Mark Atkin | |
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Mark Atkin is a British filmmaker and director at Crossover Labs. He has directed and produced films, [1] [2] including co-producing The Big Melt and From the Sea to the Land Beyond , and organized film festival events. [3]
From 1998 – 2008 Atkin was a commissioning editor for TV and online at Australia's Special Broadcasting Service, where he worked to bring Taxi to the Dark Side and Waltz with Bashir to screens. [4] At SBS, he was also responsible for securing broadcast rights to early seasons of South Park. [5] During this time, in 2006, he attended Sheffield Doc/Fest's MeetMarket as a buyer. [6] In November 2008 he left SBS and began work at MeetMarket as producer and executive producer for three documentaries. [4] One was Digging for Grandad's Gold, in which Atkin journeys to Poland in search of valuables that his Jewish grandfather buried on the family property in 1939 before fleeing from the German invasion. [7] While in Sheffield Atkin also collaborated with Doc/Fest's director Heather Croall and Frank Boyd of Unexpected Media to create the film production company Crossover. [4]
Atkins is a marketplace consultant for the Australian International Documentary Conference, organising the international co-production market. He is also head of the Documentary Campus Masterschool and presents courses there. He ran workshops at Sheffield Doc/Fest in 2012 and 2013. [8] [9] After co-producing From the Sea to the Land Beyond, Atkin spoke about the project at TEDxSheffield in 2012.
In 2013 Atkin co-developed Animal Planet's Walking the Nile for Channel 4 in his role as multiplatform commissioning editor. [10]
In 2015 Atkin was the acting director of the Sheffield Doc/Fest, and in 2015 and 2016 he curated the virtual reality section of the festival. [11] [12] [13]
Peter Kenneth Wintonick was a Canadian independent documentary filmmaker based in Montreal. A winner of the 2006 Governor General's Award in Visual and Media Arts, former Thinker in Residence for the Premier of South Australia, prolific award-winning filmmaker, he was one of Canada's best known international documentarians.
The Adelaide Film Festival is a film festival usually held for two weeks in mid-October in cinemas in Adelaide, South Australia. Originally presented biennially in March from 2003, since 2013 AFF has been held in October. Subject to funding, the festival has staged full or briefer events in alternating years; some form of event has taken place every year since 2015. From 2022 it takes place annually. It has a strong focus on local South Australian and Australian produced content, with the Adelaide Film Festival Investment Fund (AFFIF) established to fund investment in Australian films.
Sheffield DocFest, is an international documentary festival and Industry Marketplace held annually in Sheffield, England.
Timothy Marc Plester is a British actor, playwright, and filmmaker, best known for the documentaries Way of the Morris and The Ballad of Shirley Collins - plus a multifarious number of cameo roles for film and TV.
Capturing Reality: The Art of Documentary is a film and website about documentary filmmaking, directed by Pepita Ferrari. Produced by the National Film Board of Canada, Capturing Reality explores the creative process of over 30 leading documentary filmmakers, combining interviews with excerpts from their films.
Violeta Ayala is a Bolivian-Australian Quechua filmmaker, artist and technologist. Her credits include Prison X – The Devil & The Sun (2021) and the documentaries La Lucha (2023), Cocaine Prison (2017), The Fight (2017), The Bolivian Case (2015), and Stolen (2009).
Amiel Courtin-Wilson is an Australian filmmaker. He has directed over 20 short films and several feature films. His debut feature film, Hail, premiered internationally at Venice Film Festival in 2011. He is also a musician, music producer, and visual artist.
Final Cut for Real ApS is a film production company based in Copenhagen, Denmark specializing in documentaries for the international market. The two Oscar-nominated groundbreaking documentaries The Act of Killing (2012) and The Look of Silence (2014) helped establish the company as a recognized provider of independent creative documentaries on the international stage. The recent years, Final Cut for Real has also expanded to fiction films and virtual reality. In 2019 Final Cut for Real Norway was established.
Highrise is a multi-year, multimedia documentary project about life in residential highrises, directed by Katerina Cizek and produced by Gerry Flahive for the National Film Board of Canada (NFB). The project, which began in 2009, includes five web documentaries—The Thousandth Tower, Out My Window, One Millionth Tower, A Short History of the Highrise and Universe Within: Digital Lives in the Global Highrise—as well as more than 20 derivative projects such as public art exhibits and live performances.
From The Sea to the Land Beyond: Britain's Coast on Film is a documentary feature film directed by Penny Woolcock, with an original soundtrack by British indie-rock band Sea Power. The project was produced by Heather Croall and Mark Atkin of Crossover to premiere at the Sheffield Doc/Fest as part of The Space project from the BBC and the Arts Council England. The film was edited by Alex Fry.
Lindsey Dryden is a British film director, producer and writer.
Heather Ann Croall is an international arts festival CEO and artistic director and documentary producer, best known for leading Sheffield Doc/Fest and Adelaide Fringe, and her work on live music / archive films including The Big Melt, From the Sea to the Land Beyond, Girt By Sea, From Scotland With Love, Atomic, Living in Dread and Promise
Charlie Phillips is the head of documentary acquisition and production and The Guardian, and a former deputy director of Sheffield Doc/Fest in the United Kingdom.
The Internet's Own Boy: The Story of Aaron Swartz is a 2014 American biographical documentary film about Aaron Swartz written, directed, and produced by Brian Knappenberger. The film premiered in the US Documentary Competition program category at the 2014 Sundance Film Festival on January 20, 2014.
The 50 Year Argument is a documentary film by Martin Scorsese and co-directed by David Tedeschi about the history and influence of the New York Review of Books, which marked its 50th anniversary in 2013. The documentary premiered in June 2014 at the Sheffield Doc/Fest and was soon screened in Oslo and Jerusalem before airing on the British Arena television series in July. It was also screened at the Telluride Film Festival and the Toronto International Film Festival and was seen at the New York Film Festival, in September, and at other film festivals. It first aired on HBO in September 2014 and was given other national broadcasts. It had a limited theatrical release in Toronto in 2015.
Maya Gallus is a Canadian documentary filmmaker, and co-founder of Red Queen Productions with Justine Pimlott. Her films have been screened at international film festivals, including Toronto International Film Festival, Montreal World Film Festival, Hot Docs Canadian International Documentary Festival, Sheffield Doc/Fest, SEOUL International Women’s Film Festival, Singapore International Film Festival, This Human World Film Festival (Vienna) and Women Make Waves (Taiwan), among others. Her work has also screened at the Museum of Fine Arts (Boston), Donostia Kultura, San Sebastián and Canada House UK, as well as theatrically in Tokyo, San Francisco, Key West and Toronto, and been broadcast around the world. She has won numerous awards, including a Gemini Award for Best Direction for Girl Inside, and has been featured in The Guardian, UK; Ms. (Magazine), Curve (Magazine), Bust (Magazine), Salon (Magazine), POV and The Walrus, among others. She is a Director/Writer alumna of the Canadian Film Centre and a participant in Women in the Director’s Chair. She will be honoured with a "Focus On" retrospective at the 2017 Hot Docs festival.
Justine Pimlott is a Canadian documentary filmmaker, and co-founder of Red Queen Productions with Maya Gallus. She began her career apprenticing as a sound recordist with Studio D, the women’s studio at the National Film Board of Canada (NFB), in Montreal. As a documentary filmmaker, her work has won numerous awards, including Best Social Issue Documentary at Hot Docs Canadian International Documentary Festival and Best Canadian Film at Inside Out Film and Video Festival for Laugh in the Dark, which critic Thomas Waugh described, in The Romance of Transgression in Canada as "one of the most effective and affecting elegies in Canadian queer cinema." Her films have screened internationally at Sheffield Doc/Fest, SEOUL International Women’s Film Festival, Women Make Waves (Taiwan), This Human World Film Festival (Vienna), Singapore International Film Festival, among others, and have been broadcast around the world.
Adam Benzine is a British filmmaker and journalist. He received critical appraisal and widespread acclaim for his HBO documentary Claude Lanzmann: Spectres of the Shoah, which examined the life and work of French director Claude Lanzmann. The film earned Benzine an Oscar nomination in the Best Documentary category at the 88th Academy Awards, in addition to nominations from the Grierson Awards, the Canadian Screen Awards, the IDA Documentary Awards, the Banff Rockie Awards and the Cinema Eye Honors.
Pavel Cuzuioc is an Austrian, Moldovan, Romanian filmmaker.
Dieudo Hamadi is a documentary filmmaker from the Democratic Republic of the Congo.