Mark Jenkins (born 1960) is a Welsh musician and music writer. He has written interviews and instrument reviews for UK and international magazines including Melody Maker , New Musical Express , Music Week , International Musician , Keyboard (US), and Mac Format , and has also written a book, Analog Synthesizers, 2nd Edition 2019. [1] He currently writes for the US magazine, Synth & Software. [2]
Jenkins studied a Combined Arts course at university; he worked in the university television and electronic music studios to create his first live performances. Graduating with a BA Honours degree, he became Music Editor of the magazine Electronics & Music Maker. Working on other publications he interviewed artists including Philip Glass, Depeche Mode, Isao Tomita, Karlheinz Stockhausen and Duran Duran and reviewed instruments from Moog Music, Yamaha, Roland, Sequential Circuits and others. Many of these features have been archived by the Muzines website. [3] He gave further live performances at London Olympia, the London Planetarium and the Queen Elizabeth Hall among other venues.
Jenkins formed the label AMP Music in 1983. He has performed with David Vorhaus as White Noise at venues including the Bochum Planetarium, Germany, and the All Tomorrow's Parties festival. He also performed at the Peter Harrison Planetarium at The Royal Observatory in 2009. [4] In 2012 Taylor & Francis published a new book by Jenkins, iPad Music following his release of the world's first all-iPad CD album in October 2010, and the Analog Synthesizers book was revised and updated interviewing artists such as Suzanne Ciani, Paul Haslinger, Hans Zimmer and the composers of Stranger Things in 2019.
In 2020 Mark Jenkins launched the ZyXyZ Books imprint with the matching volumes "Tangerine Dream: 50 Years - The Ultimate Discography", "Klaus Schulze: 50 Years - The Ultimate Discography" and "Kraftwerk: 50 Years - The Ultimate Discography". All three books were sold around the world through Amazon.
Mark Jenkins lives in London and performs worldwide.
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener.
Robert Arthur Moog was an American engineer and electronic music pioneer. He was the founder of the synthesizer manufacturer Moog Music and the inventor of the first commercial synthesizer, the Moog synthesizer, which debuted in 1964. In 1970, Moog released a more portable model, the Minimoog, described as the most famous and influential synthesizer in history. Among Moog's honors are a Technical Grammy Award, received in 2002, and an induction into the National Inventors Hall of Fame.
Digital music technology encompasses digital instruments, computers, electronic effects units, software, or digital audio equipment by a performer, composer, sound engineer, DJ, or record producer to produce, perform or record music. The term refers to electronic devices, instruments, computer hardware, and software used in performance, playback, recording, composition, mixing, analysis, and editing of music.
Synth-pop is a genre of new wave and pop music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s.
An analogsynthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically.
The Minimoog is an analog synthesizer first manufactured by Moog Music between 1970 and 1981. Designed as a more affordable, portable version of the modular Moog synthesizer, it was the first synthesizer sold in retail stores. It was first popular with progressive rock and jazz musicians and found wide use in disco, pop, rock and electronic music.
Klaus Schulze was a German electronic music pioneer, composer and musician. He also used the alias Richard Wahnfried and was a member of the Krautrock bands Tangerine Dream, Ash Ra Tempel, and The Cosmic Jokers before launching a solo career consisting of more than 60 albums released across six decades.
Isao Tomita, often known simply as Tomita, was a Japanese composer, regarded as one of the pioneers of electronic music and space music, and as one of the most famous producers of analog synthesizer arrangements. In addition to creating note-by-note realizations, Tomita made extensive use of the sound-design capabilities of his instrument, using synthesizers to create new sounds to accompany and enhance his electronic realizations of acoustic instruments. He also made effective use of analog music sequencers and the Mellotron, and featured futuristic science-fiction themes, while laying the foundations for synth-pop music and trance-like rhythms. Many of his albums are electronic versions and adaptations of familiar classical music pieces. He received four Grammy Award nominations for his 1974 album based on music by Claude Debussy, Snowflakes Are Dancing.
The Yamaha CS-80 is an analog synthesizer released in 1977. It supports true 8-voice polyphony, with two independent synthesizer layers per voice each with its own set of front panel controls, in addition to a number of hardwired preset voice settings and four parameter settings stores based on banks of subminiature potentiometers.
The Jupiter-8, or JP-8, is an eight-voice polyphonic analog subtractive synthesizer introduced by Roland Corporation in early 1981.
Moog Music Inc. is an American synthesizer company based in Asheville, North Carolina. It was founded in 1953 as R. A. Moog Co. by Robert Moog and his father and was renamed Moog Music in 1972. Its early instruments included the Moog synthesizer, followed by the Minimoog in 1970, two of the most influential electronic instruments of all time.
The Moog synthesizer is a modular synthesizer invented by the American engineer Robert Moog in 1964. Moog's company, R. A. Moog Co., produced numerous models from 1965 to 1981, and again from 2014. It was the first commercial synthesizer and established the analog synthesizer concept.
The Yamaha GX-1, first released as Electone GX-707, is an analog polyphonic synthesizer organ developed by Yamaha as a test bed for later consumer synths and Electone series organs for stage and home use. The GX-1 has four synthesizer "ranks" or three manuals, called Solo, Upper, and Lower, plus Pedal, and an analog rhythm machine. The GX-707 first appeared in 1973 as a "theatre model" for use on concert stages, before the GX-1 was publicly released in 1975.
Arturia is a French electronics company founded in 1999 and based in Grenoble, France. The company designs and manufactures audio interfaces and electronic musical instruments, including software synthesizers, drum machines, analog synthesizers, digital synthesizers, MIDI controllers, sequencers, and mobile apps.
The Moog Sonic Six is a duophonic analog synthesizer that was manufactured by Moog Music from 1972 to 1979. Because of its portable design and built-in speaker, the Sonic Six was widely used for lectures and educational purposes, often by Bob Moog himself.
Roger Powell is an American musician, programmer, and magazine columnist best known for his membership with the rock band Utopia.
A synthesizer is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments and may be synchronized to other equipment via MIDI.
The use of electronic music technology in rock music coincided with the practical availability of electronic musical instruments and the genre's emergence as a distinct style. Rock music has been highly dependent on technological developments, particularly the invention and refinement of the synthesizer, the development of the MIDI digital format and computer technology.
The Roland RS-202 was a polyphonic string synthesizer, introduced by Roland in 1976. It was the successor to the Roland RS-101, released in 1975.
A string synthesizer or string machine is a specialized synthesizer designed specifically to make sounds similar to that of a string orchestra. Dedicated string synthesizers occupied a specific musical instrument niche between electronic organs and general-purpose synthesizers in the 1970s and early 1980s, until advances in digital signal processing technology allowed the production of inexpensive general-purpose polyphonic synthesizers and samplers, which made the existence of a separate type of instrument unnecessary.