Mark Adams | |
---|---|
Born | 1949 |
Nationality | New Zealander |
Known for | Photography |
Notable work | Cook's Sites, Land of Memories |
Movement | Canterbury University School of Fine Arts, Christchurch |
Awards | Southland Art Foundation Artist in Residence, [1] Marti Friedlander Photographic Award, [2] Leverhulme Artist in Residence at the Museum of Archaeology and Anthropology, University of Cambridge [3] |
Mark Adams (born 1949) is one of New Zealand's most distinguished photographers.
He was born in Christchurch, New Zealand, and attended the Canterbury University School of Fine Arts from 1967–1970, majoring in graphic design to get access to photography.
I learned bugger all at art school. Tom Palaskas, a fellow student, taught me how to develop film and print. I taught myself how to use cameras. Then I discovered the art schools 4 x 5-inch Linhof plate camera and taught myself how to use that. That changed everything. That was the future. [4]
After art school Adams became interested in painting through a long-term friendship with the artist Tony Fomison and later Theo Schoon.
Best known for his work on documenting Samoan tatau (tattooing), Maori-Pakeha interactions around Rotorua, and historic sites around New Zealand, Adam's work has been extensively exhibited within New Zealand as well as Europe, Australia and South Africa. His work has also featured in Brazil's São Paulo biennale. [5] [6]
In 1997 Adams was awarded the Southland Art Foundation Artist in Residence award. [7]
His work is represented in most of New Zealand's major art institutions, including the Auckland Art Gallery Toi o Tamaki, Museum of New Zealand Te Papa Tongarewa and Christchurch Art Gallery.
In 2009, his photographs featured in a new book Tatau: Samoan Tattoo, New Zealand Art, Global Culture published by Te Papa Press, the publication arm of New Zealand's national museum. The book tells the story of Samoan master tattooist, the late Sua Sulu'ape Paulo II. [8]
Adams lived for many years in Auckland, New Zealand where he has also taught photography.
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The Peʻa is the popular name of the traditional male tatau (tattoo) of Samoa, also known as the malofie. It is a common mistake for people to refer to the pe'a as sogaimiti, because sogaimiti refers to the man with the pe'a and not the pe'a itself. It covers the body from the middle of the back to the knees, and consists of heavy black lines, arrows, and dots.
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Su'a Sulu'ape Paulo II was a tufuga ta tatau born in Matafa'a near Lefaga, Samoa but based in New Zealand since the 1970s. He was born into one of the leading families of tattooists tufuga ta tatau in Samoa. The tattooists in these families, are loosely organized in a guild like system of master and apprentices. In the late 20th and early 21st centuries tufuga ta tatau were known internationally for their culturally distinctive and highly skilled work. The word tattoo is believed to have originated from the word tatau. In Samoan mythology the origin of the tatau is told in a legend about two sisters, Tilafaiga and Taema who brought the tools and knowledge of tattooing to Samoa. The Samoan male tattoo (tatau) is the pe'a. The female tatau is the malu.
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