The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programmes such as Doctor Who and Quatermass and the Pit during the 1950s and 1960s.
Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect.
Art of Noise were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with keyboardist/arranger Anne Dudley, producer Trevor Horn, and music journalist Paul Morley. The group had international Top 20 hits with its interpretations of "Kiss", featuring Tom Jones, and the instrumental "Peter Gunn", which won a 1986 Grammy Award.
Delia Ann Derbyshire was an English musician and composer of electronic music. She carried out pioneering work with the BBC Radiophonic Workshop during the 1960s, including her electronic arrangement of the theme music to the British science-fiction television series Doctor Who. She has been referred to as "the unsung heroine of British electronic music", having influenced musicians including Aphex Twin, the Chemical Brothers and Paul Hartnoll of Orbital.
In the Court of the Crimson King is the debut studio album by English rock band King Crimson, released on 10 October 1969 by Island Records. The album is one of the earliest and most influential of the progressive rock genre, where the band combined the musical influences that rock music was founded upon with elements of jazz, classical, and symphonic music.
Leftism is the debut studio album by English electronic music duo Leftfield, released in 1995 on Columbia Records. It contained a mixture of new tracks along with reworked versions of previous Leftfield singles. The album contains guest spots from musicians not associated with dance music at the time such as John Lydon from Public Image Ltd. and Toni Halliday from Curve. The album was described as progressive house, although some journalists found that label too limiting, suggesting the album incorporated many genres. After completing the album, the duo initially were not pleased with it.
FM is a Canadian progressive rock music group formed in 1976 in Toronto, by Cameron Hawkins and Jeff Plewman. The band existed from 1976 to 1989, 1994–1996, 2006, and 2011–present. They have had periods of inactivity during their existence. Their music has been categorized as space rock, and lyrics are dominated by science fiction themes. In November 2011, Hawkins reformed the band with two new players.
The Doctor Who theme music is a piece of music written by Australian composer Ron Grainer and realised by Delia Derbyshire at the BBC Radiophonic Workshop. Created in 1963, it was one of the first electronic music signature tunes for television. It is used as the theme for the science fiction programme Doctor Who, and has been adapted and covered many times.
White Noise is an English experimental electronic music band formed in London in 1968, after American-born David Vorhaus, a classical bass player with a background in physics and electronic engineering, attended a lecture by Delia Derbyshire, a sound scientist at the BBC Radiophonic Workshop. Derbyshire and Brian Hodgson, then both former members of electronic music project Unit Delta Plus, joined Vorhaus to form the band.
Roxy Music is the debut studio album by the English rock band Roxy Music. It was released on 16 June 1972.
Brian Hodgson is a British television composer and sound technician. Born in Liverpool in 1938, Hodgson joined the BBC Radiophonic Workshop in 1962 where he became the original sound effects creator for the science fiction programme Doctor Who. He devised the sound of the TARDIS and the voices of the Daleks, which he created by distorting the actors' voices and feeding them through a ring modulator. He continued to produce effects for the programme until 1972 when he left the Workshop, leaving Dick Mills to produce effects for the remainder of the show's run.
Storm the Studio is the debut album by English electronic music group Meat Beat Manifesto, released on 20 February 1989 by Sweatbox Records in the United Kingdom and later that year by Wax Trax! in the United States. Recorded in three recording studios, the album contains four compositions, each split into separate parts, that mostly originated as twelve-inch singles the band released in 1988. The record's inventive musical style features elements of industrial music, electro, dub, noise rock and hip hop music, and incorporates breakbeats, noise and sporadic rap vocals. The group also incorporated heavy usage of sampling in a fashion they compared to pop art. Television was a further influence on the record, and numerous items of television dialogue appear throughout Storm the Studio as samples.
Out of This World is a 1976 British commercial LP release of atmospheric sounds and effects from the library of the BBC Radiophonic Workshop. The album was divided into four sections, each representing a different theme: "Outer Space", "Magic and Fantasy", "Suspense and the Supernatural" and "The Elements".
BBC Radiophonic Workshop – 21 is a compilation by the BBC Radiophonic Workshop to celebrate their 21st anniversary in 1979. It was compiled as an overview of their work both old and new, showcasing the changes in the Workshop as they developed from backroom sound effects suppliers for BBC Radio to full-fledged in-house music composers for the whole of the corporation. It demonstrates the move from the musique concrète and tape-manipulation techniques used in the early days, to the synthesiser works of the 1970s. The first side of the album consisted of material from 1958 to 1971, covering their early work creating jingles, sound-effects and some incidental music. This side includes the first material by Workshop founder Desmond Briscoe to be commercially released, as well as sound effects from The Goon Show, Maddalena Fagandini's interval signal that later became "Time Beat", some of Delia Derbyshire's experimental work and the pilot episode version of the Doctor Who theme music. The second side of the record covered the period between 1971–1979, including Richard Yeoman-Clark material from popular BBC series Blake's 7 and Peter Howell's vocoder heavy "Greenwich Chorus" theme for The Body in Question. It was reissued on CD by Silva Screen Records on 22 April 2016.
Love and Dancing is a remix album by English synth-pop band The Human League, released in July 1982 by Virgin Records. Issued under the band name "The League Unlimited Orchestra" as a nod to Barry White's disco-era Love Unlimited Orchestra, the album was principally the idea and work of producer Martin Rushent and contains dub-style, largely instrumental remixes of songs from the band's multi-platinum selling album Dare (1981), along with a version of the track "Hard Times", which had originally been the B-side of the single "Love Action ". Rushent was inspired by hip hop turntablist Grandmaster Flash and created Love and Dancing on a mixing board. He created vocal effects by cutting up portions of the Dare tape and manually gluing them together. In total, over 2,600 edits feature on the album.
"No Pussy Blues" is the second single by alternative rock group Grinderman from their debut album of the same name. Released on 19 February 2007, the song - like the previous single "Get It On" - received a positive reception from critics. Unlike the previous Grinderman single, this one charted, peaking at UK #62. "No Pussy Blues" was also the first song available on the band's MySpace page.
Calenture is the fourth studio album by Australian rock group The Triffids, it was released in November 1987 and saw them explore themes of insanity, deception and rootlessness—the title refers to a fever suffered by sailors during long hot voyages. It reached No. 32 on the Australian Kent Music Report Albums Chart. In November 1987, it reached No. 24 on the Swedish Albums Chart, in May 1988 it peaked at No. 25 on the New Zealand Albums Chart. The album spawned three singles, "Bury Me Deep in Love" (1987), "Trick of the Light" and "Holy Water". The latter track was recorded with American producer Craig Leon.
Cluster is the debut studio album by German electronic music outfit Cluster. It was recorded in 1971 and released the same year by record label Philips. It is also the only album on which producer Conny Plank is credited as a member.
White Label Music is an independent record label based in the UK. The label is run by Marc Hunter and Ann Shenton, who was formerly a member of the band Add N to (X).
Forever Alien is the third studio album by British space rock band Spectrum, a project led by Peter Kember under the pseudonym Sonic Boom. It was released in August 1997 by Space Age Records. After the band's preceding EP Songs for Owsley (1996) moved them away from guitar-oriented music and towards electronic music, Forever Alien furthered this approach considerably, as Kember aimed to create a predominately electronic album that sounded organic and analogue in style. The record is dominated by vintage analogue synthesizers, including the EMS VCS 3 and EMS Synthi AKS. Kember had become fascinated by the synths as he felt they presented him with more musical possibilities than guitars.
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