloria Estefan Alma Caribena". The Observer . p. 10. ProQuest   250449959. Archived from the original on October 16, 2023. Retrieved May 7, 2023.
  31. ↑ Costa, Maddy (May 19, 2000). "Music: It Cuts Both Ways". The Guardian . p. FRIDAY16. ProQuest   245509499. Archived from the original on October 16, 2023. Retrieved May 8, 2023.
  32. ↑ "The Full List of Nominations". Los Angeles Times. July 8, 2000. Archived from the original on September 29, 2013. Retrieved November 21, 2013.
  33. ↑ Basham, David (September 14, 2000). "Santana, Luis Miguel, Maná Lead Latin Grammy Winners". MTV . Viacom Media Networks. Archived from the original on December 3, 2013. Retrieved November 21, 2013.
  34. ↑ "BMI Honors Top Latin Songwriters and Publishers at 8th Annual Awards Ceremony". BMI Awards. April 20, 2001. Archived from the original on October 19, 2021. Retrieved October 19, 2021.
  35. ↑ Cobo, Leila (April 28, 2001). "Billboard Awards Recognize The Best In Latin Music". Billboard. Vol. 113, no. 17. p. 56. ISSN   0006-2510. Archived from the original on January 8, 2024. Retrieved April 29, 2013.
  36. 1 2 "Gloria Estefan – No Me Dejes de Querer" Canciones Top 50. Retrieved May 7, 2023.
  37. ↑ "Gloria Estefan Chart History (Latin Pop Airplay)". Billboard. Archived from the original on February 5, 2021. Retrieved March 19, 2023.
  38. ↑ "Gloria Estefan Chart History (Tropical Airplay)". Billboard. Archived from the original on November 18, 2021. Retrieved March 19, 2023.
  39. 1 2 "Gloria Estefan Chart History (Hot 100)". Billboard. Retrieved May 7, 2023.
  40. 1 2 "Gloria Estefan – No Me Dejes de Querer" (in Dutch). Single Top 100. Retrieved May 7, 2023.
  41. 1 2 "Gloria Estefan – No Me Dejes de Querer". Swiss Singles Chart. Retrieved May 7, 2023.
  42. 1 2 "Gloria Estefan Chart History (Dance Club Songs)". Billboard. Retrieved May 7, 2023.
  43. ↑ "Gloria Estefan Chart History (Regional Mexican Airplay)". Billboard. Archived from the original on January 8, 2024. Retrieved March 19, 2023.
  44. ↑ Burr, Ramiro (June 10, 2000). "Perera Blends Jazz and Latin Pop". Billboard. Vol. 112, no. 24. p. 46. ISSN   0006-2510. Archived from the original on May 1, 2023. Retrieved April 30, 2023.
  45. ↑ No Me Dejes de Querer (Media notes). Gloria Estefan. United States: Epic Records. 2000. CDP-14314.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  46. ↑ "Gloria Estefan Chart History (Hot Latin Songs)". Billboard. Retrieved May 7, 2023.
  47. ↑ "The Year in Music: 2000". Billboard. Vol. 112, no. 53. December 30, 2000. pp. YE-72, 76, 78. ISSN   0006-2510. Archived from the original on August 24, 2022. Retrieved August 29, 2022.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.