"Mi Tierra" | ||||
---|---|---|---|---|
Single by Gloria Estefan | ||||
from the album Mi Tierra | ||||
Released | 1993 | |||
Studio | Crescent Moon Studios, Miami, Florida | |||
Genre | Son montuno | |||
Length | 4:38 | |||
Label | Epic | |||
Songwriter(s) |
| |||
Producer(s) |
| |||
Gloria Estefan singles chronology | ||||
| ||||
Music video | ||||
"Mi Tierra" on YouTube |
"Mi Tierra" (transl. "My Homeland") [1] is a song by Cuban American singer Gloria Estefan, from her third studio album of the same name (1993). It was written by Estefano and the artist, with her husband Emilio Estefan, Jorge Casas, and Clay Ostwald handling the production. The song was released as the lead single from the album in 1993 by Epic Records. It is a son montuno track in which the singer narrates longing for her homeland. The song received positive reactions from music critics, who praised its arrangement.
"Mi Tierra" received the Lo Nuestro Award for Tropical Song of the Year in 1994, Tropical/Salsa Song of the Year at the 1994 Billboard Latin Music Awards, and was acknowledged as an award-winning song at the 1995 BMI Latin Awards. Commercially, the song topped the Billboard Hot Latin Songs chart in the United States and ranked on several European countries' listings. The accompanying music video was directed by Alberto Tolot and features Gloria Estefan performing the song along with several musicians in the background. The song has been covered live by Ednita Nazario and Víctor Manuelle, respectively.
In January 1993, Gloria Estefan announced that she was working on a Spanish-language album titled Mi Tierra. [2] The artist had wanted to record a Spanish-language album reflecting her Cuban heritage since the beginning of her musical career. [3] Before recording in English, Estefan and her band performed at Latin nightclubs; [4] she also remembered her grandmother teaching her old Cuban songs. Music had an important role in Estefan's family; her paternal grandmother was a poet, and an uncle played the flute in a salsa band. [3] The singer's desire to record an album in Spanish was also influenced by her son Nayib; she wanted him to recognize his Cuban heritage. [4]
Mi Tierra was produced by Gloria's husband, Emilio Estefan, and fellow Miami Sound Machine members Clay Ostwald and Jorge Casas. [5] Recording took place at the Crescent Moon Studios in Miami, Florida. [1] Colombian musician Estefano composed four of the album's songs, including the title track, which he co-wrote with Estefan. [6] Musically, "Mi Tierra" is a "straightforward hard-montuno strut celebrating love and longing for the old country". [7] Estefan noted that the song could apply to any immigrant, "the song wasn't just for a Cuban", [8] citing Estefano's Colombian origin. "[S]o for him it meant something else. We wanted something that could catch the feeling of nostalgia felt by every Hispanic immigrant, no matter where he comes from", she added. [9]
AllMusic editor Jose F. Promis called the song as "anthemic" and referred to it as one of the album's "happy upbeat songs". [6] Larry Flick from Billboard called the song "genius". Of the club remix, he said it is "effectively reconstructed for her newly rediscovered club following. Track tempers the original song's kinetic percussion and Glo's fierce singing with a wriggling deep-house groove and ambient keyboards." [10] The Daily Vault's Mark Millan called the song "intoxicating". [11] Anne Hurley from Entertainment Weekly stated that "moods flow from intense yearning" and it is a "meditation on longing for one's homeland". [12] The Miami Herald reviewer Mario Tarradell felt that Estefan "rips through the fierce beat of the title track". [13] In an otherwise negative review of the album, "Mi Tierra" was the only track that The Morning Call critic Clarence Elie-Rivera enjoyed, calling it an "upbeat dance tune". [14]
Chuck Campbell of the Knoxville News Sentinel called "Mi Tierra" a "poignant" song that gives a "provocative look at the Cuban motherland from an expatriate standpoint". [15] In his weekly UK chart commentary, James Masterton noted, "It is the first time she has ever charted a single sung in Spanish, which may restrict its appeal somewhat." [16] Alan Jones from Music Week gave the song three out of five stars, adding that "the older occasional singles buyer will be lured to this by its traditional Latin-drenched original mix, while dance fans will skip it for Tommy Musto and Pablo Flores' muscular house mixes. Regular Estefan fans are more likely to give it a miss altogether." [17] The Pittsburgh Post-Gazette critic Betsy Kline referred it as one of the album's three best tracks. [18] Tim Jeffery from the Record Mirror Dance Update described the song as "a nice summery Latin number". [19]
At the 6th Annual Lo Nuestro Awards in 1994, "Mi Tierra" won Tropical Song of the Year. [20] In the same year, it was the Tropical/Salsa Song of the Year at the inaugural Billboard Latin Music Awards. [21] The song was acknowledged as an award-winning song at the 1995 BMI Latin Awards. [22]
"Mi Tierra" was as released as the album's lead single in 1993 by Epic Records. [23] The accompanying music video was directed by Alberto Tolot and features Estefan performing the song in a nightclub along with several musicians in the background. [24] [25] A re-recording of the song was included on her 14th studio album Brazil305 (2020) and incorporates Brazilian music. [26] Estefan performed the track live at the 36th Annual Grammy Awards in 1994, where she also won the Grammy Award for Best Tropical Latin Album for Mi Tierra. [27]
As part of the Latin Recording Academy tribute to Estefan, who was presented with the Person of the Year accolade in 2008, Puerto Rican singer Ednita Nazario sung a live cover version of "Mi Tierra". [28] On the following day, Estefan performed it on the 9th Annual Latin Grammy Awards ceremony along with "No Llores" and "Oye Mi Canto". [29] Ten years later, she was honored with the Lo Nuestro Excellence Award by Univision along with her husband and the track was performed by Puerto Rican singer Víctor Manuelle during the 2018 Lo Nuestro Awards. [30]
In the United States, the song reached numbers one and five on the Billboard Hot Latin Songs and the Hot Dance Club Songs charts, respectively. [31] [32] "Mi Tierra" was the second best-performing Latin song in the country after "Me Estoy Enamorando" by La Mafia. [33] In Europe, the song peaked at number 77 on the Media Control charts in Germany, [34] 27th on the Mega Single Top 100 chart in the Netherlands, [35] and 36th on the UK Singles Chart. [36]
Adapted from the Mi Tierra liner notes: [1]
Weekly charts
| Year-end charts
|
Gloria María Milagrosa Estefan is a Cuban-American singer, actress, and businesswoman. Estefan is an eight-time Grammy Award winner, a Presidential Medal of Freedom recipient, and has been named one of the Top 100 greatest artists of all time by both VH1 and Billboard. Estefan's record sales exceed 100 million worldwide, making her one of the best-selling female singers of all time. Many of Estefan's songs became international chart-topping hits, including "1-2-3", "Don't Wanna Lose You", "Coming Out of the Dark", "Turn the Beat Around", and "Heaven's What I Feel". Other hits include "Bad Boy", "Rhythm Is Gonna Get You", "Get On Your Feet", and "You'll Be Mine ".
Christmas Through Your Eyes is the fourth solo studio album, and 16th overall, by Latin-American singer Gloria Estefan, released on September 27, 1993, by Epic Records. It is also Estefan's first Christmas album.
Mi Tierra is the third studio album by Cuban-American recording artist Gloria Estefan, released on June 22, 1993, by Epic Records. Produced by husband Emilio Estefan, it is a Spanish-language album and pays homage to her Cuban roots. The album features Cuban musical genres, including boleros, danzón and son music. Recorded at Crescent Moon Studios in Miami, Florida, Mi Tierra features notable Latin musicians such as Tito Puente, Arturo Sandoval, Cachao López, Chamin Correa and Paquito D'Rivera.
Abriendo Puertas is a 1995 album released by Gloria Estefan. It is her sixth studio album as a soloist and second Spanish language album released.
90 Millas is the eleventh solo studio album by the Cuban-American singer-songwriter Gloria Estefan, and her fourth Spanish language album, coming after Mi Tierra, Abriendo Puertas and Alma Caribeña. It was released on September 17, 2007 by SonyBMG. All original material, the album contains a selection of various Cuban rhythms mixed with Latin-American contemporary pop.
"No Me Dejes de Querer" is a song by Cuban-American singer Gloria Estefan from her ninth studio album, Alma Caribeña (2000). The song was written by the artist along with Roberto Blades and her husband Emilio Estefan. The latter two also handled the song's production. It was released as the album's lead single on March 27, 2000, by Epic Records. "No Me Dejes de Querer" is a son cubano and murga song in which the narrator pleads her lover to never stop loving her. The song was met with mostly positive reviews, which found it to be an upbeat number.
"Cómo Me Duele Perderte" is a song by Cuban American singer Gloria Estefan from her ninth studio album, Alma Caribeña (2000). The song was written by Marco Flores with her husband Emilio Estefan and Roberto Blades handling its production. It was released as the album's second single by Epic Records on July 10, 2000. "Cómo Me Duele Perderte" is a salsa and bachata track that narrates the singer in pain of losing someone. The song was met with unfavorable reactions from music critics who criticized its arrangements and the singer's efforts. Commercially, the song topped the Billboard Hot Latin Songs and Tropical Airplay charts in the United States, while also peaking at number 12 on the Dance Club Songs chart in the same country and number eight in Spain. The accompanying music video was directed by Emilio, filmed in Miami, Florida, and features dramatic scenes of Estefan in front of a mirror remembering her former lover.
"En El Jardín" is a song written by Kike Santander and performed by Mexican recording artist Alejandro Fernández. It was co-produced by Santander and Emilio Estefan and features Cuban-American singer Gloria Estefan. It was released as the second single from Me Estoy Enamorando by Sony Music Mexico in 1997. The song is a pop ballad and portrays both singers falling in love, as if the love blossomed from a garden. A music video featuring both artists was made for the track.
"Abriendo Puertas" is a song from Cuban American singer-songwriter Gloria Estefan's sixth studio album, of the same name (1995). The song was written by Kike Santander, who handled production alongside Gloria's husband Emilio Estefan. It was released as the lead single from the album on September 19, 1995. The song is a vallenato and son cubano tune that metaphorically deals with opening doors and closing wounds. Its music video features Estefan performing the song while also showing scenes of farmers planting crops. The song received positive reactions from music critics, who mostly praised the instruments. Commercially, it topped both Billboard's Hot Latin Songs and Tropical Airplay charts in the United States and peaked at number three on the Dance Club Songs chart as well.
"Mi Buen Amor" is a song by Cuban American singer Gloria Estefan from her third studio album Mi Tierra (1993). It was written by Estefano and the artist with her husband Emilio Estefan, Jorge Casas, and Clay Ostwald handling its production. It was released as the sixth single from the album in 1993 by Epic Records. It is a danzonete ballad, that according to a music journalist, speaks of a "romantic ode". Music critics gave it a positive reaction who found it delicate. Commercially, it topped the Billboard Hot Latin Songs chart in the United States. The accompanying music video features the artist in an empty ballroom. "Mi Buen Amor" was acknowledged as an award-winning song at the 1995 BMI Latin Awards.
"Tradición" ("Tradition") is a song by Cuban American singer and songwriter Gloria Estefan. It was released in 1993 as the third single from her first all Spanish-language album, Mi Tierra (1993). The song is heavily influenced by African and Cuban rhythms, and became the first song by Estefan to top the US Billboard Hot Dance Club Play chart, even though it was a Spanish language song. The single was released as a CD single and CD maxi, but some promotional singles were sent to clubs, the main reason why the song went to number-one on that chart for two weeks.
"Con Los Años Que Me Quedan" is a song by Cuban American singer Gloria Estefan from her third studio album, Mi Tierra (1993). The song was written by the artist and her husband Emilio Estefan, with Emilio, Jorge Casas, and Clay Ostwald handling its production. An English-language version titled "If We Were Lovers" was also recorded. It was released as the second single from the album in 1993 by Epic Records. A pop bolero ballad, it speaks of an melancholy lament. The song received positive reactions from music critics, who saw it as one of the best tracks from the album.
Otro Día Más Sin Verte, also called Sentir in Spain, is the Spanish-language debut album by Cuban singer Jon Secada. It was released on October 6, 1992, by EMI Latin to coincide with his English-language self-titled debut album, which was released in April 1992. The idea to release an all Spanish-language album was pitched by Secada's music mentor Emilio Estefan, after realizing that SBK Records have yet released such an album. Estefan presented Secada's proposal for a Spanish-language recording to the head of SBK, Charles Koppelman and then president of EMI Latin Jose Behar. Koppelman accepted the proposal after Behar stated that he could see "market potential" for Secada. With the help of Emilio's wife, Gloria Estefan, Secada translated selected compositions from his English-language debut album for Otro Día Más Sin Verte.
The discography of singles, promo singles, remixes and Latin tracks for Cuban-American singer Gloria Estefan and Miami Sound Machine consists of 50 singles and 24 promotional singles. Miami Sound Machine began releasing singles in 1977 and continued until 1989, when Estefan began being credited solely as a solo artist. Miami Sound Machine released a number of commercially successful singles through the late 1980s, including "Conga", "Dr. Beat", "Anything for You", and "Bad Boy". Although Miami Sound Machine was no longer featured in the credits of releases from 1989 onwards, they remain Estefan's backing group until this day, though none of the original members remain.
Donato & Estéfano was a Latin pop duo formed by the collaboration of Donato Poveda of Havana, Cuba, and Fabio Alfonso Salgado ("Estéfano"), a native of Cali, Colombia. Donato y Estefano released three studio albums through 1995–1999 and were nominated twice for Pop Group of the Year at the 8th (1996) and 9th (1997) Lo Nuestro Awards. Their Greatest Hits album was released in 2000.
Fabio Alonso Salgado, better known as Estéfano is a Colombian musician, singer-songwriter and record producer. Along with Donato Poveda formed the duo Donato y Estefano, releasing three studio albums through 1995–1999. After the duo disbanded he went on to pursue a solo career with his album Código Personal: A Media Vida released in 2005.
The 6th Lo Nuestro Awards ceremony, presented by the Univision, honored the best Latin music of 1993 and 1994 and took place on May 19, 1994, at a live presentation held at the James L. Knight Center in Miami, Florida. The ceremony was broadcast in the United States and Latin America by Univision.
This is a list of notable events in Latin music that took place in 1994.
"El Costo de la Vida" is a song by Dominican Republic singer-songwriter Juan Luis Guerra from his sixth studio album, Areíto (1992). The song was released as the album's third single in 1992 by Karen Records. It is a Spanish-language adaptation of soukous song "Kimia Eve" composed by Diblo Dibala. The song features Dibala on the guitar and is performed by Guerra as a merengue number. The lyrics to the song provides a social commentary to the rising cost of living, while Guerra denounces the dislevel of socioeconomics as well as political corruptions in Latin America. Guerra also references the racial identities of Latin America.