Mark Takeshi McGregor | |
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Background information | |
Born | Richmond, British Columbia | December 20, 1972
Occupation(s) | flutist, visual artist |
Mark Takeshi McGregor is a Canadian flutist, educator, producer, curator, and visual artist.
McGregor was born in Richmond, British Columbia, and grew up in North Delta, British Columbia. He received his Bachelor of Music (BM) degree from the University of British Columbia in 1995; studied at the Conservatoire de musique du Québec à Montréal in 1997; received a Master of Music (MM) from the University of Sydney, Australia, where he studied with Margaret Crawford and Richard Toop; (thesis topic: Evolution of extended techniques in the flute music of Brian Ferneyhough ); and Doctorate of Musical Arts (DMA) from the University of British Columbia in 2012, where his thesis topic was Of Instrumental Value: Composer-performer collaboration in the creation of avant-garde flute music, and notably includes the first overview of the performance career of Severino Gazzelloni written in English language, as well as an in-depth interview with renowned Canadian flutist Robert Aitken and writings about McGregor's collaborations with three contemporary Canadian composers. [1] [2]
In 2001, Jordan Nobles and Mark Takeshi McGregor co-founded of Vancouver's Redshift Music Society, [3] [4] an organization founded in 2001 which commissions and premieres new works by Canadian and international composers. McGregor was co-artistic director along with Nobles from 2005 to 2012 [2] and helped launch the Redshift Records label, which released its first CD in 2007. McGregor has been featured on, and produced, a number of their 40 releases, which feature the music of contemporary Canadian and international composers. [5]
McGregor was the Artistic Director of Powell Street Festival Society in Vancouver, Canada from 2015 to 2016. [6] [7] In 2021 he succeeded S.D. Holman as artistic director and executive director of the Queer Arts Festial in Vancouver. [8] [9]
Mark Takeshi McGregor has premiered flute concertos by Gordon Fitzell, Anna Höstman, James Beckwith Maxwell, and Piotr Grella-Mozejko, and has commissioned and premiered dozens solo and chamber music by dozens of contemporary Canadian and international composers, including Pedro Alvarez, Dániel Péter Biró, Philip Brownlee, Jennifer Butler, Dorothy Chang, André Cormier, Michael Finnissy, Graham Flett, Patrick Giguère, Etsuko Hori, Kaiyi Kao, Yota Kobayashi, Chris Kovarik, Emilie LeBel, Hope Lee, Ellen Lindquist, Nicole Lizée, Simon Martin, Cassandra Miller, Jocelyn Morlock, Gregory Lee Newsome, Jordan Nobles, Anders Nordentoft, James O’Callaghan, Michael Oesterle, Nova Pon, Marci Rabe, Benton Roark, Jeffrey Ryan, Farshid Samandari, Alfredo Santa Ana, Rodney Sharman, Paul Steenhuisen, Edward Top, Hiroki Tsurumoto, and Owen Underhill. [2] [10] He is most frequently heard in concert as soloist, with Rachel Kiyo Iwaasa as the Tiresias Duo, [11] and as flutist for the Victoria-based new music ensemble, Aventa. [12]
Until 2021 McGregor was instructor of flute at the Vancouver Symphony Orchestra (VSO) School of Music, [13] the Vancouver Academy of Music, [14] and Vancouver Community College. [15] He served as sessional faculty (flute) at the University of Victoria in 2016. [2]
Classical Artist of the Year
Classical Recording of the Year
The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Unlike woodwind instruments with reeds, a flute produces sound when the player's air flows across an opening. In the Hornbostel–Sachs classification system, flutes are edge-blown aerophones. A musician who plays the flute is called a flautist or flutist.
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Valerie Coleman is an American composer and flutist as well as the creator of the wind quintet Imani Winds. Coleman is a distinguished artist of the century who was named Performance Today's 2020 Classical Woman of the year and was listed as “one of the Top 35 Women Composers” in the Washington Post. In 2019, Coleman's orchestral work, Umoja, Anthem for Unity, was commissioned and premiered by the Philadelphia Orchestra. Coleman's Umoja is the first classical work by a living African American woman that the Philadelphia Orchestra has performed.
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