Events from the year 1989 in art.
Ingrid Pollard is a British artist and photographer. Her work uses portraiture photography and traditional landscape imagery to explore social constructs such as Britishness or racial difference. Pollard is associated with Autograph, the Association of Black Photographers. She lives and works in London.
Autograph ABP, previously known as the Association of Black Photographers, is a British-based international, non-profit-making, photographic arts agency.
Ronald "Charlie" Phillips, also known by the nickname "Smokey", is a Jamaican-born restaurateur, photographer, and documenter of black London. He is now best known for his photographs of Notting Hill during the period of West Indian migration to London; however, his subject matter has also included film stars and student protests, with his photographs having appeared in Stern, Harper’s Bazaar, Life and Vogue and in Italian and Swiss journals. Notable recent shows by Phillips include How Great Thou Art, "a sensitive photographic documentary of the social and emotional traditions that surround death in London's African Caribbean community".
Iniva is the Institute of International Visual Art, a visual arts organisation based in London that collaborates with contemporary artists, curators and writers. Iniva runs the Stuart Hall Library, and is based in Pimlico, on the campus of Chelsea College of Arts.
Rivington Place is a purpose-built international visual arts centre in Shoreditch, London.
Oluwarotimi Adebiyi Wahab Fani-Kayode was a Nigerian-born photographer, who moved to England at the age of 12 to escape the Nigerian Civil War. The main body of his work was created between 1982 and 1989. He explored the tensions created by sexuality, race and culture through stylised portraits and compositions.
Zanele Muholi is a South African artist and visual activist working in photography, video, and installation. Muholi's work focuses on race, gender and sexuality with a body of work that dates back to the early 2000s, documenting and celebrating the lives of South Africa's Black lesbian, gay, transgender, and intersex communities. Muholi is non-binary and uses they/them pronouns, explaining that "I'm just human".
David A. Bailey, is a British Afro-Caribbean curator, photographer, writer and cultural facilitator, living and working in London. Among his main concerns are the notions of diaspora and black representation in art.
The Walther Collection is a private non-profit organization dedicated to researching, collecting, exhibiting, and publishing modern and contemporary photography and video art. The collection has two exhibition spaces: the Walther Collection in Neu-Ulm/Burlafingen, in Germany, and the Walther Collection Project Space in New York City.
Vanley Burke is a British Jamaican photographer and artist. His photographs capture experiences of his community's arrival in Britain, the different landscapes and cultures he encountered, the different ways of survival and experiences of the wider African-Caribbean community.
Maud Sulter was a Scottish contemporary fine artist, photographer, writer, educator, feminist, cultural historian, and curator of Ghanaian heritage. She began her career as a writer and poet, becoming a visual artist not long afterwards. By the end of 1985 she had shown her artwork in three exhibitions and her first collection of poetry had been published. Sulter was known for her collaborations with other Black feminist scholars and activists, capturing the lives of Black people in Europe. She was a champion of the African-American sculptor Edmonia Lewis, and was fascinated by the Haitian-born French performer Jeanne Duval.
James Barnor Hon. FRPS is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolis. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Armet Francis is a Jamaican-born photographer and publisher who has lived in London since the 1950s. He has been documenting and chronicling the lives of people of the African diaspora for more than 40 years and his assignments have included work for The Times Magazine, The Sunday Times Supplement, BBC and Channel 4.
Roshini Kempadoo is a British photographer, media artist, and academic. For more than 20 years she has been a lecturer and researcher in photography, digital media production, and cultural studies in a variety of educational institutions, and is currently a professor in Photography and Visual Culture at the University of Westminster.
Omar Victor Diop is a Senegalese photographer whose conceptually-rich work is exhibited around the world. He lives and works in Dakar and Paris, France.
Howard Grey is a British photographer. He is known for his photographs of the arrival of the last West Indian migrants at Waterloo Station, London, before the Commonwealth Immigrants Act 1962 came into force.
Syd Shelton is a British photographer, living in Hooe, who documented the Rock Against Racism movement. His work is held in the collections of Tate and the Victoria and Albert Museum and the National Portrait Gallery.
Sunil Gupta is an Indian-born Canadian photographer, based in London. His career has been spent "making work responding to the injustices suffered by gay men across the globe, himself included", including themes of sexual identity, migration, race and family. Gupta has produced a number of books and his work is held in the collections of the Museum of Modern Art in New York, Philadelphia Museum of Art, and Tate. In 2020, he was awarded Honorary Fellowship of the Royal Photographic Society.
Maxine Walker is a British-Jamaican photographer and critic. Based in Handsworth and active between 1985 and 1997, Walker has been described by Rianna Jade Parker as "a force within the Black British Art movement". Her photographs emphasise the fictive nature of documentary convention, and "raise questions about the nature of identity, challenging racial stereotypes".
