An Electric Storm | ||||
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Studio album by | ||||
Released | June 1969 | |||
Recorded | 1968 | |||
Genre | ||||
Length | 35:06 | |||
Label | Island | |||
Producer |
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White Noise chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [4] |
Pitchfork | 8.6/10 [5] |
An Electric Storm is the debut album by electronic music group White Noise.
The band recorded the first two tracks with the intention of producing a single only but were then persuaded by Chris Blackwell of Island Records to create an entire album. At this point the group had established the Kaleidophon Studio in a flat in Camden Town, London, and spent a year creating the next four tracks. [6] The last track was put together in one day when Island demanded the completion of the album. [7]
Although not very successful on its initial release, the album is now considered an important and influential album in the development of electronic music. [6] [8] Chris Carter of Throbbing Gristle has called it "the most groundbreaking yet completely underrated electronic record of the 20th century". [9]
A brief extract from the track "Black Mass: An Electric Storm in Hell" can be heard in the Hammer Film Productions film Dracula AD 1972 .
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Love without Sound" | 3:07 | |
2. | "My Game of Loving" |
| 4:10 |
3. | "Here Come the Fleas" |
| 2:15 |
4. | "Firebird" |
| 3:05 |
5. | "Your Hidden Dreams" |
| 4:58 |
No. | Title | Writer(s) | Length |
---|---|---|---|
6. | "The Visitation" |
| 11:14 |
7. | "Black Mass: An Electric Storm in Hell" |
| 7:22 |
The following people contributed to An Electric Storm: [11]
Delia Ann Derbyshire was an English musician and composer of electronic music. She carried out notable work with the BBC Radiophonic Workshop during the 1960s, including her electronic arrangement of the theme music to the British science-fiction television series Doctor Who. She has been referred to as "the unsung heroine of British electronic music", having influenced musicians including Aphex Twin, the Chemical Brothers and Paul Hartnoll of Orbital.
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Ricochet is the seventh major release and first live album by the German electronic music group Tangerine Dream. It was released, on the Virgin label, in 1975. It consists of two side-long compositions mixed from studio recordings and the UK portion of their August–October 1975 European Tour. The sound of the album is similar to that of the group's other "Virgin Years" releases, relying heavily on synthesizers and sequencers to produce a dense, ambient soundscape, but is much more energetic than their previous works. Ricochet uses more percussion and electric guitar than its predecessors Phaedra and Rubycon, and borders on electronic rock. The main innovation on the album is the use of complex, multi-layered rhythms, foreshadowing the band's own direction in the 1980s and trance music and similar genres of electronic dance music.
The Doctor Who theme music is a piece of music written by Australian composer Ron Grainer and realised by Delia Derbyshire at the BBC Radiophonic Workshop. Created in 1963, it was the first electronic music signature tune for television. It is used as the theme for the science fiction programme Doctor Who, and has been adapted and covered many times.
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Brian Hodgson is a British television composer and sound technician. Born in Liverpool in 1938, Hodgson joined the BBC Radiophonic Workshop in 1962 where he became the original sound effects creator for the science fiction programme Doctor Who. He devised the sound of the TARDIS and the voices of the Daleks, which he created by distorting the actors' voices and feeding them through a ring modulator. he also effectively scored four serials under the credit of "Special Sound". He continued to produce effects for the programme until 1972 when he left the Workshop, leaving Dick Mills to produce effects for the remainder of the show's run.
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However, the DDAS moniker is somewhat misleading, as the pair's debut album isn't nearly as eerie or playful as Derbyshire's work, and definitely nowhere near as weird as An Electric Storm by White Noise, an absolutely brilliant experimental pop album from the late '60s that Derbyshire played a major part in creating.