This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations .(February 2020) |
Marquita Lister (born 24 April 1961) is an American operatic soprano. She has sung with major companies in the U.S. and abroad, specializing in the lirico-spinto repertoire. Lister is considered one of the leading interpreters of Bess in Porgy and Bess , having performed the role hundreds of times in companies across the globe, and she is also renowned for her portrayals of Aida and Salome, two signature roles.
Lister was born in Washington, D.C. She attended Western High School before it became the Duke Ellington School for the Performing Arts, and then she transferred to Woodrow Wilson High School from which she graduated. She won several vocal competitions as a teenager. She went on to graduate from the New England Conservatory of Music with a Bachelor of Music degree and earned a Master of Music degree from Oklahoma City University, where she studied with famed vocal teacher Inez Silberg. In 1983 she won the regional Metropolitan Opera Auditions.
Lister apprenticed at the Houston Grand Opera (1987–89), and made her mainstage debut with the company as the title heroine in Giuseppe Verdi's Aida in 1992. She went on to sing principal soprano roles at the San Francisco Opera, Portland Opera, Austin Lyric Opera, and the Vancouver Opera among others. She portrayed the role of Bess in a world tour that played the Opéra Bastille in Paris and the La Scala in Milan. She sang Musetta in La bohème at the Arena di Verona Festival, then Bess, yet again, at the Bregenzer Festspiele and New York City Opera, where she won the Diva Award (2002). She also appeared as Bess in New York City Opera's "Live From Lincoln Center" PBS broadcast of Porgy and Bess on March 20, 2002.
In recent years Lister has sung Lady Macbeth and Aida at Dresden's Semperoper, Rusalka at Boston Lyric Opera, and Cassandre in Les Troyens at the Amazon Theatre in Brazil. Last summer [ when? ] she again starred as Bess in a concert version of Gershwin's opera at the Hollywood Bowl.
She has performed with world-renowned artists such as Plácido Domingo, Justino Díaz, Frederica Von Stade, Simon Estes, and Sherrill Milnes. She has recorded George Gershwin's Blue Monday and excerpts from Porgy and Bess for Telarc Records with Erich Kunzel and the Cincinnati Pops; "Where the Sunsets Bleed: The Chamber Music of Edward Knight" for Albany Records; and the critically acclaimed Porgy and Bess for Decca, hailed by Opera News as one of the best recordings of 2006.
In April 2011, Lister reprised her signature role of Bess in a concert production with the Akron Symphony. During August 2011, Lister sang the role of Serena in Porgy and Bess at Tanglewood. Also that year, she performed a program of Gershwin classics with Maestro Tovey at the keyboard in Vancouver, Canada and appeared with him and the Vancouver Symphony Orchestra's Mahler extravaganza (MahlerPlus) in the composer's Symphony No. 2 in C minor, Resurrection to a standing ovation.
In February 2012, she joined the African American Art Song Alliance at the University of California, Irvine, where she sang the song cycle, "The Wider View" by H. Leslie Adams, as well as the Act II aria, “Lady of the Water,” from "Amistad" by Anthony Davis. The following month she appeared at the Videmus@Festival on the Hill at the University of North Carolina, Chapel Hill, where she gave a Master Class and performed a tribute concert honoring the distinguished Videmus organization.
Additionally, at the request of composer Michael Ching, Ms. Lister recorded his contribution to the Opera America Songbook commissioned to celebrate the opening of the National Opera Center. She then reprised the role of Serena in a concert performance of "Porgy and Bess" with the Boston Symphony Orchestra, again under the direction of Maestro Tovey.
Ms. Lister continues to appear on a variety of television programs. She recently launched a radio talk show series with noted radio host Doug Llewellyn, and appears regularly on WAMU radio.
For many years Lister has served as the national spokesperson for the Negro "Spiritual" Scholarship Foundation Negro Spiritual Scholarship Foundation, which helps young singers obtain funds to pursue their musical education. In December 2011, Lister accepted the prestigious Victory Award from National Rehabilitation Hospital in Washington, D.C., where she underwent treatment for an illness several years ago. Owing to the soprano's determination and care at NRH, [ neutrality is disputed ] Lister regained her strength and returned to the stage with renewed vigor.
Porgy and Bess is an English-language opera by American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play Porgy, itself an adaptation of DuBose Heyward's 1925 novel Porgy.
Ruby Pearl Elzy was an American operatic soprano. She appeared on stage and in films. She recorded on albums before her death in her 30s from surgery to remove a benign tumor.
Anne Brown was an American lyric soprano for whom George Gershwin rewrote the part of "Bess" into a leading role in the original production of his opera Porgy and Bess in 1935.
Adele Addison is an American lyric soprano who was a figure in the classical music world during the 1950s and 1960s. Although she did appear in several operas, Addison spent most of her career performing in recital and concert. Her performances spanned a wide array of literature from the Baroque period to contemporary compositions. She is best remembered today as the singing voice for Bess in the 1959 movie, Porgy and Bess. Known for her polished and fluent tone, Addison made a desirable Baroque vocal artist. She can be heard on numerous recordings, of which her Baroque performances are perhaps her best work. Many of her recordings were made with the New York Philharmonic under the baton of Leonard Bernstein.
Angela M. Brown is an American dramatic soprano particularly admired for her portrayal of Verdi heroines.
Camilla Ella Williams was an American operatic soprano who performed nationally and internationally. After studying with renowned teachers in New York City, she was the first African American to receive a regular contract with a major American opera company, the New York City Opera. She had earlier won honors in vocal competitions and the Marian Anderson Fellowship in 1943–44.
Karen Williams is an American concert and opera soprano. In 1985 she won the Metropolitan Opera National Council Auditions; making her stage debut at the Metropolitan Opera later that year as Serena in George Gershwin's Porgy and Bess. She sang that role at the Met again in 1989–1990. She has also performed Serena at Symphony Hall, Springfield with the Boston Concert Opera (1986), the Milwaukee Symphony Orchestra (1998), the Buffalo Philharmonic Orchestra (1999), the Utah Symphony Orchestra (1999), and the Philadelphia Orchestra (2000) among others. In 1986 she made her debut with the Opera Company of Philadelphia as Amelia in Verdi's Un ballo in maschera.
Nicole Cabell is an American opera singer. She is best known as the 2005 winner of the BBC Cardiff Singer of the World Competition.
Florence Quivar is an American operatic mezzo-soprano who is considered to be "one of the most prominent singers of her generation." She has variously been described as having a "rich, earthy sound and communicative presence" as "always reliable" and as "a distinguished singer, with a warm, rich voice and a dignified performing presence." From 1977 to 1997 she was a regular performer at the Metropolitan Opera where she gave more than 100 performances.
Harolyn Blackwell is an American lyric coloratura soprano who has performed in many of the world's finest opera houses, concert halls, and theaters in operas, oratorios, recitals, and Broadway musicals. Initially known for her work within musical theater during the early 1980s, Blackwell moved into the field of opera and by 1987 had established herself as an artist within the soubrette repertoire in many major opera houses both in the United States and in Europe. Feeling that she was being "type cast" into one particular kind of role, Blackwell strove to establish herself within the lyric coloratura repertoire beginning in the mid-1990s. With the aid of such companies as Seattle Opera, Blackwell successfully made this move and is now an interpreter of such roles as Lucia in Donizetti's Lucia di Lammermoor and Olympia in Offenbach's Les contes d'Hoffman. She has also periodically returned to musical theater performances throughout her career in staged productions, concert work, and recitals. Blackwell is known for her interpretations and recordings of the works of Leonard Bernstein.
Gloria Davy was a Swiss soprano of American birth who had an active international career in operas and concerts from the 1950s through the 1980s. A spinto soprano, she was widely acclaimed for her portrayal of the title role in Verdi's Aida, a role she performed in many of the world's top opera houses. She was notably the first black artist to perform the role of Aida at the Metropolitan Opera in New York City in 1958. While she performed a broad repertoire, she was particularly admired for her interpretations of 20th-century music, including the works of Richard Strauss, Benjamin Britten and Paul Hindemith.
Helen Jepson was an American lyric soprano.
Clamma Churita Dale is an American operatic soprano. She portrayed "Bess" in the highly successful 1976 Houston Grand Opera production of Porgy and Bess. The show was transferred from Houston to Broadway and Dale was awarded a 1977 Drama Desk Award for Best Actress in a musical and received a Tony Award nomination. She won a Grammy award in 1978 for Best Opera Recording of the Porgy & Bess soundtrack.
Jonita Lattimore is an American operatic soprano and a faculty member of Roosevelt University's Chicago College of Performing Arts. She is a lyric soprano from Chicago's South Side who has performed a wide range of operatic roles, as well as oratorio performances with major orchestras both internationally and domestically.
Geraldine McMillian is an American soprano who has had an active career in concerts and operas since the mid-1980s.
Latonia Moore is a three-time Grammy Award-winning American soprano known for her performances in the title roles of Aida and Madama Butterfly, as well as her work in Terence Blanchard's operas.
Camellia Johnson was an American concert and opera singer. She began her career performing works from the mezzo-soprano repertoire, but after encouragement from the staff at the Metropolitan Opera retrained her voice as a soprano. She successfully made that transition after winning the Young Concert Artists competition in 1993. She went on to perform as a leading soprano with orchestras and opera companies internationally.
Cynthia Clarey is an American operatic singer and educator. In opera, she has sung both soprano and mezzo-soprano roles and is often associated with the role of Carmen.
Isabelle Kabatu is a Belgian operatic soprano with a father from Belgian Congo and a Belgian mother. She has appeared internationally, with a focus on the Italian repertoire such as Verdi's La traviata and Aida, and Puccini's Manon Lescaut and Tosca. She appeared as Bess in Gershwin's Porgy and Bess beginning at the Houston Grand Opera and touring the world. In 2012, she appeared in the world premiere of Franck's early work Stradella.
Gordon Hawkins is an American baritone known for his work on both the operatic and concert stage, particularly as one of the foremost interpreters of the roles of Porgy and Crown in Porgy and Bess. His music career began in the 1980s with him singing major concert repertoire and opera roles in his native Maryland. Since then, Hawkins has performed for national and international opera houses and venues, including the Metropolitan Opera, Deutsche Oper Berlin, Lyric Opera of Chicago, Seattle Opera, Houston Grand Opera, and more. In addition to performing, he is currently on the voice faculty at Arizona State University.