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Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics in its creation. It includes both music made using electronic and electromechanical means. Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and electric guitar.
The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programmes such as Doctor Who and Quatermass and the Pit during the 1950s and 1960s.
Delia Ann Derbyshire was an English musician and composer of electronic music. She carried out notable work with the BBC Radiophonic Workshop during the 1960s, including her electronic arrangement of the theme music to the British science-fiction television series Doctor Who. She has been referred to as "the unsung heroine of British electronic music", having influenced musicians including Aphex Twin, the Chemical Brothers and Paul Hartnoll of Orbital.
Krautrock is a broad genre of experimental rock that developed in West Germany in the late 1960s and early 1970s. It originated among artists who blended elements of psychedelic rock, avant-garde composition, and electronic music, among other eclectic sources. Common elements included hypnotic rhythms, extended improvisation, musique concrète techniques, and early synthesizers, while the music generally moved away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can, Faust, Tangerine Dream, Kraftwerk, Cluster, Ash Ra Tempel, Popol Vuh, Amon Düül II and Harmonia.
Noise rock is a noise-oriented style of experimental rock that spun off from punk rock in the 1980s. Drawing on movements such as minimalism, industrial music, and New York hardcore, artists indulge in extreme levels of distortion through the use of electric guitars and, less frequently, electronic instrumentation, either to provide percussive sounds or to contribute to the overall arrangement.
The VCS 3 is a portable analog synthesizer with a flexible modular voice architecture introduced by Electronic Music Studios (EMS) in 1969.
Paul Henry Beaver Jr. was an American musician who was a pioneer in popular electronic music, using the Moog synthesizer. From 1967, Beaver collaborated with Bernie Krause as the recording duo Beaver & Krause.
Electronic Music Studios (EMS) is a synthesizer company formed in Putney, London in 1969 by Peter Zinovieff, Tristram Cary and David Cockerell. It is now based in Ladock, Cornwall.
Electronic Sound is the second studio album by the English rock musician George Harrison. Released in May 1969, it was the last of two LPs issued on the Beatles' short-lived Zapple record label, a subsidiary of Apple Records that specialised in the avant-garde. The album is an experimental work comprising two lengthy pieces performed on a Moog 3-series synthesizer. It was one of the first electronic music albums by a rock musician, made at a time when the Moog was usually played by dedicated exponents of the technology. Harrison subsequently introduced the Moog to the Beatles' sound, and the band featured synthesizer for the first time on their 1969 album Abbey Road.
The Doctor Who theme music is a piece of music written by Australian composer Ron Grainer and realised by Delia Derbyshire at the BBC Radiophonic Workshop. Created in 1963, it was the first electronic music signature tune for television. It is used as the theme for the science fiction programme Doctor Who, and has been adapted and covered many times.
Brian Hodgson is a British television composer and sound technician. Born in Liverpool in 1938, Hodgson joined the BBC Radiophonic Workshop in 1962 where he became the original sound effects creator for the science fiction programme Doctor Who. He devised the sound of the TARDIS and the voices of the Daleks, which he created by distorting the actors' voices and feeding them through a ring modulator. he also effectively scored four serials under the credit of "Special Sound". He continued to produce effects for the programme until 1972 when he left the Workshop, leaving Dick Mills to produce effects for the remainder of the show's run.
Don Harper was an Australian jazz violinist and composer. During his long and diverse career, both in his native Australia and in the UK, he was a regular on radio and TV music shows, and recorded many albums as a solo performer or as leader of a group. He also composed themes for TV shows including World of Sport and Champion House, as well as incidental music for the 1968 Doctor Who story The Invasion.
Out of This World is a 1976 British commercial LP release of atmospheric sounds and effects from the library of the BBC Radiophonic Workshop. The album was divided into four sections, each representing a different theme: "Outer Space", "Magic and Fantasy", "Suspense and the Supernatural" and "The Elements".
Doctor Who at the BBC Radiophonic Workshop Volume 2: New Beginnings 1970–1980 is the second in a series of compilations of BBC Radiophonic Workshop music from Doctor Who. The album collected various incidental music from the 1970s including, for the first time, the complete Malcolm Clarke score for the 1972 serial The Sea Devils, only the second scored completely by the Radiophonic Workshop. The compilation also featured a few of Dudley Simpson's compositions as realised by Brian Hodgson, some Delia Derbyshire music as featured in Inferno, two Peter Howell demos from 1979 and a selection of Dick Mills' sound effects from the era.
An Electric Storm is the debut album by electronic music group White Noise.
Peter Zinovieff was a British composer, musician and inventor. In the late 1960s, his company, Electronic Music Studios (EMS), made the VCS3, a synthesizer used by many early progressive rock bands such as Pink Floyd and White Noise, and Krautrock groups as well as more pop-orientated artists, including Todd Rundgren and David Bowie. In later life, he worked primarily as a composer of electronic music.
A synthesizer is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI.
Silver Apples of the Moon is the debut album by American composer and musician Morton Subotnick, released by Nonesuch Records in July 1967. It contains the titular composition which is divided into two parts. A showcase for the Buchla 100 synthesizer, an early analogue synthesizer that the composer helped develop, it was the first piece of electronic music commissioned by a record company.
"On the Run" is the third track from English rock band Pink Floyd's 1973 album, The Dark Side of the Moon. It is an instrumental piece performed on an EMS synthesizer. It deals with the pressures of travel, specifically air travel, which according to Richard Wright, would often bring fear of death. The basic idea was first developed by David Gilmour, but improved with a different note sequence by Roger Waters, earning both a writing credit.
Forever Alien is the third studio album by British space rock band Spectrum, a project led by Peter Kember under the pseudonym Sonic Boom. It was released in August 1997 by Space Age Records. After the band's preceding EP Songs for Owsley (1996) moved them away from guitar-oriented music and towards electronic music, Forever Alien furthered this approach considerably, as Kember aimed to create a predominately electronic album that sounded organic and analogue in style. The record is dominated by vintage analogue synthesizers, including the EMS VCS 3 and EMS Synthi AKS. Kember had become fascinated by the synths as he felt they presented him with more musical possibilities than guitars.
References
- ↑ Reynolds, Simon (22 April 2007). "King of the Cosmos early progressive rock". The Guardian . Retrieved 20 May 2021.
- 1 2 Pattison, Louis (2007). "White Noise - An Electric Storm". BBC.
- ↑ "Unit Delta Plus". delia-derbyshire.org. Retrieved 7 May 2017
- ↑ "The 50 Most Influential Dance Music Albums of All Time". mixmag.net. Retrieved 9 January 2019.
- ↑ ""David Vorhaus", Sound on Sound magazine, February 2002, accessed 2010-0909]
- 1 2 "The Quietus | Features | A Quietus Interview | A Storm In Heaven: David Vorhaus Of White Noise Interviewed". The Quietus. April 2015. Retrieved 2 November 2023.
- 1 2 White, Paul (1 February 2002). "David Vorhaus - Electronic Music Pioneer". www.soundonsound.com. Retrieved 2 November 2023.
- 1 2 "Lightning Strikes Twice, by White Noise". White Noise. Retrieved 2 November 2023.
- ↑ "David Vorhaus | Discogs".
