Cuts Both Ways | ||||
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Studio album by | ||||
Released | July 10, 1989 [1] | |||
Recorded | 1988–1989 | |||
Studio | Criteria (Miami) | |||
Genre | Pop | |||
Length | 49:29 (CD) / 40:23 (LP) | |||
Label | Epic | |||
Producer |
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Gloria Estefan chronology | ||||
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Singles from Cuts Both Ways | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
Robert Christgau | C [3] |
Number One | [4] |
Cuts Both Ways is the debut solo album by American recording artist Gloria Estefan. Though the release marked the first time Estefan was billed as a solo artist, Miami Sound Machine still performed instrumentation for the album. It has sold over 4 million copies worldwide. [5]
In some Spanish-speaking territories, the album was titled Doblemente Herida.
In 1987, after a decade of being the lead singer of Miami Sound Machine, she was credited above the group name (Gloria Estefan and Miami Sound Machine) on their album Let It Loose . By 1989, Gloria Estefan was one of the most successful female Latin artists in the world. With the release of Cuts Both Ways, Estefan was marketed as a solo artist, but Miami Sound Machine continued to perform as her backing band in the studio and on tour (however, the only original member of MSM to play on the album besides Estefan was her husband/producer, Emilio).
The album reached the top ten on the US Billboard 200 chart and peaked at number 1 in the UK and Australia.
The first single from the album was "Don't Wanna Lose You", which became one of Estefan's biggest hits, reaching number 1 on the US Billboard Hot 100 (her second US number one) and was certified Gold by the RIAA. It also reached the top ten in the Netherlands, Ireland and the UK. Later releases from Cuts Both Ways were the commercially successful singles "Here We Are", "Oye mi Canto", and "Get on Your Feet". The title track was released as the final single from the album and was a number one hit on the Billboard Adult Contemporary chart.
Jon Secada provided background vocals for the album. Emilio Estefan, Jorge Casas and Clay Ostwald received a Grammy Award nomination for Producer of the Year, Non-Classical for their work in Cuts Both Ways. [6]
All tracks written by Gloria Estefan, except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Ay, Ay, I" | 3:49 | |
2. | "Here We Are" | 4:51 | |
3. | "Say" | Jon Secada, Bill Duncan | 3:41 |
4. | "Think About You Now" | Jorge Casas | 4:20 |
5. | "Nothin' New" | 3:50 | |
6. | "Oye Mi Canto (Hear My Voice)" (English version) | Estefan, Casas, Clay Ostwald | 4:52 |
7. | "Don't Wanna Lose You" | 4:12 | |
8. | "Get on Your Feet" | John DeFaria, Casas, Ostwald | 3:38 |
9. | "Your Love Is Bad For Me" | 3:50 | |
10. | "Cuts Both Ways" | 3:16 |
No. | Title | Writer(s) | Length |
---|---|---|---|
11. | "Oye Mi Canto" (Spanish version) | Estefan, Casas, Ostwald | 4:58 |
12. | "Si Voy A Perderte" ("Don't Wanna Lose You" Spanish version) | 4:07 |
No. | Title | Length |
---|---|---|
13. | "Ay, Ay, I" (extended mix) | 6:05 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Ay, Ay, I" | 3:49 | |
2. | "Si Voy A Perderte" ("Don't Wanna Lose You" Spanish version) | 4:07 | |
3. | "Say" | Secada, Duncan | 3:41 |
4. | "Think About You Now" | Casas | 4:20 |
5. | "Nothin' New" | 3:50 | |
6. | "Oye Mi Canto" (Spanish version) | Estefan, Casas, Ostwald | 4:52 |
7. | "Here We Are" | 4:51 | |
8. | "Get On Your Feet" | DeFaria, Casas, Ostwald | 3:38 |
9. | "Your Love Is Bad for Me" | 3:50 | |
10. | "Cuts Both Ways" | 3:16 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Ay, Ay, I" | 3:49 | |
2. | "Don't Wanna Lose You" | 4:07 | |
3. | "Say" | Secada, Duncan | 3:41 |
4. | "Think About You Now" | Casas | 4:20 |
5. | "Oye Mi Canto" (Spanish version) | Estefan, Casas, Ostwald | 4:52 |
6. | "Nothin' New" | 3:50 | |
7. | "Oye Mi Canto (Hear My Voice)" (English version) | Estefan, Casas, Ostwald | 4:51 |
8. | "Here We Are" | 4:51 | |
9. | "Get On Your Feet" | DeFaria, Casas, Ostwald | 3:38 |
10. | "Si Voy A Perderte" ("Don't Wanna Lose You" Spanish version) | 4:07 | |
11. | "Your Love Is Bad For Me" | 3:50 | |
12. | "Cuts Both Ways" | 3:16 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Ay, Ay, I" | 3:49 | |
2. | "Here We Are" | 4:51 | |
3. | "Say" | Secada, Duncan | 3:41 |
4. | "Think About You Now" | Casas | 4:20 |
5. | "Nothin' New" | 3:50 | |
6. | "Si Voy A Perderte" ("Don't Wanna Lose You" Spanish version) | 4:07 | |
7. | "Oye Mi Canto (Hear My Voice)" (English version) | Estefan, Casas, Ostwald | 4:51 |
8. | "Don't Wanna Lose You" | 4:07 | |
9. | "Get On Your Feet" | DeFaria, Casas, Ostwald | 3:38 |
10. | "Your Love Is Bad For Me" | 3:50 | |
11. | "Cuts Both Ways" | 3:16 | |
12. | "Oye Mi Canto" (Spanish version) | Estefan, Casas, Ostwald | 4:52 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Ay, Ay, I" | 3:49 | |
2. | "Toda Prá Você" ("Here We Are" Portuguese version) | Estefan, Reis | 4:51 |
3. | "Say" | Secada, Duncan | 3:41 |
4. | "Think About You Now" | Casas | 4:20 |
5. | "Nothin' New" | 3:50 | |
6. | "Oye Mi Canto (Hear My Voice)" (English version) | Estefan, Casas, Ostwald | 4:52 |
7. | "Don't Wanna Lose You" | 4:12 | |
8. | "Get On Your Feet" | DeFaria, Casas, Ostwald | 3:38 |
9. | "Amor Fatal" ("Your Love Is Bad for Me" Portuguese version) | Estefan, Reis | 3:50 |
10. | "Cuts Both Ways" | 3:16 | |
11. | "Se Tenho Que Te Perder" ("Don't Wanna Lose You" Portuguese version) | 4:07 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Ay, Ay, I" | 3:49 | |
2. | "Toda Prá Você" ("Here We Are" Portuguese version) | Estefan, Reis | 4:51 |
3. | "Say" | Secada, Duncan | 3:41 |
4. | "Think About You Now" | Casas | 4:20 |
5. | "Nothin' New" | 3:50 | |
6. | "Here We Are" | 4:51 | |
7. | "Se Tenho Que Te Perder" ("Don't Wanna Lose You" Portuguese version) | 4:07 | |
8. | "Your Love Is Bad For Me" | 3:50 | |
9. | "Oye Mi Canto (Hear My Voice)" (English version) | Estefan, Casas, Ostwald | 4:52 |
10. | "Don't Wanna Lose You" | 4:12 | |
11. | "Get On Your Feet" | DeFaria, Casas, Ostwald | 3:38 |
12. | "Amor Fatal" ("Your Love Is Bad For Me" Portuguese version) | Estefan, Aloysio Reis | 3:50 |
13. | "Cuts Both Ways" | 3:16 | |
14. | "Oye Mi Canto" (Spanish version) | Estefan, Casas, Ostwald | 4:58 |
15. | "Si Voy A Perderte" ("Don't Wanna Lose You" Spanish version) | 4:07 |
# | Title | Date |
---|---|---|
1. | "Don't Wanna Lose You / Si Voy A Perderte" | June 21, 1989 |
2. | "Get on Your Feet" | September 30, 1989 (US) |
3. | "Here We Are" | December 1989 (US) |
4. | "Oye Mi Canto (Hear My Voice)" | April 1990 (US) |
5. | "Cuts Both Ways" | June 1990 (US) |
Region | Date |
---|---|
United States | July 10, 1989 |
Europe | July 10, 1989 |
Japan | July 12, 1989 |
United Kingdom | July 24, 1989 [7] |
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [28] | 3× Platinum | 210,000^ |
Canada (Music Canada) [29] | Platinum | 100,000^ |
Finland (Musiikkituottajat) [30] | Gold | 35,476 [30] |
Germany (BVMI) [31] | Gold | 250,000^ |
Japan (RIAJ) [32] | Gold | 100,000^ |
New Zealand (RMNZ) [33] | Platinum | 15,000^ |
Netherlands (NVPI) [34] | Platinum | 100,000^ |
Spain (PROMUSICAE) [35] | Platinum | 150,000 [36] |
Sweden (GLF) [37] | Gold | 50,000^ |
Switzerland (IFPI Switzerland) [38] | Gold | 25,000^ |
United Kingdom (BPI) [39] | 3× Platinum | 900,000^ |
United States (RIAA) [40] | 3× Platinum | 3,000,000^ |
^ Shipments figures based on certification alone. |
Miami Sound Machine was an American Latin pop band of Latin-influenced music that featured the vocals of Cuban-born recording artist Gloria Estefan. Established in 1975 by Emilio Estefan, the band was originally known as the Miami Latin Boys before becoming the Miami Sound Machine in 1977.
"Get on Your Feet" is a song by Cuban-American singer and songwriter Gloria Estefan. It was released in September 1989 by Epic Records in the US, Japan, and the UK, and in 1990 in Continental Europe as the second single from her debut solo album, Cuts Both Ways (1989). The song was written by John DeFaria, Jorge Casas and Clay Ostwald, and produced by Emilio Estefan, Jr., Casas and Ostwald. A rerecorded version was included on her 2020 album Brazil305.
The album discography of the Cuban-American singer Gloria Estefan consists of fourteen studio albums, fourteen compilations, and four EPs. Estefan's career sales is estimated at over 120 million records sold worldwide which made her one of the most successful female Latin crossover artists. According to RIAA, Estefan has sold 15.5 million certified albums in the United States. Hailed as the reigning "Queen of Latin Pop", she has achieved 38 number one hits across all Billboard charts. Billboard listed her as the 23rd Greatest of all-time Latin artist.
"Oye Mi Canto (Hear My Voice)" is a song by Cuban-American singer-songwriter Gloria Estefan, released as a single from her debut solo album, Cuts Both Ways (1989). It was the second single in the UK, released on September 4, 1989, and throughout Europe in September and October 1989. In the US, it was the fourth single from the album and was released in March 1990.
"Cuts Both Ways" is a song by Cuban-American singer Gloria Estefan, released in 1990 worldwide as the fifth and final single from her debut solo album, Cuts Both Ways (1989). It had moderate success in the US, becoming a number one hit on the Billboard Adult Contemporary chart, while reaching #44 on the US Billboard Hot 100 and #48 on the US Cash Box Top 100 The single, even with its success, was not included on the US release of the Gloria Estefan Greatest Hits album, but was included in The Essential Gloria Estefan and iTunes Originals: Gloria Estefan. A rerecorded version was also included on Estefan's 2020 album, Brazil305.
Into the Light is the second studio solo album released by American singer Gloria Estefan, but is the 14th overall, released on January 22, 1991, by Epic Records. The album reached number five on the US Billboard 200, becoming her most successful album on the chart.
"Coming Out of the Dark" is a song by Cuban-American singer and songwriter Gloria Estefan. It was released on January 10, 1991, worldwide by Epic Records as the leading and first single from her second album, Into the Light (1991). It was written by Estefan with her husband Emilio Estefan, Jr. and Jon Secada, and produced by Estefan Jr., Jorge Casas and Clay Ostwald. It became the singer's third number one in the United States and second number one in Canada. The song is a soul ballad which includes the use of a choir. Among the voices in the choir are Estefan's colleague, the Cuban singer Jon Secada, and the R&B singer Betty Wright. The song's accompanying music video received heavy rotation on MTV Europe.
Greatest Hits is a compilation album by Cuban-American singer-songwriter Gloria Estefan, released on October 30, 1992, by Epic Records. The album includes songs with soft rock influenced sounds as well as more upbeat Latin pop works inspired by dance music. The tracks were gathered from various releases over the 1985 to 1992 period.
Mi Tierra is the third studio album by Cuban-American recording artist Gloria Estefan, released on June 22, 1993, by Epic Records. Produced by husband Emilio Estefan, it is a Spanish-language album and pays homage to her Cuban roots. The album features Cuban musical genres, including boleros, danzón and son music. Recorded at Crescent Moon Studios in Miami, Florida, Mi Tierra features notable Latin musicians such as Tito Puente, Arturo Sandoval, Cachao López, Chamin Correa and Paquito D'Rivera.
Hold Me, Thrill Me, Kiss Me is the fifth studio solo album and first cover album by Cuban-American singer Gloria Estefan, released in October 1994. It is Estefan’s 17th album overall.
Abriendo Puertas is a 1995 album released by Gloria Estefan. It is her sixth studio album as a soloist and second Spanish language album released.
Destiny is the seventh studio solo album released by Cuban-American singer Gloria Estefan, but is the nineteenth of her career overall. It shipped 1.6 million copies worldwide in its first month of release.
Gloria! is the eighth studio album released by Cuban-American singer-songwriter Gloria Estefan, released on June 2, 1998, by Epic Records.
Amor y Suerte: Éxitos Romanticos is the fourth compilation album released by American singer Gloria Estefan, but is the twenty-fifth album overall. It released in 2004. The album was released in some European countries with the alternate title Amor y Suerte: The Spanish Love Songs. It Released internationally by Sony Discos except in Japan where the album was released by Epic Records/Sony Music Japan International. The album was released with a Limited Edition Bonus DVD in the U.S., Europe, and Mexico that contained music videos.
"Mi Buen Amor" is a song by Cuban American singer Gloria Estefan from her third studio album Mi Tierra (1993). It was written by Estefano and the artist with her husband Emilio Estefan, Jorge Casas, and Clay Ostwald handling its production. It was released as the sixth single from the album in 1993 by Epic Records. It is a danzonete ballad, that according to a music journalist, speaks of a "romantic ode". Music critics gave it a positive reaction who found it delicate. Commercially, it topped the Billboard Hot Latin Songs chart in the United States. The accompanying music video features the artist in an empty ballroom. "Mi Buen Amor" was acknowledged as an award-winning song at the 1995 BMI Latin Awards.
Jon Secada is the English-language debut album by Cuban American pop singer Jon Secada, released in 1992. The album features four singles that reached the Top 40 on the US Billboard Hot 100 or the Top 10 on Billboard's Adult Contemporary chart, including "Just Another Day", which was also a big hit worldwide. The album was certified 3× Platinum by the RIAA. It peaked at number 15 on the Billboard 200 album chart in March 1993. At the 5th Lo Nuestro Awards, the album won the award for "Pop Album of the Year".
"Mi Tierra" is a song by Cuban American singer Gloria Estefan, from her third studio album of the same name (1993). It was written by Estefano and the artist, with her husband Emilio Estefan, Jorge Casas, and Clay Ostwald handling the production. The song was released as the lead single from the album in 1993 by Epic Records. It is a son montuno track in which the singer narrates longing for her homeland. The song received positive reactions from music critics, who praised its arrangement.
The discography of singles, promo singles, remixes and Latin tracks for Cuban-American singer Gloria Estefan and Miami Sound Machine consists of 50 singles and 24 promotional singles. Miami Sound Machine began releasing singles in 1977 and continued until 1989, when Estefan began being credited solely as a solo artist. Miami Sound Machine released a number of commercially successful singles through the late 1980s, including "Conga", "Dr. Beat", "Anything for You", and "Bad Boy". Although Miami Sound Machine was no longer featured in the credits of releases from 1989 onwards, they remain Estefan's backing group until this day, though none of the original members remain.
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